History of Illustration
Editat de Susan Doyle, Jaleen Grove, Whitney Shermanen Limba Engleză Paperback – 6 feb 2019
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Specificații
ISBN-13: 9781501342103
ISBN-10: 150134210X
Pagini: 592
Ilustrații: 950 color illus
Dimensiuni: 229 x 305 x 41 mm
Greutate: 2.59 kg
Editura: Bloomsbury Publishing
Colecția Fairchild Books
Locul publicării:New York, United States
ISBN-10: 150134210X
Pagini: 592
Ilustrații: 950 color illus
Dimensiuni: 229 x 305 x 41 mm
Greutate: 2.59 kg
Editura: Bloomsbury Publishing
Colecția Fairchild Books
Locul publicării:New York, United States
Caracteristici
Theme
Boxeshighlight
ideas,
controversies,
and
arguments
that
persist
in
the
field,
or
expand
on
technological
innovations
that
advanced
the
medium,
serving
as
jumping-off
points
for
discussion.
Notă biografică
Susan
Doyleis
Chair
and
Associate
Professor
at
Rhode
Island
School
of
Design
in
Providence
(RISD),
USA.Jaleen
Groveis
a
Post-Doctoral
Fellow
at
the
Douglas
B.
Dowd
Modern
Graphic
History
Library
at
Washington
University,
USA.Whitney
Shermanis
Director
of
the
MFA
in
Illustration
Practice
at
Maryland
Institute
College
of
Art
(MICA),
USA.
Cuprins
PrefaceAcknowledgementsIntroductionSECTION
ONE:
ILLUSTRATIVE
TRADITIONS
IN
EUROPE,
ASIA
and
AFRICA1.
Image
and
Meaning,
Prehistory
to
1500by
Robert
Brinkerhoff
and
Margot
McIlwinNishimura2.
Illustration
in
Printed
Matter
in
Early
Modern
Europe,
1400-1660by
Susan
Doyle3.
Pluralistic
View
of
Indian
Images:
2nd
BCE
to
the
1990sbyBinita
Desai
andNina
Sabnani4.
Illustrative
Traditions
in
the
Muslim
Contextby
Irvin
Cemil
Schick5.
Chinese
Illustration
before
1900by
Sonja
Kelley
and
Frances
Wood6.
Prints
and
Books
in
Japan's
Floating
Worldby
Daphne
Rosenzweig7.
Illustration
in
Latin
America
from
Pre-Columbian
to
Modern
1990sby
Maya
Stanfield-Mazzi8.
Illustration
in
the
African
Contextby
Bolaji
Campbell
with
contributions
by
Winifred
LambrechtSECTION
TWO:
IMAGES
AS
KNOWLEDGE,
IDEAS
AS
POWER9.
Observation
and
the
Representation
of
Natural
Science
Illustration
1450-1900by
Shelley
Wall10.
Visualizing
Bodies:
Anatomical
and
Medical
Illustration
from
the
Renaissance
to
the
nineteenth
centuryby
Shelley
Wall11.
Dangerous
Pictures:
Social
Commentary
in
Europe,
1720-1860by
Robert
Lovejoy12.
From
Reason
to
Romanticismby
Hope
SaskaSECTION
THREE:
THE
ADVENT
OF
MASS
MEDIA13.
Illustration
on
British
and
North
American
printed
ephemera
of
the
Nineteenth
and
Early
Twentieth
CenturiesbyGraham
Hudson14.
Illustration
in
the
expansion
of
the
Graphic
Journalism,
and
Magazine
Fiction
in
Europe
and
North
America,
1830-1900by
Brian
Kane
and
Page
Knox15.
Beautifying
Books
and
Popularizing
Posters:
Illustration
in
the
Later
Nineteenth
Centuryby
Susan
Ashbrook
and
Alison
Syme16.
Fantasy
and
Children's
Book
Illustration
Nineteenth
and
early
Twentieth-Century
Englandby
Alice
Carter17.
Six
Centuries
of
Fashion
Illustrationby
Pamela
ParmalSECTION
FOUR:
DIVERGING
PATHS
IN
20TH
CENTURY
AMERICAN
AND
EUROPEAN
ILLUSTRATION18.
American
Narratives:
Periodical
Illustration
in
the
Late
Nineteenth
and
Early
Twentieth
Centuryby
Mary
Holahan
with
contributions
by
Alice
Carter
and
Joyce
Schiller19.
Avant-garde
Illustration,
1900-1950by
Jaleen
Grove20.
Diverse
American
Illustration
Trends
in
Periodicals,
1915-1940by
Roger
Reed21.
Wartime
Imagery
and
Propaganda,
1890-1950by
Thomas
LaPadula22.
Illustrating
Alternate
Realities
in
Pulps
and
Other
Popular
Fictionby
Nicholas
Egon
Jainschiggwith
contributions
by
Robert
Lovejoy23.
Overview
of
Comics
and
Graphic
Narrativesby
Brian
M.
Kane
with
contributions
by
Loren
Goodman
and
Michelle
NolanSECTION
FIVE:
THE
EVOLUTION
OF
ILLUSTRATION
IN
AN
ELECTRONIC
AGE24.
The
Shifting
Postwar
Marketplace:
Illustration
Competes
with
Growing
Media
Options
in
the
United
States
and
Canada,
1940-1970byStephanie
Plunkett25.
Children's
Book
Illustration,
1920-2000byH.
Nichols
B.
Clark26.
Countercultures:
Underground
Comix,
Rock
Posters
and
Protest
Art,
1960-1990by
Robert
Lovejoy27.
Print
Illustration
in
the
Postmodern
Worldby
Whitney
Sherman28.
Medical
Illustration
after
Gray's
Anatomy:
1859
to
the
presentby
David
M.
Mazierski29.
Digital
Formsby
Nanette
Hoogslag
and
Whitney
ShermanBibliographyGlossaryIndex
Recenzii
Beyond
situating
illustrations
in
a
time
and
place
as
material
objects,
the
book
offers
practice
research
methodologies
for
evaluating
visual
images,
encouraging
students
to
develop
the
critical
skill
necessary
to
bring
intellectual
rigor
to
current
illustration
production.
The authoritative book on the origins, history, and influence of illustration. This book will educate and foster mutual respect between designers, fine artists, faculty colleagues, and of course, the illustration students enrolled in contemporary Bachelors of Fine Arts programs. Bravo!
Highly detailed and thorough. I especially like that the history of illustration of non-western cultures aren't ignored. . .Covers all of the major illustrators and movements.
This book is one of the most thorough histories of illustration that I have seen and it would serve graphic design students well. Its content on non-western cultures far exceeds any comprehensive illustration or design history text available at this time.
This book is probably the first to cover the subject of illustration in such depth, it should be a core study text for most illustration courses I would suggest. Even though it covers a huge amount of ground, it is very well structured and referenced.
The authoritative book on the origins, history, and influence of illustration. This book will educate and foster mutual respect between designers, fine artists, faculty colleagues, and of course, the illustration students enrolled in contemporary Bachelors of Fine Arts programs. Bravo!
Highly detailed and thorough. I especially like that the history of illustration of non-western cultures aren't ignored. . .Covers all of the major illustrators and movements.
This book is one of the most thorough histories of illustration that I have seen and it would serve graphic design students well. Its content on non-western cultures far exceeds any comprehensive illustration or design history text available at this time.
This book is probably the first to cover the subject of illustration in such depth, it should be a core study text for most illustration courses I would suggest. Even though it covers a huge amount of ground, it is very well structured and referenced.