Heroines of Film and Television
en Limba Engleză Hardback – 4 apr 2014
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Specificații
ISBN-13: 9781442231498
ISBN-10: 1442231491
Pagini: 256
Dimensiuni: 155 x 229 x 25 mm
Greutate: 0.52 kg
Editura: Rowman & Littlefield
ISBN-10: 1442231491
Pagini: 256
Dimensiuni: 155 x 229 x 25 mm
Greutate: 0.52 kg
Editura: Rowman & Littlefield
Notă biografică
Norma Jones has a PhD in communication and information from Kent State University. She is an editor of Rowman & Littlefield's Sports Icons and Issues in Popular Culture book series and is coeditor of Aging Heroes: Growing Old in Popular Culture (Rowman & Littlefield, 2015).
Maja Bajac-Carter is a doctoral candidate in Communication Studies at Kent State University. Her research focuses on gender, identity, and media studies. She is a contributor to We Are What We Sell: How Advertising Shapes American Life . . . and Always Has (2014).
Bob Batchelor teaches in the Media, Journalism & Film department at Miami University and is the founding editor of the Popular Culture Studies Journal. Batchelor edits the Contemporary American Literature and Cultural History of Television book series for Rowman & Littlefield. Among his books are John Updike: A Critical Biography (2013), Gatsby: The Cultural History of the Great American Novel (Rowman & Littlefield, 2014), and Mad Men: A Cultural History (Rowman & Littlefield, 2016).
Cuprins
Acknowledgments
Introduction
I. Heroines on Television
Chapter 1: The Erotic Heroine and the politics of gender at work: A feminist reading of Mad Men¿s Joan Harris, Suzy D¿Enbeau and Patrice M. Buzzanell
Chapter 2: Burn One Down: Nancy Botwin as (Post)Feminist (Anti)Heroine, Katie Snyder
Chapter 3: Choosing Her ¿Fae¿te: Subversive Sexuality and Lost Girl¿s Re/evolutionary Female Hero, Jennifer K. Stuller
II. Heroines on Film
Chapter 4: Torture, Rape, Action Heroines and The Girl with the Dragon Tattoo, Jeffrey A. Brown
Chapter 5: The Maternal Hero in Tarantinös Kill Bill, Maura Grady
Chapter 6: We¿ve Seen this Deadly Web Before: Repackaging Femme Fatale & Representing Superhero(in)e as Neo-noir `Black Widow¿ in Sin City, Ryan Castillo and Katie Gibson
Chapter 7: Romance, Comedy, Conspiracy: The Paranoid Heroine in Contemporary Romantic Comedy, Pedro Ponce
Chapter 8: Conflicted Hybridity: Negotiating the Warrior Princess Archetype in Willow, Cassandra Bausman
Chapter 9: The Woman Who Fell From the Sky: Cowboys and Aliens¿ Hybrid Heroine, Cynthia J. Miller
III. Diversity Concerns
Chapter 10: Her Story, Too: Final Fantasy X, Revolutionary Girl Utena, and the Feminist Hero's Journey, Catherine Bailey Kyle
Chapter 11: Bollywood Marriages: Portrayals of Matrimony in Hindi Popular Cinema, Rekha Sharma and Carol A. Savery
Chapter 12: The Enduring Woman: Race, Revenge, and Self-Determination in Chloe, Love is Calling You, Robin R. Means Coleman
Chapter 13: The Dark, Twisted Magical Girls: Sh¿jo Heroines in Puella Magi Madoka Magica, Lien Fan Shen
IV: Heroines across Media
Chapter 14: Women on the Quarterdeck: The Female Captain as Adventure Hero, 1994-2009, A. Bowdoin Van Riper
Chapter 15: The Girl Who Lived: Reading Harry Potter as a Sacrificial and Loving Heroine, Norma Jones
Chapter 16: ¿It¿s About Power and It¿s About Women¿: Gender and the Political Economy of Superheroes in Wonder Woman and Buffy the Vampire Slayer, Carolyn Cocca
Index
About the Contributors
About the Editors
Descriere
Despite the increasing variety of heroic women portrayed in film, television, and other popular culture channels, much of the understanding of heroines has been limited to females as versions of male heroes or simple stereotypes of overly weak/strong (and even violent) women. ...