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How to Work the Film & TV Markets: A Guide for Content Creators

Autor Heather Hale
en Limba Engleză Hardback – 27 iul 2017
How to Work the Film & TV Markets takes independent filmmakers, television and digital content creators on a virtual tour of the entertainment industry’s trade shows — the circulatory system of the entire global media landscape. This book highlights the most significant annual events around the world, details a dossier of all the players that frequent them and examines all the elements that drive the market value and profitability of entertainment properties. In-the-trenches insights from our modern, real-world marketplace are contextualized into immediately implementable practical advice. Make the most of your finite investments of funds, time and creative energy to optimize your odds for success within the mainstream, business-to-business circuit but learn how to select, apply and scale prudent, proven principles to drive your own Do-It-Yourself/Direct-to-the-Consuming-Crowd fundraising, distribution and promotional success.
Heather Hale demystifies these markets, making them less intimidating, less confusing and less overwhelming. She shows you how to navigate these events, making them far more accessible, productive — and fun!
This creative guide offers:
  • An in-depth survey of the most significant film, TV and digital content trade shows around the world;
  • An overview of the co-production market circuit that offers financing and development support to independent producers;
  • An outline of the market-like festivals and key awards shows;
  • A breakdown of who’s who at all these events — and how to network with them;
  • Hot Tips on how to prepare for, execute and follow up on these prime opportunities;
  • Low-budget key art samples and game plans;
  • A social media speed tour with a wealth of audience engagement ideas.
Visit the book’s space on www.HeatherHale.com for additional resources and up-to-date information on all these events.
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Specificații

ISBN-13: 9781138680517
ISBN-10: 1138680516
Pagini: 322
Dimensiuni: 178 x 254 mm
Greutate: 2.05 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Professional Practice & Development

Cuprins

Introduction
This Guidebook = Orientation + Compendium + Almanac + "How-To" Manual
Who this Book Is For
The Goal of this Book
 
PART I THE MARKETS
 
Chapter 1 What Is a Market?
Market Establishing Shot
     Exhibition Space
     Screenings
     Educational and Networking Opportunities
What’s the Difference Between a Market and a Festival?
     Confusion Abounds
     Festivals Versus Markets
    Should You Go to Either? Both? Why?
Aren’t Film and Television Totally Different Industries?
You Might Be an Independent If . . .
 
PART II THE GLOBAL FILM INDUSTRY
 
Chapter 2 To Hollywood, Bollywood, Nollywood — and Beyond!
Hollywood
Bollywood
Nollywood
Hollywood’s Oligopoly
     The Big Six
     The Mini Majors
Fierce Film Competition
 
Chapter 3 The Players on the Film Market Stage
Film Distributors
International (Film) Sales Agents (ISAs)
Aggregators
Producer’s Representatives
Collection Agents
Exhibitors
Market Makers
 
THE FILM MARKETS
 
Chapter 4 Le Marché du Film (The Cannes Film Market)
International Profile
The Producers Workshop
The Producers Network
"Goes to Cannes" Works in Progress Screenings
Cannes Investors Club
The Village International
NEXT Pavilion
Marché Mixers
Doc Corner
Cinando
 
Chapter 5 The European Film Market (EFM)
Venues
     Potsdamer Platz
First Timers
EFM Industry Debates
EFM Drama Series Days
American Independents in Berlin
Creative Europe Media (Media-stands.eu)
EFM Asia
LOLA at Berlinale
EFM Startups
Meet the Docs
Meet the Festivals
 
Chapter 6 The American Film Market (AFM)
AFM Conference Series
     Roundtables
MyAFM
Exhibitors
The Film Catalogue
Buyers
The Independent Film & Television Alliance® (IFTA)
Don’t Be a Lobby Lizard
 
Chapter 7 Regional Film Markets
Hong Kong FILMART
     Hong Kong-Asia Film Financing Forum
     Business of IP (BIP) Zone
     Expo Hong Kong
Asian Film Market
     Korean Blockbusters
Tokyo International Film Festival Content
Market (TIFFCOM)
Ventana Sur
London Screenings
 
PART III THE WORLDWIDE TELEVISION AND DIGITAL MEDIA BUSINESS
 
Chapter 8 Mise en Scène
The UK and the US
Germany
The BRIC Block
     Brazil
     Russia
     India
     China
Turkey
Africa
 
Chapter 9 The Studio Scene: LA Screenings, the Upfronts (and NewFronts)
The LA Screenings
The Upfronts
The NewFronts
Staggering Odds of Scripted TV
 
