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James Joyce's Silences

Editat de Professor Jolanta Wawrzycka, Dr Serenella Zanotti
en Limba Engleză Paperback – 27 noi 2019
In this landmark book, leading international scholars from North America, Europe and the UK offer a sustained critical attention to the concept of silence in Joyce's writing. Examining Joyce's major works, including Ulysses, Portrait of the Artist as a Young Man and Finnegans Wake, the critics present intertextual and comparative interpretations of Joyce's deployment of silence as a complex overarching narratological strategy.Exploring the many dimensions of what is revealed in the absences that fill his writing, and the different roles - aesthetic, rhetorical, textual and linguistic - that silence plays in Joyce's texts, James Joyce's Silences opens up important new avenues of scholarship on the great modernist writer.This volume is of particular interests to all academics and students involved in Joyce and Irish studies, modernism, comparative literature, poetics, cultural studies and translation studies.
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Specificații

ISBN-13: 9781350140059
ISBN-10: 1350140058
Pagini: 272
Dimensiuni: 156 x 234 mm
Greutate: 0.39 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Features innovative new readings of Joyce's major works, including Ulysses and Finnegans Wake

Notă biografică

Jolanta Wawrzycka is Professor of English at Radford University, USA. She is the editor of Reading Joycean Temporalities (2018) and co-editor of Portals of Recovery (2017) and Gender in Joyce (1996). Serenella Zanotti is Associate Professor in English Language and Translation at Roma Tre University, Italy. She is the author of Italian Joyce: A Journey through Language and Translation (2013).

Cuprins

AcknowledgmentsNotes on ContributorsBiographical NoteIntroduction: "Listening to the unspoken speech behind the words" (P 242)Jolanta Wawrzycka (Radford University, USA) and Serenella Zanotti (Università Roma Tre, Italy)Part 1: The Language of Silence1. Active SilencesFritz Senn (Zurich James Joyce Foundation, Switzerland)2. Joyce's Art of Silence in Dubliners and A Portrait of the Artist as a Young ManLaura Pelaschiar (University of Trieste, Italy)3. What Happens When 'Silence Speaks the Scene'?Rosa Maria Bollettieri (University of Bologna) and Ira Torresi (University of Bologna-Forlì, Italy)4. In the Beginning was the Nil: The 'Eloquence of Silence' in Finnegans WakeLaurent Milesi (Shanghai Jiao Tong University, China)Part 2: The Aesthetics of Silence5. 'Fragments of Shapes, Hewn. In White Silence: Appealing': Silence and the Emergence of a Style from Giacomo Joyce to UlyssesJohn McCourt (Università Roma Tre, Italy) 6. Joyce and the Aesthetics of Silence: Absence and Loss in "The Dead"Teresa Caneda (University of Vigo, Spain)7. "Affirmations and Negations Invalidated as Uttered" in Ulysses and How It IsSam Slote (Trinity College Dublin, Ireland)8. 'Shut Up He Explained': Joyce and 'Scornful Silence'Morris Beja (Ohio State University, USA)Part 3: Writing Silence9. The Silent Author of James Joyce's Dictated LettersWilliam S. Brockman (Pennsylvania State University, USA)10. 'Secrets, silent . . . sit' in the Archives of Our Publishers: Untold Episodes from Joyce's Italian OdysseySara Sullam (University of Milan, Italy)11. The Silence of the LoomsTim Conley (Brock University, Canada)Part 4: Translating Silence12. Silent Translation in JoyceSerenella Zanotti (Università Roma Tre, Italy)14. 'Mute Chime and Mute Peal': Translating Chamber MusicJolanta Wawrzycka (Radford University, USA)13. 'Music Hath Jaws': Translating Music and Silence in UlyssesErika Mihálycsa (Babes-Bolyai University, Cluj, Romania)Coda: Modernism/Silence15. Forms of Silence in Literary Writing: James Joyce and ModernismFranca Ruggieri (Università Roma Tre, Italy)Index

Recenzii

Impressive ... The essays in James Joyce's Silences enable passionate readers of Joyce to return to his texts so that his language speaks again, and anew.
Richness of stimuli and suggestions, as well as textual cues and evidences, characterise this volume, which proves a fascinating and useful reading for Joycean scholars.