Immersive Theatres: Intimacy and Immediacy in Contemporary Performance
Editat de Josephine Machonen Limba Engleză Paperback – 30 mai 2013
Assuming no prior knowledge with its critical commentary, this is a rich resource for lecturers and students at all levels and internationally, including undergraduates and post-graduates, as well as practitioners and researchers of contemporary performance. This would also be an ideal text for general enthusiasts and readers with an interest in immersive theatre.
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Specificații
ISBN-10: 1137019832
Pagini: 344
Ilustrații: 26 b/w photos, 1 b/w tables
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.43 kg
Ediția:2013
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
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Caracteristici
- Contains
a
broad
range
of
examples
of
immersive
theatres
that
are
physical,
sensual
and
participatory
- Addresses
the
role
and
function
of
'audience'
- Includes
original
interviews
with
immersive
artists
from
major
artists
and
companies,
such
asPunchdrunk,Dreamthinkspeak,Wildworks,Artangel,ConeyandAdrian
Howells
- Artists
and
practitioners
are
given
the
space
to
question
and
debate
their
own
definitions
and
experiences
of
this
formalistic
approach
- Examines
key
topics
such
as
site-specific
performance
and
immersive
technologies
- Theories
introduced
in
Part
One
are
clearly
demonstrated
through
the
examples
of
practice
in
Part
Two
- Features
key
chapters
on
'Immersive
Perspectives,'
and
'Features
and
Finer
Details:
A
Scale
of
Immersivity'
Notă biografică
Josephine Machon is Senior Research Fellow in Contemporary Performance Practice at Middlesex University, London, UK. She is the author of (Syn)aesthetics: Redefining Visceral Performance (2009, 2011). Josephine is also the co-editor of Performance and Technology (2006), Sensualities/Textualities and Technologies (2010) and Identity, Performance and Technology (2012) and joint editor of the Palgrave Macmillan Series in Performance and Technology.
Cuprins
List of Illustrations.- Acknowledgements.- Preface.- Contributing Artists and their Practice.- Introduction: Immersive Theatres Intimacy and Immediacy in Contemporary Performance.- PART I.- 1. Definitions and Details.- 2. Features & Finer Details: A Scale of Immersivity.- 3. Immersive Perspectives.- PART II.- 4. Introduction: Immersion, intimacy and Immediacy in Practice.- 5. Michael Morris of Artangel.- 6. Felix Barrett of Punchdrunk.- 7. Bruce Gladwin of Back To Back Theatre.- 8. Lundahl & Seitl.- 9. Silvia Mercuriali.- 10. Tassos Stevens of Coney.- 11. Sam Holdsworth of Nimble Fish.- 12. Punchdrunk Enrichment.- 13. Louise Ann Wilson.- 14. Bill Mitchell and Sue Hill of WildWorks.- 15. Adrian Howells.- 16. Tristan Sharps of dreamthinkspeak.- 17. Conclusion: Immersive Theatres.- Recommended Reading and Research.- Bibliography.- Index.
Recenzii
Descriere
This comprehensive text is the first survey to explore the theory, history and practice of immersive theatre. Charting the rise of the immersive theatre phenomenon, Josephine Machon shares her wealth of expertise in the field of contemporary performance, inviting the reader to immerse themselves within this abundantly illustrated text. The first section of the book introduces concepts of immersion, situating them within a historical context and establishing a clear critical vocabulary for discussion. The second section then presents contributions from a wealth of immersive artists.
Assuming no prior knowledge with its critical commentary, this is a rich resource for lecturers and students at all levels and internationally, including undergraduates and post-graduates, as well as practitioners and researchers of contemporary performance. This would also be an ideal text for general enthusiasts and readers with an interest in immersive theatre.