Chapter 10 The Players on the TV Market Stage
Distributors
     Broadcast Networks
     Cable Networks
     Satellite TV
     Telcos and ISPs
     Over the Top Television (OTT)/Internet Networks
Syndicators
     The Coveted 100th Episode
     Strip Shows
     Deficit Financing
    Time Buy or Barter Syndication (Client Supplied Programming)
     Station Groups
Aggregators
Exhibitors
Market Makers
 
THE TV MARKETS
 
Chapter 11 The MIP Markets
The MIPs
Back at the Palais
Access to it all via MyMIP and Mobile Apps
MIPTV
     Welcome to the Club(s)!
     MIPDigital Fronts
     MIPFormats
     MIPDoc
MIPCOM
     MIPJunior
MIPCancun (the Latam TV Buyers Summit)
Asia TV Forum & Market (ATF)
 
Chapter 12 National Association of Television Program Executives (NATPE)
Professional Pitch Opportunities
     First Show of the Year
     NAPTE Hotels
Live Stream Virtual NATPE
Content Without Borders: NATPE Europe
Awards
 
Chapter 13 Realscreen
Realscreen Summit
     Luncheon Roundtables
     Meet a Mentor
     Meet an Expert
     Speed Pitching: Now You’re Talking — FAST!
     30 Minutes With . . .
     Master Classes
    Summit Showdown Pitching Contest
     Awards
Realscreen West
Realscreen London
Realscreen Magazine
RealXchange
Kidscreen Summit
BCON Expo
Stream Market
 
Chapter 14 Regional TV and Serialized Video Content Markets
Bogota Audiovisual Market (BAM)
DISCOPs 115
     DISCOP Africa
     DISCOP Abidjan
     DISCOP Johannesburg
     DISCOP Istanbul
     DISCOP Dubai
Hong Kong FILMART
MYCONTENT
TIFFCOM
World Content Market
 
PART IV CO-PRODUCTION MARKETS
 
Chapter 15 CineMart (IFF Rotterdam Co-Production Market)
Rotterdam Lab
 
Chapter 16 Berlinale Co-Production Market
Berlinale Co-Production Market Producer’s Lounge
Berlinale Directors
Rotterdam-Berlinale Express
CoPro Series (Drama Days)
Books at Berlinale
World Cinema Fund
Countries in Focus
 
Chapter 17 Other Major Co-Production Markets
Asian Project Market
Beijing Film Market
Boat Meeting
CPH:FORUM
CineLink Co-Production Market
DISCOPRO
Europe–Latin America Co-Production Forum
Frontières International Co-Production Market
Holland Film Meeting Co-Production Platform
IFP No Borders International Co-Production Market
IDFA Forum (Docs for Sale/IDF Amsterdam)
Moscow Business Square
Paris Co-Production Village
Arc 1950 Coproduction Village
Sofia Meetings and Balkan Screenings
TorinoFilmLab
 
PART V BEFORE: PREPARATION
 
Chapter 18 Start with the End in Mind
Why Are You Going?
What Can You Realistically Accomplish at This Market?
     But What If I’m Not Really Ready Yet?
 
Chapter 19 Know Your Product
High Concept
Format, Genre and Subgenre
     Sitcoms, One-Hour Dramas and Dramedies
     Scripted Serial Renaissance
     Reality Formats
          Protect Your Reality Format
 
Chapter 20 Know Your Target Audience(s)
But my film/TV show is for everyone . . .
Demographics
Four-Quadrant Film
Psychographics
Binge Watching and Time Shifting
 
Chapter 21 Polish Your Pitch and Marketing Materials
Great Title
Terrific Logline
Additive Tagline
Succinct Synopsis
Excellent Script
     Should I Bring Scripts to the Market?
    "Send the Script" Edutainment Story: The Courage to Love
 
Chapter 22 Develop Key Art
Key Art Versus Concept Art
Placeholder Key Art
Low-Budget Key Art Strategies
Teasers vs. Payoffs
Key Art Before Actors Are Attached
Raw Assets
Key Art Comps
Focus Groups and Gender Preferences
Good, Fast, Cheap: Pick Two
Facebook and Twitter Banners and Avatars
One Sheets
Market Catalog
Video
     Trailers
     Screeners
     Sizzle Reels
     Talent Reels
     Presentation Tape/Completed Scenes
     Proof of Concept Pilot
     Rip-O-Matics
     Animatics
Vision Statement
Awesome Verbal Pitch
     Share Your Passion
     Pitch Perfect: Water Cooler 101
 
