Innovation in the Arts: Concepts, Theories, and Practices: Routledge Focus on the Global Creative Economy
Autor Jason C. Whiteen Limba Engleză Hardback – aug 2022
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Taylor & Francis – aug 2022 | 456.06 lei 43-57 zile |
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Livrare economică 03-17 martie
Specificații
ISBN-10: 0367688778
Pagini: 102
Ilustrații: 1 Halftones, black and white; 1 Illustrations, black and white
Dimensiuni: 138 x 216 x 8 mm
Greutate: 0.14 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Focus on the Global Creative Economy
Locul publicării:Oxford, United Kingdom
Public țintă
PostgraduateCuprins
Recenzii
"Dr. Jason C. White's Innovation in the Arts: Theories, Concepts, and Practices is a welcomed and significant contribution. Not only does the book build linguistic consensus previously lacking in the arts entrepreneurship literature around key terms, but it theorizes key processes necessary for the discipline's future advancement and success." Antonio C. Cuyler, Florida State University, USA
"This is a very much-needed book for arts entrepreneurship scholars and those interested in becoming arts entrepreneurs. This book lays the groundwork for advancing arts entrepreneurship theories by clarifying the most fundamental concepts and early theoretical endeavors in this field. Moreover, this book offers critical resources and perspectives to inspire conversations on research and practices that advocate for artists and arts entrepreneurs of color." Wen Guo, Elon University, USA
"Art is always changing and consistently never the same. Dr. Jason C. White reminds us of something important: that in addition to innovation prescribed in standardized conventions from the top, downward in business management, White shows that innovation also springs fresh from the unique practices of artists and arts administrators." Clayton Funk, Ohio State University, USA
Notă biografică
Descriere
This concise guide aims to increase what we understand by innovation in the arts and identify and support opportunities and strategies for the unique ways in which artists and arts administrators think about, engage in, and pursue successful innovation in their diverse creative practice.
Innovations in the Arts are often marginalised from a research perspective, in part because of the lack of a sound and compelling theoretical framework to support and explain process distinctions from business and management innovation. This book identifies three key concepts - art innovation, art movement innovation, and audience experience innovation - supported by formal theory for each concept presented and evidenced through case studies in art history. In this way, the book enables readers to identify, explain, and support their innovation efforts as visual, literary, and performing artists and arts administrators. It also explores strategies for pursuing innovation in practice.
Drawing attention to the unique ways in which artists and arts administrators think about and engage in innovation, this readable book will be an essential reading for students in all aspects of the creative and cultural industries and an essential guide to developing and promoting innovation in the arts for practitioners and researchers alike.