Cantitate/Preț
Produs

Indigenous Resistance in the Digital Age: On Radical Hope in Dark Times

Autor Olivia Guntarik
en Limba Engleză Paperback – 8 ian 2024
From climate catastrophes to sudden wars, the world faces conflicts of unprecedented scale. Yet around the globe, Indigenous leaders continue to move forward with determination and hope. Leaders demand change, resisting the destruction of the environment and suggesting solutions to today’s global crisis. Age-old practices are experiencing a cultural revival and the lessons call for all of us to walk alongside Indigenous peoples. In the face of crisis and the progress of technology, this book shows how to stand with Indigenous peoples through uncertainty and chaos. How to stand with Indigenous peoples is about how to listen, how to walk together and how to act.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 67969 lei  6-8 săpt.
  Springer International Publishing – 8 ian 2024 67969 lei  6-8 săpt.
Hardback (1) 68499 lei  6-8 săpt.
  Springer International Publishing – 7 ian 2023 68499 lei  6-8 săpt.

Preț: 67969 lei

Preț vechi: 79963 lei
-15% Nou

Puncte Express: 1020

Preț estimativ în valută:
13012 13525$ 10788£

Carte tipărită la comandă

Livrare economică 05-19 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783031172977
ISBN-10: 3031172973
Pagini: 247
Ilustrații: XXVII, 247 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.33 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland

Cuprins

1. Introduction: Wild Things.- PART I. SITUATED STORYTELLING.- 2. Walking Place.- 3. Reading Place.- 4. Storying Place.- 5. Rematriation.- PART II: TECHNOLOGIES OF THE BODY.- 6. Swimming.- 7. Healers.- 8. Harmers.- 9. Gathering.- PART III: FUTURE STATES.- 10. Afterlife.- 11. Ritual and Rhyme.- 12. Stolen Lands.- 13. Song and Survival.



Notă biografică

Olivia Guntarik teaches in the Music Industry program at RMIT University in Melbourne Australia. A creative writer of non-fiction, fictocriticism and ethnographic narrative, her writing emanates from and within struggles for social justice and human rights. A descendent of the Dusun-Murut hilltribes of Borneo, her traditional and ancestral homelands stretch from her birthplace in the interior plains of Tenom to the foothills of Mount Kinabalu and the river Kiulu, her grandmother’s country. Olivia’s fieldwork encompasses Australia and the wider Asia Pacific region, and includes creating digital stories shared through oral histories, song and sound walks with First Nations storytellers.

Textul de pe ultima copertă

“Olivia Guntarik has written us a coming-of-age song. She is listening, listening hard, to the wind. It is howling on the edge of a continent newly discovering itself with memories and longings other than those of the brief spell of the European invasion. Her words arise at a Sydney beach. I see her gazing at the open space of seagulls skimming the wave, kids playing, and adults becoming kids again. That is the space of renewal I find in this book.” —Michael Taussig, Professor of Anthropology, Columbia University.

From climate catastrophes to sudden wars, the world faces conflicts of unprecedented scale. Yet around the globe, Indigenous leaders continue to move forward with determination and hope. Leaders demand change, resisting the destruction of the environment and suggesting solutions to today’s global crisis. Age-old practices are experiencing a cultural revival and the lessons call for all of us to walk alongside Indigenous peoples. In the face of crisis and the progress of technology, this book shows how to stand with Indigenous peoples through uncertainty and chaos. How to stand with Indigenous peoples is about how to listen, how to walk together and how to act.

Olivia Guntarik teaches in the Music Industry program at RMIT University in Melbourne Australia. A creative writer of non-fiction, fictocriticism and ethnographic narrative, her writing emanates from and within struggles for social justice and human rights. A descendent of the Dusun-Murut hilltribes of Borneo, her traditional and ancestral homelands stretch from her birthplace in the interior plains of Tenom to the foothills of Mount Kinabalu and the river Kiulu, her grandmother’s country. Olivia’s fieldwork encompasses Australia and the wider Asia Pacific region, and includes creating digital stories shared through oral histories, song and sound walks with First Nations storytellers.

Caracteristici

Explores how creative works document and curate cultural heritage Discusses how creative technologies are central players in cultural reproduction, social negotiation and place making Analyses communities, esp. those at risk of marginalization, that use creative strategies for their agency & activism