Home: Acting Edition S.
Autor David Storeyen Limba Engleză Paperback – 25 oct 2015
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 77.28 lei 6-8 săpt. | |
Bloomsbury Publishing – 22 oct 2013 | 77.28 lei 6-8 săpt. | |
Samuel French Ltd – 25 oct 2015 | 88.64 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780573012204
ISBN-10: 0573012202
Pagini: 54
Dimensiuni: 140 x 216 x 3 mm
Greutate: 0.07 kg
Editura: Samuel French Ltd
Seria Acting Edition S.
ISBN-10: 0573012202
Pagini: 54
Dimensiuni: 140 x 216 x 3 mm
Greutate: 0.07 kg
Editura: Samuel French Ltd
Seria Acting Edition S.
Caracteristici
Composed largely of short lines, and bantering dialogue Home provides perfect performance material for a tight-knit troupe of actors.
Notă biografică
David Storey was born in Wakefield and is a Fellow of University College, London. His plays include The Restoration of Arnold Middleton (1967), which won the Evening Standard Award for Most Promising Playwright; The Contractor (1969), Home (1970) and The Changing Room (1972), all of which won the New York Critics Best Play of the Year Award; In Celebration (1975), which was adapted as a film in 1974 starring Alan Bates; Life Class (1975); and The Farm (1973). All of these plays were first performed at the Royal Court Theatre, while Early Days (1980), The March on Russia (1989) and Stages (1992) all premiered at the National Theatre.
Recenzii
A most rich and compassionate play. It is funny, sprightly and uplifting . . . the writing is extraordinarily pungent, its skill is in capturing spontaneity and freezing it into art. A lovely play, a sad play.
A sad Wordsworthian elegy about the solitude and dislocation of madness and possibly about the decline of Britain itself . . . part of the play's appeal is that Storey leaves us to draw our own conclusions . . . a play that contains within itself the still, sad music of humanity
An affectionate, intelligently acted revival
A sad Wordsworthian elegy about the solitude and dislocation of madness and possibly about the decline of Britain itself . . . part of the play's appeal is that Storey leaves us to draw our own conclusions . . . a play that contains within itself the still, sad music of humanity
An affectionate, intelligently acted revival