Chapter 23 What Goes Into a Pitch Package?
Cast Wish Lists
Bios
Executive Summary
Let’s Talk about Comps, Man
     Analyze Your Comps
Schedule
Budget
     Production Budget has Zero Correlation to Box Office     
Prints and Advertising
    Think Outside the Schedule and Budget Box
Sales Estimates
Pre-Sales
Waterfalls
Production Budget has No Correlation to Box Office
TV Cash Flow Analysis
The Do’s and Don’ts of Reality Show Pitch Proposals
 
Chapter 24 Gearing Up For Each Event
Research the Event
Who Are You Looking to Meet?
Research Your Prospects
Research the Other Attendees
Create Your Hit List
Start Doing Research
Study Each Company’s Website
The Right Titles for Your Hit List
Finding the Right Sales Agent for Your Project
Sort, Rank, and Order Your List
Plan and Prioritize Your Market Goals and Schedule in Advance
Badge Buying Advice
Business Cards
 
PART VI DURING: AT THE MARKET
 
Chapter 25 Prudent Market Scheduling and Logistics
Review Your Hit List
Pay Attention to Badge Clues
     Don’t Ignore Your Own Badge . . .
Ice-Breaking Wardrobe
Ice-Breaking Props
Market First Timers: Don’t Be Nervous
 
Chapter 26 Taking Meetings at the Market
Respect the Exhibitor’s Space and Time 236
Befriend the Gatekeepers
Establish Your Credibility
Define the Purpose of Each Meeting
Negotiating
     A Word of Caution: Bifurcating the Rights
     A Word of Caution: Check Those Definitions!
What to Leave Behind (If Anything)
Always Have an Answer For: "What Else Have You Got?"
Post-Meeting Housekeeping
 
PART VII AFTER: FOLLOW-UP
 
Chapter 27 Gauging Success
Deal or No Deal?
Year-Round Networking
 
PART VIII IMPORTANT ANNUAL ANCILLARY EVENTS
 
Chapter 28 Top Ten Market-Like Film Festivals
Festival de Cannes
     Opportunities
Toronto International Film Festival
     Opportunities
     Market-Like Elements
     Support for Canadian Films
Sundance Film Festival
     Opportunities
Sundance Institute Labs
Venice Film Festival
Berlinale (Berlin International Film Festival)
     Berlinale Talents Market Hub
SXSW (South by Southwest)
Tribeca Film Festival
International Film Festival Rotterdam
Sofia International Film Festival
Palm Springs International Film Festival
     Palm Springs Shortfest and Market
 
Chapter 29 Globally Significant, Pedigree-Building Film Festivals
AFI FEST
Austin International Film Festival
BANFF
Beijing International Film Festival
Buenos Aires International Independent Film Festival (BAFICI)
Busan International Film Festival
Champs-Élysées Film Festival Industry Days
Hong Kong International Film Festival
Les Arcs European Film Festival
Los Angeles Film Festival
Munich Film Festival
New York Film Festival
Raindance
San Sebastian Film Festival
Singapore International Film Festival (SGIFF)
Telluride Film Festival (Colorado, USA)
Tokyo International Film Festival
 
Chapter 30 Television Festivals
ATX Television Festival
Banff World Media Festival
Celtic Media Festival
Edinburgh International Television Festival
FESPACO (The Festival PanAfricain du Cinéma et de la television de Ouagadougou)
Festival International de Programmes Audiovisuels
FesTVal Spain
ITVFest (Independent Television Festival)
Monte-Carlo Television Festival
New York Television Festival
SCAD’s aTVFest
SeriesFest
VerCiência Brazil
 
Chapter 31 International Documentary Festivals
Hot Docs
International Documentary Festival Amsterdam
Sunny Side of the Doc
     Asian Side
     Latin Side
 
Chapter 32 Awards Shows
Key Film Awards
     The Oscars (Academy Awards)
     Film Independent’s Spirit Awards
     German Film Awards (the Lola; Deutscher Filmpreis)
     Asian Film Awards
     Hong Kong Film Awards
     Spanish Film Awards (the Goya; Los Premios Goya)
     The MTV Movie Awards
Key Television Awards
     The Emmys
     NATPE’s Reality Breakthrough Awards
          The Brandon Tartikoff Legacy Awards
    Realscreen Awards
Both Film and TV Awards Shows
     British Academy Film and Television Awards (BAFTAs)
     The Britannia Awards
     Golden Globes
     The People’s Choice Awards
     TV Land Awards
     Streamy Awards
     Razzies
     EGOT
 
