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Into Darkness Peering: Race and Color in the Fantastic: Contributions to the Study of Science Fiction and Fantasy

Autor Elisabeth Leonard
en Limba Engleză Hardback – 29 iul 1997 – vârsta până la 17 ani
Unlike many classic works of fiction, literature of the fantastic enjoys mass popularity. Because the fantastic is so much a part of popular culture, fantasy literature can represent or address the racial attitudes of its audience. Representations of race in the fantastic provide a measure of the concern the culture has for racial matters. If a work is racist, whether consciously or not, it may perpetuate racist attitudes unless it is carefully examined. At the same time, literature of the fantastic is able to present possible worlds rather than real ones. It is thus a literature of possibility, in which racial matters may be addressed and exposed, so that readers may become more conscious of the evils of racist attitudes. This volume explores the significance of race and color in the works of a wide range of authors, including Octavia Butler, Robert Heinlein, Stephen King, and Robert Silverberg.This volume explores the significance of race and color in the works of a wide range of authors, including Octavia Butler, Joseph Conrad, Ursula Le Guin, Robert Heinlein, Stephen King, and Robert Silverberg. The chapters are written by expert contributors who approach their topics as both products of a particular cultural moment and as imagined alternatives. While most of the works examined are science fiction, the book also looks at horror and fantasy writing. Topics discussed include colonialism and empire, Creole identity politics, race in cyberspace, and witchcraft in Salem.
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Specificații

ISBN-13: 9780313300424
ISBN-10: 0313300429
Pagini: 208
Dimensiuni: 156 x 235 x 21 mm
Greutate: 0.52 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions to the Study of Science Fiction and Fantasy

Locul publicării:New York, United States

Notă biografică

ELISABETH ANNE LEONARD received an M.F.A. from the University of Pittsburgh and is presently a doctoral candidate in English at Kent State University. She has articles forthcoming in CCC (May, 1997) and Extrapolation (1998).

Cuprins

Introduction: "Into Darkness Peering"--Race and Color in the Fantastic by Elisabeth Anne LeonardMixed Genres and True Heritages: From Trollope's Ralph the Heir to Delany's Dhalgren by Donald M. HasslerOctavia E. Butler: Parables of Race and Difference by Teri Ann DoerksenExploring Color-Coding at the Beginning and End of the Twentieth Century in Ursula Le Guin's The Left Hand of Darkness and Joseph Conrad's Heart of Darkness by Lisbeth Gant-BrittonRace and Color Coding in Leslie F. Stone's "The Human Pets of Mars": Reflections for the Repertoire of the Multicultural Classroom by Batya Weinbaum"You Don't Know What You Are Talking About": Robert A. Heinlein and the Racism of American Science Fiction by Gary WestfahlRace and Subjectivity in Science Fiction: Deterritorializing the Self/Other Dichotomy by Ellen BishopThe Excesses of Cyberpunk: Why No One Mentions Race in Cyberspace by Philip E. BaruthCreole Identity Politics, Race, and Star Trek: Voyager by Neal BakerReclaiming the Invisible World: Maryse Condé's I, Tituba, Black Witch of Salem by Faye RingelReading King Darkly: Issues of Race in Stephen King's Novels by Samantha FigliolaEnlightening the Alien Savages: Colonialism in the Novels of Robert Silverberg by John Flodstrom"Differences Make Me Curious": Race, Sexuality, and Class in The Chronicles of Tornor by Elisabeth Anne LeonardIndexContributors