Imagination and Art: Explorations in Contemporary Theory: Value Inquiry Book Series / Philosophy and Religion, cartea 351
Editat de Keith Moser, Ananta Ch. Suklaen Limba Engleză Hardback – 22 iul 2020
Preț: 929.76 lei
Preț vechi: 1133.85 lei
-18% Nou
Puncte Express: 1395
Preț estimativ în valută:
177.95€ • 184.97$ • 147.41£
177.95€ • 184.97$ • 147.41£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9789004435162
ISBN-10: 9004435166
Pagini: 784
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Value Inquiry Book Series / Philosophy and Religion
ISBN-10: 9004435166
Pagini: 784
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Value Inquiry Book Series / Philosophy and Religion
Cuprins
Acknowledgments
List of Illustrations
Notes on Contributors
Introduction
Part 1: Historical Imagination and Judgement
1 Imagination and Art in Classical Greece and Rome
David Konstan
2 Poetic Imagination and Cultural Memory in Greek History and Mythology
Claude Calame
3 History, Imagination and the Narrative of Loss: Philosophical Questions about the Task of Historical Judgment
Allen Speight
Part 2: Gendered Imagination
4 Imagining the Captive Amazon: Myth, Art, and History
Adrienne Mayor
5 Gender and Imagination: A Feminist Analysis of Shahrnush Parsipur’s Women Without Men<
Reshmi Mukherjee
Part 3: Imagination and Ethics
6 Psychoanalysis, Imagination, and Imaginative Resistance: A Genesis of the Post-freudian World
Carol Steinberg Gould
7 Craving Sameness, Accepting Difference: Imaginative Possibilities for Solidarity and Social Justice
Chandra Kavanagh
8 The Importance of Imagination/Phantasia for the Moral Psychology of Virtue Ethics
David Collins
9 The Infanticidal Logic of Mimesis as Horizon of the Imaginable
A. Samuel Kimball
10 The Relationship Between Imagination and Christian Prayer
Michel Dion
Part 4: Phenomenological and Epistemological Perspectives
11 The Work Texts Do: Toward a Phenomenology of Imagining Imaginatively
Charles Altieri
12 Conceiving and Imagining: Examples and Lessons
Jody Azzouni
13 The Dance of Perception: The Role of the Imagination in Simone Weil’s Early Epistemology
Warren Heiti
14 One Imagination or Many? or None?
Rob van Gerwen
15 Nietzsche on Theatricality and Imagination
Roderick Nicholls
Part 5: Postmodern Perspectives
16 Simulacral Imagination and the Nexus of Power in a Post-marxist Universe
Keith Moser
17 Jean-François Lyotard, the Radical Imagination, and the Aesthetic of the Differend
Victor E. Taylor
18 The Possibility of a Productive Imagination in the Work of Deleuze and Guattari
Erik Bormanis
Part 6:Imagination in Scientific Modeling and Biosemiotics
19 Of Predators and Prey: Imagination in Scientific Modeling
Fiora Salis
20 Geometry and the Imagination
Justin Humphreys
21 Art and Imagination: The Evolution of Meanings
Wendy Wheeler
Part 7: Aesthetic Perspectives
22 Image, Image-making and Imagination
Dominic Gregory
23 Depiction, Imagination, and Photography
Jiri Benovksy
24 Imagination and Identification in Photography and Film
David Fenner
25 Imagination in Musical Composition, Performance, and Listening: John Cage’s Blurring of Boundaries in Music and Life in 4′33″
Deborah Fillerup Weagel
26 Kinesthetic Imagining and Dance Appreciation
Renee M. Conroy
27 Imagination in Games: Formulation, Re-actualization and Gaining a World
Ton Kruse
28 “‘I AM not mad, most noble Festus.’ No. But I have been”: Possible Worlds Theory and the Complex, Imaginative Worlds of Sarban’s The Sound of his Horn
