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Jacques Ranciere and the Contemporary Scene: The Philosophy of Radical Equality

Editat de Dr Jean-Philippe Deranty, Alison Ross
en Limba Engleză Paperback – 15 feb 2012
This book forms the first criticalstudy of Jacques Rancière's impact and contribution to contemporary theoreticaland interdisciplinary studies. It showcases the work of leading scholars infields such as political theory, history and aesthetic theory; each of whom areuniquely situated to engage with the novelty of Rancière's thinking withintheir respective fields.
 
Each of the essays provides aninvestigation into the critical stance Rancière takes towards hiscontemporaries, concentrating on the versatile application of his thought todiverse fields of study (including, political and education theory, cinemastudies, literary and aesthetic theory, and historical studies). The aim ofthis collection is to use the critical interventions Rancière's writing makeson current topics and themes as a way of offering new critical perspectives onhis thought. Wielding their individual expertise, each contributor assesses hisperspectives and positions on thinkers and topics of contemporary importance.The edition includes a new essay by Jacques Rancière, which charts thedifferent problems and motivations that have shaped his work.
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Specificații

ISBN-13: 9781441114099
ISBN-10: 1441114092
Pagini: 288
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.43 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:London, United Kingdom

Caracteristici

Critically evaluates Ranciereâ?Ts contributions to the multitude of different fields he is associated with.

Notă biografică

Jean-Philippe Deranty is AssociateProfessor in Philosophy at Macquarie University, Sydney, Australia. In additionto his monograph on Axel Honneth, BeyondCommunication (Brill, 2009) and several edited collections on contemporaryCritical Theory, he is the editor of JacquesRancière: Key Concepts (Acumen, July 2010).
Alison Ross is Senior Lecturer in Critical Theory at MonashUniversity, Melbourne, Australia. She is the author of The Aesthetic Pathsof Philosophy (Stanford UP, 2007) and the editor of The Agamben Effect(South Atlantic Quarterly, 2008).

Cuprins

Acknowledgements \ Contributor Notes \ 1. JacquesRancière and the Contemporary Scene: The Evidence of Equality and the Practiceof Writing Jean-Philippe Deranty and Alison Ross \ 2. Movies as the GreatDemocratic Art Form of the Modern World (Notes on Rancière) JM Bernstein \ 3. 'Godardand Rancière: Automatism, Montage, Thinking' Lisa Trahair \ 4. The Names inHistory: Rancière's New Historical Poetics Dmitri Nikulin \ 5. Equality in the Romantic Art Form: TheHegelian Background to Jacques Rancière's 'Aesthetic Revolution' Alison Ross \ 6.No time or place for universal teaching:The Ignorant Schoolmaster and contemporary work on pedagogy Caroline Pelletier\ 7. Rancière and Anarchism Todd May \ 8. Rancière's utopian politics PaulPatton \ 9. Hannah Arendt and the Philosophical Repression of Politics AndrewSchaap \10. The Many Marx of JacquesRancière Emmanuel Renault \ 11. Work in the writings of Jacques Rancière Jean-PhilippeDeranty \ 12. Work, identity, subject Jacques Rancière \ Bibliography\ Index

Recenzii

This finely tuned collection of writings from some of the most astute readers of Jacques Rancière throughout the world not only engages the analytics of his work, but put his insights to work. Rancière's own contribution - as a reader of his readers - is nothing less than incisive. In short, Deranty and Ross have edited a stellar set of essays that will become a primary source for anyone interested in the singularly unique, multidisciplinary aspects of Rancière's critical ideas.
This collection of essays is a testament to the breadth and depth of the influence of Rancière's project to date. Staged as a series of specific interventions into the various fields that he has engaged with-ranging from film theory and aesthetics to history, pedagogy, politics, work and emancipation-it provides the reader with a kaleidoscope of perspectives that appropriately mirrors Rancière's forceful impact on the contemporary scene. The final essay is a fitting capstone to this important collection since Rancière himself provides a sustained reflection on his own asystematic work as an idiosyncratic analysis of the work of dissensus that is at one and the same time a performative manifestation thereof.