Islands: Modern Plays
Autor Caroline Hortonen Limba Engleză Paperback – 14 ian 2015
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Specificații
ISBN-13: 9781474245500
ISBN-10: 1474245501
Pagini: 80
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 4 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1474245501
Pagini: 80
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 4 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Caroline Horton is an associate artist at Birmingham Rep where she also mentors the Rep's Foundry theatre-makers. She has previously been an associate at the Bush Theatre and was one of Oxford Playhouse's first Evolve artists in residence in 2013
Notă biografică
Caroline Horton is a writer and performer, based in Birmingham. The pieces she creates begin with an idiosyncratic, personal story from which something emerges that is universally moving and funny. Always looking to expose a story's messy mixture of comedy, tragedy and whatever lies in between in a playful stage language that is visually and textually rich and immediate, Horton's work is as accessible as it is insightful and has been presented at theatres, village halls and festivals in the UK and abroad. Horton has recently been made an artistic associate at The Bush theatre and is a member of The Optimists network of young theatre-makers in the Midlands.
Recenzii
It's not the subtlest allegory for how the super-rich have bounced back while our wages have stagnated. But it is a tremendously powerful one. . . . Horton is a mercurial and talented theatre maker
A touching insight into the cruel grip of an eating disorder and a sense of the near impossibility of curing it in anything but the most patient and painstaking way
[Mess] comes perilously close to genius and announces Horton as a major, major talent
One of the oddest, funniest, saddest pieces of theatre I've seen in some time ... Mess could be worthy and unwatchable, but it's not. Rather it is informative and witty and constantly prods away at the strangeness of its subject matter . . . packed with insights.
A touching insight into the cruel grip of an eating disorder and a sense of the near impossibility of curing it in anything but the most patient and painstaking way
[Mess] comes perilously close to genius and announces Horton as a major, major talent
One of the oddest, funniest, saddest pieces of theatre I've seen in some time ... Mess could be worthy and unwatchable, but it's not. Rather it is informative and witty and constantly prods away at the strangeness of its subject matter . . . packed with insights.