Chapter 33 Overlapping Industries’ Events
Consumer Electronics Show (CES)
CinemaCon (formerly ShoWest)
NAB
PromaxBDA Conference
US–China Film Summit
The World Animation and VFX Summit
Midem
Internet and Television Expo (INTX, formerly The Cable Show)
 
Chapter 34 Significant Consumer Events
Comic-Con International: San Diego
Entertainment Expo Hong Kong
 
Chapter 35 Denouement
Index

Notă biografică

Heather Hale is a film and TV director, producer and screenwriter of original programming, including the indie comedy Rolling Romance (2018), the thriller Absolute Killers (2011), the Lifetime Original Movie The Courage to Love (2000), as well as several award-winning syndicated series and two Emmy-winning PBS series. She was the Independent Film and Television Alliance’s Industry Liaison for the 2013 American Film Market as well as the Vice President of Event Programming for the National Association of Television Program Executives, where she helped design and launch the TV Producers' Boot Camp. She often serves as NATPE’s official pitch prep consultant, preparing producers to pitch to financiers and distribution executives. Heather speaks and consults around the world, customizing retreats and workshops and is always writing, producing, directing and raising funds for film and television projects.
Stay up-to-date with Heather and Heather Hale Productions at www.HeatherHale.com

Recenzii

"For years, I've watched producers and other film creatives spend countless dollars to attend markets such as AFM, Cannes and MIPCOM only to leave discouraged. Simply put, they didn't plan ahead and understand how to work the markets. No one knows this area better than Heather Hale. With How to Work the Film & TV Markets, Heather not only provides content creators a wealth of information designed to help remove the intimidation factor and anxiety inherent in attending a market, but also provides a clear path toward maximizing your precious time and, by virtue, increasing your odds of success. This is essential reading for anyone looking to drum up interest in their projects. Not to be missed."
—Richard "RB" Botto, Actor, Producer, Screenwriter; Founder and CEO of Stage 32; Author of Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd
"Years of visiting the film and TV markets provide a certain level of knowledge of this complex, global dance of finance, development, networking, co-productions, and the like. With Heather Hales’ go-to guide in hand, the complexity of the annual cycle of these crucial markets is remarkably clear and easy. Hales’ extensive knowledge and insider tips will guide you to a whole new experience of attending such markets, saving time, money and embarrassment. It’s simply superb with constantly-updated key info and tips – worth every penny, and my planned gift to industry friends."
—Gabrielle Kelly, Screenwriter, Producer, AFI Screenwriting Faculty
"Heather Hale has a keen prospective on the workings on in the film and television marketplace. A must-read for anyone that has a project and needs to know how to maneuver through the challenging aspects of sales and distribution."
—Valerie McCaffrey Producer, Casting Director

Descriere

How to Work the Film & TV Markets takes independent filmmakers, television and digital content creators on a virtual tour of the entertainment industry’s trade shows — the circulatory system of the entire global media landscape. This book highlights the most significant annual events around the world, details a dossier of all the players that frequent them and examines all the elements that drive the market value and profitability of entertainment properties. In-the-trenches insights from our modern, real-world marketplace are contextualized into immediately implementable practical advice. Make the most of your finite investments of funds, time and creative energy to optimize your odds for success within the mainstream, business-to-business circuit but learn how to select, apply and scale prudent, proven principles to drive your own Do-It-Yourself/Direct-to-the-Consuming-Crowd fundraising, distribution and promotional success.
Heather Hale demystifies these markets, making them less intimidating, less confusing and less overwhelming. She shows you how to navigate these events, making them far more accessible, productive — and fun!
This creative guide offers:
  • An in-depth survey of the most significant film, TV and digital content trade shows around the world;
  • An overview of the co-production market circuit that offers financing and development support to independent producers;
  • An outline of the market-like festivals and key awards shows;
  • A breakdown of who’s who at all these events — and how to network with them;
  • Hot Tips on how to prepare for, execute and follow up on these prime opportunities;
  • Low-budget key art samples and game plans;
  • A social media speed tour with a wealth of audience engagement ideas.
Visit the book’s space on www.HeatherHale.com for additional resources and up-to-date information on all these events.