In Gratitude
Autor Jenny Diskien Limba Engleză Paperback – 8 mar 2017
Preț: 53.06 lei
Preț vechi: 81.98 lei
-35% Nou
Puncte Express: 80
Preț estimativ în valută:
10.16€ • 10.56$ • 8.51£
10.16€ • 10.56$ • 8.51£
Carte disponibilă
Livrare economică 20 februarie-06 martie
Livrare express 05-11 februarie pentru 48.55 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781408879948
ISBN-10: 1408879948
Pagini: 288
Dimensiuni: 129 x 198 x 19 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Paperbacks
Locul publicării:London, United Kingdom
ISBN-10: 1408879948
Pagini: 288
Dimensiuni: 129 x 198 x 19 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Paperbacks
Locul publicării:London, United Kingdom
Caracteristici
The book represents an important moment in literary biography, documenting for the first time the complicated relationship between Jenny Diski and Doris Lessing, the Nobel Prize-winning author who took her in as a teenager, and died in November 2013.
Notă biografică
Jenny Diski was born in 1947 in London, where she lived most of her life. She was the author of ten novels, four books of travel and memoir, including Stranger on a Train and Skating to Antarctica, two volumes of essays and a collection of short stories. Her journalism appeared in publications including the Mail on Sunday, the Observer and the London Review of Books, to which she contributed more than two hundred articles over twenty-five years. jennydiski.co.uk @diski
Recenzii
Jenny's pain and fury are still hot in this fascinating but uncomfortable read . Clear-sighted, defiant and written with Diski's customary furious elegance, it is a remarkable last word from a writer who survived to live and love, almost despite herself
Nothing about Jenny Diski is conventional. Diski does not do linear, or normal, or boring . In Gratitude amounts to the inner monologue of a highly intelligent, furiously funny, traumatised woman, "trembling at the prospect of extinction" . She cannot be subsumed into the wider narrative or by Lessing. In Gratitude assures Diski the last word
One of the most inventive, original and disturbing writers of her generation
Remarkable . Honest and spirited . As the scenes of her traumatic and chaotic childhood pass she reminds us, sentence by sentence, not only that she emerged to become every bit the writer she always dreamed of being, but also that, despite everything, along the way she learned a great deal about love
A different kind of cancer memoir, and an almost entirely platitude-free one . plain-spoken, harrowing and invariably moving . The details are incisive, and she stacks them carefully . There's a raw, almost feral quality to Ms. Diski's writing about cowering in Lessing's long shadow. It's a trait she brought to so much of her writing. It's just like her to leave us a title, In Gratitude, that slowly sheds its softness and sends up a mischievous flare
As a study of influence and the monstrous egos of writers, In Gratitude is up there with Thomas de Quincey's account of Wordsworth and Paul Theroux's tale of befriending V S Naipaul . But Diski has always been a badass . The tone of In Gratitude is, accordingly, cocky and belligerent . It is the combination of entitlement and indifference to opinion that gives Diski's voice its serrated edge and makes her such a savagely good recorder of herself. Read me if you like, she implies in In Gratitude, but you don't have to like what you read
Diski's line is simple: 'I want to die easily.' This deeply human wish bears no resemblance to the rich messiness of Diski's life, nor the challenging delight of her writing
My favourite reading this year
She deserves our unfeigned admiration, not for her bravery or her struggle, or any irrelevant tosh like that, but for writing so well
A marvel of steady and dispassionate self-revelation ... Bracingly devoid of sententiousness, sentimentality or any kind of spiritual urge or twitch
A suberb, original and unsentimental writer
In Gratitude reminds us what pleasure, what company and nourishment there is in just thinking, especially if you do it well, as she does here
Nothing about Jenny Diski is conventional. Diski does not do linear, or normal, or boring . In Gratitude amounts to the inner monologue of a highly intelligent, furiously funny, traumatised woman, "trembling at the prospect of extinction" . She cannot be subsumed into the wider narrative or by Lessing. In Gratitude assures Diski the last word
One of the most inventive, original and disturbing writers of her generation
Remarkable . Honest and spirited . As the scenes of her traumatic and chaotic childhood pass she reminds us, sentence by sentence, not only that she emerged to become every bit the writer she always dreamed of being, but also that, despite everything, along the way she learned a great deal about love
A different kind of cancer memoir, and an almost entirely platitude-free one . plain-spoken, harrowing and invariably moving . The details are incisive, and she stacks them carefully . There's a raw, almost feral quality to Ms. Diski's writing about cowering in Lessing's long shadow. It's a trait she brought to so much of her writing. It's just like her to leave us a title, In Gratitude, that slowly sheds its softness and sends up a mischievous flare
As a study of influence and the monstrous egos of writers, In Gratitude is up there with Thomas de Quincey's account of Wordsworth and Paul Theroux's tale of befriending V S Naipaul . But Diski has always been a badass . The tone of In Gratitude is, accordingly, cocky and belligerent . It is the combination of entitlement and indifference to opinion that gives Diski's voice its serrated edge and makes her such a savagely good recorder of herself. Read me if you like, she implies in In Gratitude, but you don't have to like what you read
Diski's line is simple: 'I want to die easily.' This deeply human wish bears no resemblance to the rich messiness of Diski's life, nor the challenging delight of her writing
My favourite reading this year
She deserves our unfeigned admiration, not for her bravery or her struggle, or any irrelevant tosh like that, but for writing so well
A marvel of steady and dispassionate self-revelation ... Bracingly devoid of sententiousness, sentimentality or any kind of spiritual urge or twitch
A suberb, original and unsentimental writer
In Gratitude reminds us what pleasure, what company and nourishment there is in just thinking, especially if you do it well, as she does here