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Imagination and Art: Explorations in Contemporary Theory: Value Inquiry Book Series / Philosophy and Religion, cartea 351

Editat de Keith Moser, Ananta Ch. Sukla
en Limba Engleză Hardback – 22 iul 2020
This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise this volume propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms. Imagination and Art: Explorations in Contemporary Theory explores the complex nuances, paradoxes, and aporias related to the plethora of artistic mediums in which the human imagination manifests itself. As a fundamental attribute of our species, which other organisms also seem to possess with varying degrees of sophistication, imagination is the very fabric of what it means to be human into which everything is woven. This edited collection demonstrates that imagination is the resin that binds human civilization together for better or worse.
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Specificații

ISBN-13: 9789004435162
ISBN-10: 9004435166
Pagini: 784
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Value Inquiry Book Series / Philosophy and Religion


Cuprins

Acknowledgments
List of Illustrations
Notes on Contributors
Introduction

Part 1: Historical Imagination and Judgement

1 Imagination and Art in Classical Greece and Rome
David Konstan


2 Poetic Imagination and Cultural Memory in Greek History and Mythology
Claude Calame

3 History, Imagination and the Narrative of Loss: Philosophical Questions about the Task of Historical Judgment
Allen Speight

Part 2: Gendered Imagination

4 Imagining the Captive Amazon: Myth, Art, and History
Adrienne Mayor

5 Gender and Imagination: A Feminist Analysis of Shahrnush Parsipur’s Women Without Men<
Reshmi Mukherjee

Part 3: Imagination and Ethics

6 Psychoanalysis, Imagination, and Imaginative Resistance: A Genesis of the Post-freudian World
Carol Steinberg Gould

7 Craving Sameness, Accepting Difference: Imaginative Possibilities for Solidarity and Social Justice
Chandra Kavanagh

8 The Importance of Imagination/Phantasia for the Moral Psychology of Virtue Ethics
David Collins

9 The Infanticidal Logic of Mimesis as Horizon of the Imaginable
A. Samuel Kimball

10 The Relationship Between Imagination and Christian Prayer
Michel Dion

Part 4: Phenomenological and Epistemological Perspectives

11 The Work Texts Do: Toward a Phenomenology of Imagining Imaginatively
Charles Altieri

12 Conceiving and Imagining: Examples and Lessons
Jody Azzouni

13 The Dance of Perception: The Role of the Imagination in Simone Weil’s Early Epistemology
Warren Heiti

14 One Imagination or Many? or None?
Rob van Gerwen

15 Nietzsche on Theatricality and Imagination
Roderick Nicholls

Part 5: Postmodern Perspectives

16 Simulacral Imagination and the Nexus of Power in a Post-marxist Universe
Keith Moser

17 Jean-François Lyotard, the Radical Imagination, and the Aesthetic of the Differend
Victor E. Taylor

18 The Possibility of a Productive Imagination in the Work of Deleuze and Guattari
Erik Bormanis

Part 6:Imagination in Scientific Modeling and Biosemiotics

19 Of Predators and Prey: Imagination in Scientific Modeling
Fiora Salis

20 Geometry and the Imagination
Justin Humphreys

21 Art and Imagination: The Evolution of Meanings
Wendy Wheeler

Part 7: Aesthetic Perspectives

22 Image, Image-making and Imagination
Dominic Gregory

23 Depiction, Imagination, and Photography
Jiri Benovksy

24 Imagination and Identification in Photography and Film
David Fenner

25 Imagination in Musical Composition, Performance, and Listening: John Cage’s Blurring of Boundaries in Music and Life in 4′33″
Deborah Fillerup Weagel

26 Kinesthetic Imagining and Dance Appreciation
Renee M. Conroy

27 Imagination in Games: Formulation, Re-actualization and Gaining a World
Ton Kruse

28 “‘I AM not mad, most noble Festus.’ No. But I have been”: Possible Worlds Theory and the Complex, Imaginative Worlds of Sarban’s The Sound of his Horn
Riyukta Raghunath

Part 8: Non-western Perspectives

29 The Deep Frivolity of Life: An Indian Aesthetic Phenomenology of Fun
Arindam Chakrabarti

30 The Symbolic Force of Rocks in the Chinese Imagination
Yanping Gao

31 Magic from the Repressed: Imagination and Memories in Contemporary Japanese Literary Narratives
Amy Lee

32 The Metaphysics of Creativity: Imagination in Sufism, from the Qurʾan into Ibn al-ʿArabi’
Ali Hussain

Part 9: Artists Reflect on Imagination: An Imaginative Epilogue

33 Free Thinking about Imagination: How is it to Imagine What Imagination is?
Marion Renauld

34 The Nativity of Images
Ton Kruse

35 Signal: Poetry and Imagination
Jesse Graves

36 The Echo of Voices
Umar Timol

37 Poem, Liberty
Louise Dupré

38 Why to Wish for the Witch
Lisa Fay Coutley

Index

Notă biografică

Keith Moser, Ph.D. (2007), The University of Tennessee, is Professor of French and Francophone Studies at Mississippi State University. He has published seven full-length book projects including The Encyclopedic Philosophy of Michel Serres (2016), sixty-six articles, and numerous book chapters.
Ananta Ch. Sukla, Ph.D. (1974), Jadavpur University, India, is Professor Emeritus of English and Comparative Literature at Sambalpur University, India. He is the author of numerous books including Art and Representation, Art and Experience, Art and Essence, and Fiction and Art.

Contributors are: David Konstan, Claude Calame, Allen Speight, Adrienne Mayor, Charles Altieri, Jody Azzouni, Warren Heiti, Carol Steinberg Gould, Rob van Gerwen, Michel Dion, Wendy Wheeler, Fiora Salis, Justin Humphreys, Keith Moser, Victor E. Taylor, Erik Bormanis, David Collins, Reshmi Mukherjee, A. Samuel Kimball, Chandra Kavanagh, Dominic Gregory, Jiri Benovksy, David Fenner, Deborah Fillerup Weagel, Renee Conroy, Roderick Nicholls, Ton Kruse, Riyukta Raghunath, Arindam Chakrabarti, Yanping Gao, Amy Lee, Ali Hussain, Marion Renauld, Jesse Graves, Umar Timol, Louise Dupré, Lisa Fay Coutley

Recenzii

'At the end of this wonderful journey through the theories of imagination and the various types of imaginaries, one is certainly fascinated by a polysemic view of the concept of imagination. Moser and Sukla have managed to find the best way to organise and channel a multitude of expert opinions towards a single goal: the revival of interest in the subject of imagination and its profound meaning in human life.' - Carlo Alessandro Caccia, in: enthymema (2021).