Irma Stern and the Racial Paradox of South African Modern Art: Audacities of Color
Autor LaNitra M. Bergeren Limba Engleză Paperback – 18 mai 2022
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Specificații
ISBN-13: 9781350187535
ISBN-10: 1350187534
Pagini: 208
Ilustrații: 46 bw illus
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350187534
Pagini: 208
Ilustrații: 46 bw illus
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Critically approaches how to understand and analyze complex historical figures-in this case, a woman artist-who experienced sexism and anti-Semitism even as her own views also contributed to racial oppression in South Africa
Notă biografică
LaNitra M. Berger is Senior Director of Fellowships for the Office of Undergraduate Education and Affiliate Faculty in the African & African American Studies (AAAS) Program and the History and Art History Department at George Mason University, USA.
Cuprins
IntroductionAcknowledgementsChapter 1 Irma Stern in a Global Context: Expressionist InfluencesChapter 2 Cape Town Blues: Painting South AfricaChapter 3 Congo and ZanzibarChapter 4Modernism Under Apartheid: Art and Social ContextChapter 5Irma Stern and Post-Apartheid South AfricaConclusionBiographical TimelineBibliographyIndex
Recenzii
LaNitra M. Berger's subtle and very timely study brilliantly mines Stern's story and her works' imagery to extract from them essential insights into global modernism, art under apartheid, and Stern's conflicted legacy.
Strikingly original and well-researched, Irma Stern and the Racial Paradox of South African Modern Art is the work of a pioneering scholar. Employing a powerful Black feminist and decolonial perspective, LaNitra M. Berger questions received ideas about what constitutes modern African art. She shows us that the life and work of a controversial white artist like Irma Stern, whose work was predicated on racial exploitation, is important to the formation of global modernism in South Africa and beyond.
Strikingly original and well-researched, Irma Stern and the Racial Paradox of South African Modern Art is the work of a pioneering scholar. Employing a powerful Black feminist and decolonial perspective, LaNitra M. Berger questions received ideas about what constitutes modern African art. She shows us that the life and work of a controversial white artist like Irma Stern, whose work was predicated on racial exploitation, is important to the formation of global modernism in South Africa and beyond.