Holocaust Fiction
Autor Sue Viceen Limba Engleză Paperback – 6 apr 2000
* Time's Arrow by Martin Amis
* The White Hotel by D.M. Thomas
* The Painted Bird by Jerzy Kosinski
* Schindler's List by Thomas Keneally
* Sophie's Choice by William Styron
* The Hand that Signed the Paper by Helen Darville.
Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.
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Specificații
ISBN-13: 9780415185530
ISBN-10: 041518553X
Pagini: 248
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.41 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 041518553X
Pagini: 248
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.41 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateNotă biografică
Sue Vice is Reader in English Literature at the University of Sheffield, and set up Britain's first Holocaust Studies MA. Her publications include Introducing Bakhtin (1997).
Recenzii
'Now we may well wish that extracts from these diaries should appear in the National Curriculum - certainly there is nothing in the realm of home-grown 'Holocaust fiction' that comes anywhere near them for detailed fascination and capacity for enlightenment.' - Piotr Kuhiwczak, The Cambridge Quarterly, Vol. 30 (2) 2001
Cuprins
Acknowledgements Introduction 1.Formal Matters: Martin Amis, Time's Arrow 2.Documentary Fiction: D.M. Thomas, The White Hotel 3.Autobiographical Fiction: Jerzy Kosinski, The Painted Bird 4.Faction: Thomas Keneally, Schindler's List 5.Melodrama: William Styron, Sophie's Choice 6.Historical polemic: Helen Darville, The Hand that Signed the Paper Conclusion Bibliography Index
Descriere
This is a critical survey of a broad range of fictional representations of the Holocaust over the last twenty years. It brings a new slant to the key debates and issues relevant to those looking at representation and the Holocaust.