Riyukta Raghunath
Part 8: Non-western Perspectives
29 The Deep Frivolity of Life: An Indian Aesthetic Phenomenology of Fun
Arindam Chakrabarti
30 The Symbolic Force of Rocks in the Chinese Imagination
Yanping Gao
31 Magic from the Repressed: Imagination and Memories in Contemporary Japanese Literary Narratives
Amy Lee
32 The Metaphysics of Creativity: Imagination in Sufism, from the Qurʾan into Ibn al-ʿArabi’
Ali Hussain
Part 9: Artists Reflect on Imagination: An Imaginative Epilogue
33 Free Thinking about Imagination: How is it to Imagine What Imagination is?
Marion Renauld
34 The Nativity of Images
Ton Kruse
35 Signal: Poetry and Imagination
Jesse Graves
36 The Echo of Voices
Umar Timol
37 Poem, Liberty
Louise Dupré
38 Why to Wish for the Witch
Lisa Fay Coutley
Index
List of Illustrations
Notes on Contributors
Introduction
Part 1: Historical Imagination and Judgement
1 Imagination and Art in Classical Greece and Rome
David Konstan
2 Poetic Imagination and Cultural Memory in Greek History and Mythology
Claude Calame
3 History, Imagination and the Narrative of Loss: Philosophical Questions about the Task of Historical Judgment
Allen Speight
Part 2: Gendered Imagination
4 Imagining the Captive Amazon: Myth, Art, and History
Adrienne Mayor
5 Gender and Imagination: A Feminist Analysis of Shahrnush Parsipur’s Women Without Men<
Reshmi Mukherjee
Part 3: Imagination and Ethics
6 Psychoanalysis, Imagination, and Imaginative Resistance: A Genesis of the Post-freudian World
Carol Steinberg Gould
7 Craving Sameness, Accepting Difference: Imaginative Possibilities for Solidarity and Social Justice
Chandra Kavanagh
8 The Importance of Imagination/Phantasia for the Moral Psychology of Virtue Ethics
David Collins
9 The Infanticidal Logic of Mimesis as Horizon of the Imaginable
A. Samuel Kimball
10 The Relationship Between Imagination and Christian Prayer
Michel Dion
Part 4: Phenomenological and Epistemological Perspectives
11 The Work Texts Do: Toward a Phenomenology of Imagining Imaginatively
Charles Altieri
12 Conceiving and Imagining: Examples and Lessons
Jody Azzouni
13 The Dance of Perception: The Role of the Imagination in Simone Weil’s Early Epistemology
Warren Heiti
14 One Imagination or Many? or None?
Rob van Gerwen
15 Nietzsche on Theatricality and Imagination
Roderick Nicholls
Part 5: Postmodern Perspectives
16 Simulacral Imagination and the Nexus of Power in a Post-marxist Universe
Keith Moser
17 Jean-François Lyotard, the Radical Imagination, and the Aesthetic of the Differend
Victor E. Taylor
18 The Possibility of a Productive Imagination in the Work of Deleuze and Guattari
Erik Bormanis
Part 6:Imagination in Scientific Modeling and Biosemiotics
19 Of Predators and Prey: Imagination in Scientific Modeling
Fiora Salis
20 Geometry and the Imagination
Justin Humphreys
21 Art and Imagination: The Evolution of Meanings
Wendy Wheeler
Part 7: Aesthetic Perspectives
22 Image, Image-making and Imagination
Dominic Gregory
23 Depiction, Imagination, and Photography
Jiri Benovksy
24 Imagination and Identification in Photography and Film
David Fenner
25 Imagination in Musical Composition, Performance, and Listening: John Cage’s Blurring of Boundaries in Music and Life in 4′33″
Deborah Fillerup Weagel
26 Kinesthetic Imagining and Dance Appreciation
Renee M. Conroy
27 Imagination in Games: Formulation, Re-actualization and Gaining a World
Ton Kruse
28 “‘I AM not mad, most noble Festus.’ No. But I have been”: Possible Worlds Theory and the Complex, Imaginative Worlds of Sarban’s The Sound of his Horn
