Heritage, Affect and Emotion: Politics, practices and infrastructures: Critical Studies in Heritage, Emotion and Affect
Editat de Divya P. Tolia-Kelly, Emma Waterton, Steve Watsonen Limba Engleză Hardback – 5 iul 2016
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Specificații
ISBN-13: 9781472454874
ISBN-10: 1472454871
Pagini: 320
Ilustrații: 58
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.6 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Critical Studies in Heritage, Emotion and Affect
Locul publicării:Oxford, United Kingdom
ISBN-10: 1472454871
Pagini: 320
Ilustrații: 58
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.6 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Critical Studies in Heritage, Emotion and Affect
Locul publicării:Oxford, United Kingdom
Cuprins
Heritage, Affect and Emotion
1. Making Polysense of the World: Affect, Memory, Heritage
Part I: Memories
2. Race and Affect at the Museum: The Museum as a Theatre of Pain
3. Affecting the Body: Cultures of Militarism at the Australian War Memorial
4. Affect and the Politics of Testimony in Holocaust Museums
5. Museum Canopies and Affective Cosmopolitanism: Cultivating Cross-Cultural Landscapes for Ethical Embodied Responses
6. Constructing Affective Narratives in Transatlantic Slavery Museums in the UK
Part II: Places
7. Overlooking Affect? A Geo-Sensitive Heritage at Malakoff Diggins, California
8. The Castle Imagined: Emotion and Affect in the Experience of Ruins
9. From Menie to Montego Bay: Documenting, Representing and Mobilizing Emotion in Coastal Heritage Landscapes
10. Touching Time: Photography, Affect and the Digital Archive
11. Commemoration, Heritage and Affective Ecology: The Case of Utøya
12. Social Housing as Built Heritage: The Presence and Absence of Affective Heritage
Part III: Practices
13. "Please Mister President, We Know You Are Busy, But Can We Get Our Bridge Sorted?"
14. Dark Seas and Glass Walls: Feeling Injustice at the Museum. Practitioner Perspectives: Rosanna Raymond
1. Making Polysense of the World: Affect, Memory, Heritage
Part I: Memories
2. Race and Affect at the Museum: The Museum as a Theatre of Pain
3. Affecting the Body: Cultures of Militarism at the Australian War Memorial
4. Affect and the Politics of Testimony in Holocaust Museums
5. Museum Canopies and Affective Cosmopolitanism: Cultivating Cross-Cultural Landscapes for Ethical Embodied Responses
6. Constructing Affective Narratives in Transatlantic Slavery Museums in the UK
Part II: Places
7. Overlooking Affect? A Geo-Sensitive Heritage at Malakoff Diggins, California
8. The Castle Imagined: Emotion and Affect in the Experience of Ruins
9. From Menie to Montego Bay: Documenting, Representing and Mobilizing Emotion in Coastal Heritage Landscapes
10. Touching Time: Photography, Affect and the Digital Archive
11. Commemoration, Heritage and Affective Ecology: The Case of Utøya
12. Social Housing as Built Heritage: The Presence and Absence of Affective Heritage
Part III: Practices
13. "Please Mister President, We Know You Are Busy, But Can We Get Our Bridge Sorted?"
14. Dark Seas and Glass Walls: Feeling Injustice at the Museum. Practitioner Perspectives: Rosanna Raymond
Notă biografică
Divya P. Tolia-Kelly is Reader in the Department of Geography at Durham University, UK.
Emma Waterton is Associate Professor in the Geographies of Heritage at Western Sydney University, Australia.
Steve Watson is Professor of Cultural Heritage at York St John University, UK.
Emma Waterton is Associate Professor in the Geographies of Heritage at Western Sydney University, Australia.
Steve Watson is Professor of Cultural Heritage at York St John University, UK.
Descriere
Heritage and its economies are driven by affective politics and consolidated through emotions such as pride, awe, joy and pain. This book focuses for the first time on relating heritage with the politics of affect. It argues that our engagements with heritage are almost entirely figured through the politics of affective registers. It questions how researchers working in the field of heritage might begin to discover and describe affective experiences, especially those shaped and expressed in moments that are personal and shared. It explores theoretical advances that enable heritage to be released from conventional understandings of both heritage-as-objects and objects-as-representations.