Improvised Dance: (In)Corporeal Knowledges
Autor Nalina Waiten Limba Engleză Paperback – 14 apr 2023
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 288.66 lei 3-5 săpt. | +22.12 lei 7-13 zile |
Taylor & Francis – 14 apr 2023 | 288.66 lei 3-5 săpt. | +22.12 lei 7-13 zile |
Hardback (1) | 877.24 lei 6-8 săpt. | |
Taylor & Francis – 14 apr 2023 | 877.24 lei 6-8 săpt. |
Preț: 288.66 lei
Nou
55.26€ • 57.44$ • 45.82£
Carte disponibilă
Livrare economică 15-29 ianuarie 25
Livrare express 01-07 ianuarie 25 pentru 32.11 lei
Specificații
ISBN-10: 1032438282
Pagini: 238
Ilustrații: 8 Halftones, black and white; 8 Illustrations, black and white
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.44 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Academic, Postgraduate, and Undergraduate AdvancedCuprins
1. Western Improvised Dance: Practices, Pedagogies, and Language 2. Dewey and the Pre-history of Western Improvisation 3. Embodied Consciousness 4. Resonance of Affect and Immanent Evaluation 5. The Aesthetics of an Ethics of Being 6. Cultivating Movement Systems 7. Prohibitive and Emancipative Self-Surveillance
Notă biografică
Nalina Wait is a dance artist and pracademic currently lecturing at the Australian College of Physical Education. She is of Irish settler descent and lives on Gadigal Country in Eora, Sydney. Her interests are the practice and performance of dance improvisation, somatics, and the cultivation of somatic intelligence.
Recenzii
Philipa Rothfield, honorary staff member in Philosophy and Politics at La Trobe University, Australia, and honorary professor in Dance and Philosophy of the Body at the University of Southern Denmark.
‘Wait embraces the complex field of contemporary, western improvised dance, in what I’d call a cartography, a genealogy, and an analysis of local practices or case studies. Through a major compilation of sources and authors, Wait offers alternative conceptual models to re-categorize practices and escape dualisms. This book makes an important contribution to dance studies.’
Isabelle Ginot, Professor in the Dance Department at Université Paris 8 – Vincennes-Saint-Denis, France.
Descriere
This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice.
Mobilising the languages and conceptual frameworks of theories of affect, embodied cognition, somatics, and dance, this book illustrates the work of specialist improvisers who occupy divergent positions within the complex field of improvised dance. It offers an alternative narrative of the history and current practice of Western improvised dance centred on the epistemology of its (in)corporeal knowledges, which are elusive yet vital to the refinement of expertise.
Written for both a disciplinary-specific and interdisciplinary audience, this book will interest dance scholars, students, and practising artists.