Riyukta Raghunath
Part 8: Non-western Perspectives
29 The Deep Frivolity of Life: An Indian Aesthetic Phenomenology of Fun
Arindam Chakrabarti
30 The Symbolic Force of Rocks in the Chinese Imagination
Yanping Gao
31 Magic from the Repressed: Imagination and Memories in Contemporary Japanese Literary Narratives
Amy Lee
32 The Metaphysics of Creativity: Imagination in Sufism, from the Qurʾan into Ibn al-ʿArabi’
Ali Hussain
Part 9: Artists Reflect on Imagination: An Imaginative Epilogue
33 Free Thinking about Imagination: How is it to Imagine What Imagination is?
Marion Renauld
34 The Nativity of Images
Ton Kruse
35 Signal: Poetry and Imagination
Jesse Graves
36 The Echo of Voices
Umar Timol
37 Poem, Liberty
Louise Dupré
38 Why to Wish for the Witch
Lisa Fay Coutley
Index
Notă biografică
Keith Moser, Ph.D. (2007), The University of Tennessee, is Professor of French and Francophone Studies at Mississippi State University. He has published seven full-length book projects including The Encyclopedic Philosophy of Michel Serres (2016), sixty-six articles, and numerous book chapters.
Ananta Ch. Sukla, Ph.D. (1974), Jadavpur University, India, is Professor Emeritus of English and Comparative Literature at Sambalpur University, India. He is the author of numerous books including Art and Representation, Art and Experience, Art and Essence, and Fiction and Art.
Contributors are: David Konstan, Claude Calame, Allen Speight, Adrienne Mayor, Charles Altieri, Jody Azzouni, Warren Heiti, Carol Steinberg Gould, Rob van Gerwen, Michel Dion, Wendy Wheeler, Fiora Salis, Justin Humphreys, Keith Moser, Victor E. Taylor, Erik Bormanis, David Collins, Reshmi Mukherjee, A. Samuel Kimball, Chandra Kavanagh, Dominic Gregory, Jiri Benovksy, David Fenner, Deborah Fillerup Weagel, Renee Conroy, Roderick Nicholls, Ton Kruse, Riyukta Raghunath, Arindam Chakrabarti, Yanping Gao, Amy Lee, Ali Hussain, Marion Renauld, Jesse Graves, Umar Timol, Louise Dupré, Lisa Fay Coutley
Ananta Ch. Sukla, Ph.D. (1974), Jadavpur University, India, is Professor Emeritus of English and Comparative Literature at Sambalpur University, India. He is the author of numerous books including Art and Representation, Art and Experience, Art and Essence, and Fiction and Art.
Contributors are: David Konstan, Claude Calame, Allen Speight, Adrienne Mayor, Charles Altieri, Jody Azzouni, Warren Heiti, Carol Steinberg Gould, Rob van Gerwen, Michel Dion, Wendy Wheeler, Fiora Salis, Justin Humphreys, Keith Moser, Victor E. Taylor, Erik Bormanis, David Collins, Reshmi Mukherjee, A. Samuel Kimball, Chandra Kavanagh, Dominic Gregory, Jiri Benovksy, David Fenner, Deborah Fillerup Weagel, Renee Conroy, Roderick Nicholls, Ton Kruse, Riyukta Raghunath, Arindam Chakrabarti, Yanping Gao, Amy Lee, Ali Hussain, Marion Renauld, Jesse Graves, Umar Timol, Louise Dupré, Lisa Fay Coutley
Recenzii
'At the end of this wonderful journey through the theories of imagination and the various types of imaginaries, one is certainly fascinated by a polysemic view of the concept of imagination. Moser and Sukla have managed to find the best way to organise and channel a multitude of expert opinions towards a single goal: the revival of interest in the subject of imagination and its profound meaning in human life.' - Carlo Alessandro Caccia, in: enthymema (2021).