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The Celebration of the Fantastic: Selected Papers from the Tenth Anniversary International Conference on the Fantastic in the Arts: Contributions to the Study of Science Fiction and Fantasy

Autor Csilla Bertha, Donald Morse, Marshall B. Tymn
en Limba Engleză Hardback – 29 sep 1992 – vârsta până la 17 ani
The Celebration of the Fantastic reaffirms the wide range and validity of the subject, treatment, and approach that the fantastic demands. Twenty-five essays, selected from among the more than 230 presented at the Tenth Anniversary Conference of the IAFA, consider writers as diverse as Stephen King, Doris Lessing, Rudyard Kipling, Loren Eiseley, Mary Stewart, Bernard Malamud, Orson Scott Card, Toni Morrison, Henry James, and Ray Bradbury as well as television personalities, film directors, and German and Hungarian visual artists. Also included are essays on science fiction writers Robert Silverberg, Joe Haldeman, and Greg Bear.Some of the more provocative work is on Feminist Fantasy and Open Structure, The Greatest Fantasy on Earth: The Superweapon in Fiction and Fact, Virtual Space and Its Boundaries in Science Fiction Film and Television, The Fantastic in German Democratic Republic Literature, Csontvary: The Painter of the Sun's Path, and The Shaman in Modern Fantasy. The essays illustrate the essential theme of the fantastic: the testing of the limits of civilization and the questioning of commonly accepted values and ideas as writers and artists explore the hidden and the repressed.
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Specificații

ISBN-13: 9780313278143
ISBN-10: 0313278148
Pagini: 328
Dimensiuni: 156 x 235 x 28 mm
Greutate: 0.65 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions to the Study of Science Fiction and Fantasy

Locul publicării:New York, United States

Notă biografică

DONALD E. MORSE is Professor of English and Rhetoric at Oakland University, Rochester, Michigan. He is co-editor (with Csilla Bertha) of More Real Than Reality: The Fantastic in Irish Literature and the Arts (Greenwood Press, 1991) and editor of The Fantastic in World Literature and the Arts (Greenwood, 1987). He has contributed numerous articles on Joyce, Beckett, Auden, Vonnegut, American drama, adult development, and cognitive psychology to various journals.MARSHALL B. TYMN is Professor of English at Eastern Michigan University. He is past President of The International Association for the Fantastic in the Arts, an internationally recognized scholar in science fiction and the fantastic, and he received the Pilgrim Award of the Science Fiction Research Association in 1990. The author of numerous books and dozens of articles, he is the series editor of Contributions to the Study of Science Fiction and Fantasy for Greenwood and The Year's Work in Science Fiction and Fantasy.CSILLA BERTHA is Associate Professor of English and Irish at Lajos Kossuth University, Debrecen, Hungary. Her publications include: two books in Hungary: Yeats the Playwright and English Literature in the 19th and the First Half of the 20th Centuries well as More Real Than Reality (Greenwood, 1991). She has also authored numerous articles in Hungary, Ireland, and the United States on Irish drama, Yeats, J.B. Keane, B. Friel, T. Murphy, the fantastic in Irish literature, and parallels between Irish and Hungarian literature.

Cuprins

PrefaceIntroduction--Celebrating the Fantastic: This "Enormous and Seductive Subject" by Donald E. MorseTheoryVictorian and Modern Fantasy: Some Contrasts by Colin Manlove (The International Association for the Fantastic in the Arts Distinguished Scholar Address of 1989)The Greatest Fantasy on Earth: The Superweapon in Fiction and Fact by H. Bruce FranklinPagan Survival: Why the Shaman in Modern Fantasy? by Roger C. SchlobinSome Thoughts on Modernism and Science Fiction (Suggested by Robert Silverberg's DOWNWARD TO THE EARTH) by Robert LathamGodmaking in the Heartland: Cultural Texts in the Tales of Alvin Maker by Brian AtteberyMyth and Legend"What Dreams May Come?" Relativity of Perception in Doris Lessing's BRIEFING FOR A DESCENT INTO HELL by Peter MalekinKipling's Myth of Making: Creation and Contradiction in PUCK OF POOK'S HILL by Jack G. VollerMithraic Aspects of Merlin in Mary Stewart's THE CRYSTAL CAVE by Marilyn JurichDolorous Strokes, Or, Balin at the Bat: Malamud, Malory and Chretien by John KimseyAutobiography as Science Fiction: The Strange Case of Loren Eiseley by Gale E. ChristiansonThe SupernaturalTHE FIFTH CHILD: Lessing's Subversion of the Pastoral by Ellen PiferThe Ghost and the Self: The Supernatural Fiction of Henry James by Leonard HeldrethToni Morrison's BELOVED: Rememory, History, and the Fantastic by Gary W. DailyVisual Arts: Painting, Film, and TelevisionCsontVÁry: The Painter of the "Sun's Path" by Csilla BerthaEros and Thanatos: The Art of Alfred Kubin on the Edge of the Other Side by Barbara Alexander-SchaechtelinFantasy According to MISTER ROGER'S NEIGHBORHOOD and IN THE NIGHT KITCHEN by C.W. Sullivan IIIVirtual Space and Its Boundaries in Science Fiction Film and Television: TRON, MAX HEADROOM, and WARGAMES by Judith B. KermanGiving the Devil More than His Due: THE WITCHES OF EASTWICK as Fiction and Film by Kenneth JurkiewiczThe Monomyth in Time Travel Films by Donald PalumboScience FictionAstronauts, Angels, and Time Machines: The Fantastic in German Democratic Republic Literature by Barbara MabeeLegitimate Sequels: Character Structures and the Subject in Greg Bear's Sequel Novels by Len HatfieldJoe Haldeman: Cyberpunk Before Cyberpunk Was Cool? by Joan GordonFantasy and HorrorFeminist Fantasy and Open Structure in Monique Wittig's LES GUERILLERES by Laurence M. PorterArt Versus Madness in Stephen King's MISERY by Tony MagistraleRay Bradbury, Herman Melville, and Nineteenth-Century American Romance by Steven E. KagleBibliographyIndex