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Hijikata Tatsumi and Ohno Kazuo: Routledge Performance Practitioners

Autor Sondra Fraleigh, Tamah Nakamura
en Limba Engleză Hardback – 12 dec 2017
Now re-issued, this compact book unravels the contribution of one of modern theatre’s most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo combines:
• an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh’s international assimilation
• an exploration of the impact of the social and political issues of post-World War II Japan on the aesthetic development of butoh
• metamorphic dance experiences that students of butoh can explore
• a glossary of English and Japanese terms.
As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
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Specificații

ISBN-13: 9781138572782
ISBN-10: 1138572780
Pagini: 194
Dimensiuni: 129 x 198 x 18 mm
Greutate: 0.29 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Performance Practitioners

Locul publicării:Oxford, United Kingdom

Cuprins

PREFACE TO 2018 RE-ISSUE, Sondra Fraleigh
INTRODUCTION
BUTOH SHAPESHIFTERS
Kaze Daruma: the origins of butoh
Hijikata’s butoh
Nature, mud, and butoh morphology
Butoh alchemy in global circulation
Hijikata: a corpse standing desperately upright
Yoneyama Kunio
Studying Neue Tanz
The drug of Ohno
Tokyo
New names
Dancing life: Ohno Kazuo
Born to dance
Together and apart
Together again
Ohno’s international stage
Ohno is a bridge
Butoh, community, and healing
THE WORDS OF HIJIKATA AND OHNO
    Hijikata-speak
    The criminal and the fool: writing/living darkness
    Body as spirit: writing/speaking the butoh body
    Being a corpse
    Hijikata’s butoh-fu: what is an image?
    Words that dance: Ohno’s images
    Spiritual darkness: inside Ohno’s studio and Konpaku
    How Ohno prepares: words for the speech of the body
    The Ishikari river’s hooked-nose salmon
    Body as universe: Kazuo and Yoshito speak of love and care

DANCES OF DEATH, SACRIFICE, AND SPIRIT
    Two butohists: why they dance the way they do
    Dance as experience: shedding the social body 
     Challenging modernization
    Kinjiki (Forbidden Colors, 1959)
    Barairo Dansu (Rose Colored Dance, 1965)
    Nikutai No Hanran (Rebellion of the Body, 1968) 
     Note on Natsu No Arashi (Summer Storm, 1973)
    La Argentina Sho (Admiring La Argentina, 1977)
    Suiren (Water Lilies, 1987)
    Interview with Ohno Yoshito – on Suiren
    The future of butoh
     
    DANCE EXPERIENCES
Introduction to metamorphic explorations
Nakajima Natsu: becoming nothing/ becoming something
Ohno Yoshito: the patience of not starting
Yoshioka Yumiko: body resonance
Morita Itto and Takeuchi Mika: psychosomatics of butoh
Takenouchi Atsushi’s Jinen Butoh
Frances Barbe and the practice of butoh-fu
Harada Nobuo: butoh is everything
Waguri Yukio and Butoh-Kaden CD-Rom
English glossary of terms Japanese glossary of terms

Notă biografică

Sondra Fraleigh is Professor Emeritus of dance and somatic studies at the State University of New York at Brockport. She chaired the Department of Dance at SUNY Brockport and has been a Faculty Exchange Scholar for the State University of New York. Her innovative choreography has been seen in theaters in New York, Germany, and Japan, and she is often a guest lecturer in Europe, America, and Asia. Fraleigh is the founding director of Eastwest Somatics Institute for the study of dance and movement therapy, a member school of ISMETA, International Somatic Movement Education and Therapy Association.
Tamah Nakamura is a professor at Chikushi Jogakuen University, Fukuoka Japan. Her areas of expertise are contemporary Japan, popular culture and gender. Research interests include artistic inquiry, and butoh. She has published articles and presented on butoh in Japan and internationally.
 

Descriere

Now re-issued, this compact book unravels the contribution of one of modern theatre’s most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo gives an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh’s international assimilation; an exploration of the impact of the social and political issues of post-World War II Japan on the aesthetic development of butoh; and metamorphic dance experiences that students of butoh can explore.