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Interior Design: Theory and Process

Autor Anthony Sully
en Limba Engleză Paperback – 23 mai 2012
Successful interior design requires resolving a multitude of logistical and creative problems to produce a coherent, functional and aesthetically pleasing environment. This book, the first of its kind, tackles the problem from a theoretical approach and not in the conventional how-to or inspiring ideas fashion. Categorising design into nine key elements, including space, light, display, storage, and offering new terminology to describe each area, the author breaks new ground in the field of interior design in an approach that brings vitality and clear communication to a misunderstood and often free-wheeling design discipline. Drawing on more than 45 years' experience as an interior designer, Anthony Sully provides the ultimate resource in insight and explains best practices from interpreting a client's brief, to analysing the building, to setting up a design team and work schedule plus a host of other practical aspects. Peppered through this toolkit are illustrations and explanations of how to analyse space and form in relation to human activity, the formulation of design concepts, and how to learn from mistakes that have been made in the past.
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Specificații

ISBN-13: 9781408152027
ISBN-10: 1408152029
Pagini: 216
Ilustrații: 240 colour and 140 bw illus
Dimensiuni: 219 x 276 x 13 mm
Greutate: 0.7 kg
Editura: Bloomsbury Publishing
Colecția A&C Black Visual Arts
Locul publicării:London, United Kingdom

Caracteristici

Comprehensive contents range from skills and responsibilities of an interior designer to definition of terms, from the measurement and implications of the human form to geometry and proportion, and from visual understanding to codes and styles within interior design languages

Notă biografică

Anthony Sully is a graduate and Silver Medallist of the Royal College of Art. He became a Fellow of the Chartered Society of Designers and the Royal Society of Arts in 1992, and a Fellow of the Higher Education Academy in 2008. His career has been divided equally between practising as an interior designer and teaching at various universities in the UK and the USA. He has worked on projects in Europe and Japan, and has received numerous awards. He runs his own interior design consultancy.

Cuprins

PrefaceAcknowledgementsIntroductionPart 1 Clarification1. The Present Situation2. Definition of Terms Part 2 Body and Measurement3. Human Form4. Geometry & ProportionPart 3 Visual Understanding5. Perception6. Expression & MeaningPart 4 Design Process7. Theoretical Basis for Design Process8. Searching for Codes9. ConclusionGlossary BibliographyIndex

Recenzii

A true educational reference. Although the book is accessible to the established practitioner it is especially relevant to students and startup businesses in the interior design sector. It combines the many and intricate facets of the interior design profession and offers great content for further exploration. I am sure it will create to any interior design student a fundamental guideline along their educational endeavors.

Descriere

In this book the author explains a conceptual approach to analyzing space, light, enclosure, storage and display and decoration. Each area is divided into graspable topics, making it accessible for students and a useful handbook for experienced practitioners wishing to recharge their batteries.

Textul de pe ultima copertă

Maximizing reader insights into interior design as a conceptual way of thinking, which is about ideas and how they are formulated. The major themes of this book are the seven concepts of planning, circulation, 3D, construction, materials, colour and lighting, which covers the entire spectrum of a designer’s activity. Analysing design concepts from the view of the range of possibilities that the designer can examine and eventually decide by choice and conclusive belief the appropriate course of action to take in forming that particular concept, the formation and implementation of these concepts is taken in this book to aid the designer in his/her professional task of completing a design proposal to the client. The purpose of this book is to prepare designers to focus on each concept independently as much as possible, whilst acknowledging relative connections without unwarranted influences unfairly dictating a conceptual bias, and is about that part of the design process called conceptual analysis. It is assumed that the site, location, building and orientation, as well as the client’s brief of activities and needs have been digested and analysed to provide the data upon which the design process can begin. Designed as a highly visual illustrative book, as the interior design medium demands, the hands-on creative process of designing is detailed with original drawn illustrations. Concentrating on the conceptual process of designing interiors, and defining what these concepts are, this book will help the designer to organise his/her process of designing and to sharpen the links between the various skill bases necessary to do the job. This book will be stimulating for students and instructors alike and is aimed at any student who maybe majoring in interior design, interior architecture, architecture, design thinking or furniture design. It could also be a useful reference for students of design management and design leadership.