In Love: Pushkin Classics
Autor Alfred Hayesen Limba Engleză Paperback – 25 ian 2024
Executed with the cool smoky brilliance of a classic Miles Davis track, In Love is an unequaled exploration of the tethered—and untethered—heart.
Toate formatele și edițiile | Preț | Express |
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Paperback (2) | 62.43 lei 3-5 săpt. | +5.15 lei 7-13 zile |
Pushkin Press – 25 ian 2024 | 62.43 lei 3-5 săpt. | +5.15 lei 7-13 zile |
NEW YORK REVIEW OF BOOKS – 22 iul 2013 | 90.50 lei 3-5 săpt. |
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Specificații
ISBN-13: 9781805331070
ISBN-10: 1805331078
Pagini: 125
Dimensiuni: 129 x 198 x 12 mm
Greutate: 0.13 kg
Editura: Pushkin Press
Seria Pushkin Classics
ISBN-10: 1805331078
Pagini: 125
Dimensiuni: 129 x 198 x 12 mm
Greutate: 0.13 kg
Editura: Pushkin Press
Seria Pushkin Classics
Notă biografică
Alfred Hayes (1911ߝ1985) was born into a Jewish family in Whitechapel, London, though his father, a barber, trained violinist, and sometime bookie, moved the family to New York when Hayes was three. After attending City College, Hayes worked as a reporter for the New York American and Daily Mirror and began to publish poetry, including “Joe Hill,” about the legendary labor organizer, which was later set to music by the composer Earl Robinson and recorded by Joan Baez. During World War II Hayes was assigned to a special services unit in Italy; after the war he stayed on in Rome, where he contributed to the story development and scripts of several classic Italian neorealist films, including Roberto Rossellini’s Paisà (1946) and Vittorio De Sica’s Bicycle Thieves (1948), and gathered material for two popular novels, All Thy Conquests (1946) and The Girl on the Via Flaminia (1949), the latter the basis for the 1953 film Act of Love, starring Kirk Douglas. In the late 1940s Hayes went to work in Hollywood, writing screenplays for Clash by Night, A Hatful of Rain, The Left Hand of God, Joy in the Morning, and Fritz Lang’s Human Desire, as well as scripts for television. Hayes was the author of seven novels, a collection of stories, and three volumes of poetry. In addition to In Love, NYRB Classics publishes My Face for the World to See.
Frederic Raphael is a screenwriter, playwright, novelist, translator, and critic. His screenwriting credits include Darling (for which he won an Oscar), Far from the Madding Crowd, Two for the Road, and, with the director Stanley Kubrick, Eyes Wide Shut.
Frederic Raphael is a screenwriter, playwright, novelist, translator, and critic. His screenwriting credits include Darling (for which he won an Oscar), Far from the Madding Crowd, Two for the Road, and, with the director Stanley Kubrick, Eyes Wide Shut.
Recenzii
"One of the greatest, bleakest breakup stories ever told." — The New York Observer
“I’ve rarely seen the breakdown of a relationship, in all its banality and pettiness, evoked more vividly. It’s tough, fresh, very lovely, and will stay with you.” —Sadie O. Stein, The Paris Review Daily
“A fever chart of an affair records all the fluctuations of feelings which are intimate and intense, expectant and often disabused, cruel and vulnerable, and brings to the heat of passion a cooler scrutiny which comes with its conclusion. . . . A tour de force.” —Kirkus Reviews
“Like Raymond Carver at his best, novelist-cum-screenwriter Alfred Hayes addresses the human condition and its heartbreaks with brevity and brutal honesty. In Love was Hayes’s fourth novel, and as the story unfolds, there is a dreadful sense that the middle-aged protagonist is heading for disaster by falling in love with a younger girl who ‘inhabits a world from which he is excluded.’ When a rival appears, in the shape of a millionaire with an indecent proposal, the cynicism and misery of the situation become almost unbearable.” —The Guardian
“Maybe the old canard that the best love letters are those written when we are out of love goes for the novel too. If so, Alfred Hayes has written a smashing success. In this, his latest novel, he examines some of the states of mind, body, and soul which accompany love, without falling for all that nonsense about affection, intimacy, trust and all the simple pleasures known to people less sophisticated than the characters in his book.” —The New York Times
“[A] noirish masterpiece which combines a plot that prefigures Indecent Proposal with the desolate milieu of an Edward Hopper painting. ” —The Guardian
“In Love is strange, unsettling, cynical and sad. It is a masterpiece. But if you are in love and want to believe, then don’t read it.” —The Times (London)
“This is a marvelously well wrought novel; there are not many current books so completely finished in terms of verbal felicities.” —Chicago Tribune
“A little masterpiece.” —Elizabeth Bowen
“Besides being a technical tour de force, In Love is literature; it is a work of art.” —Julian Maclaren-Ross, The Sunday Times
“Quite the best he has written.” —The Times Literary Supplement
“Moving and convincing...a lyrical, intelligent book.” —The Guardian
“Hayes has done for bruised men what Jean Rhys does for bruised women, and they both write heartbreakingly beautiful sentences.” —Paul Bailey, The Guardian
“A very remarkable novel; altogether outstanding in the unwavering concentration with which it pursues the problem of the reality of love. The story is stripped down to its bare essentials.... Quite unforgettable.” —John Lehmann, BBC
“I’ve rarely seen the breakdown of a relationship, in all its banality and pettiness, evoked more vividly. It’s tough, fresh, very lovely, and will stay with you.” —Sadie O. Stein, The Paris Review Daily
“A fever chart of an affair records all the fluctuations of feelings which are intimate and intense, expectant and often disabused, cruel and vulnerable, and brings to the heat of passion a cooler scrutiny which comes with its conclusion. . . . A tour de force.” —Kirkus Reviews
“Like Raymond Carver at his best, novelist-cum-screenwriter Alfred Hayes addresses the human condition and its heartbreaks with brevity and brutal honesty. In Love was Hayes’s fourth novel, and as the story unfolds, there is a dreadful sense that the middle-aged protagonist is heading for disaster by falling in love with a younger girl who ‘inhabits a world from which he is excluded.’ When a rival appears, in the shape of a millionaire with an indecent proposal, the cynicism and misery of the situation become almost unbearable.” —The Guardian
“Maybe the old canard that the best love letters are those written when we are out of love goes for the novel too. If so, Alfred Hayes has written a smashing success. In this, his latest novel, he examines some of the states of mind, body, and soul which accompany love, without falling for all that nonsense about affection, intimacy, trust and all the simple pleasures known to people less sophisticated than the characters in his book.” —The New York Times
“[A] noirish masterpiece which combines a plot that prefigures Indecent Proposal with the desolate milieu of an Edward Hopper painting. ” —The Guardian
“In Love is strange, unsettling, cynical and sad. It is a masterpiece. But if you are in love and want to believe, then don’t read it.” —The Times (London)
“This is a marvelously well wrought novel; there are not many current books so completely finished in terms of verbal felicities.” —Chicago Tribune
“A little masterpiece.” —Elizabeth Bowen
“Besides being a technical tour de force, In Love is literature; it is a work of art.” —Julian Maclaren-Ross, The Sunday Times
“Quite the best he has written.” —The Times Literary Supplement
“Moving and convincing...a lyrical, intelligent book.” —The Guardian
“Hayes has done for bruised men what Jean Rhys does for bruised women, and they both write heartbreakingly beautiful sentences.” —Paul Bailey, The Guardian
“A very remarkable novel; altogether outstanding in the unwavering concentration with which it pursues the problem of the reality of love. The story is stripped down to its bare essentials.... Quite unforgettable.” —John Lehmann, BBC