Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought
Autor Dr. Rachel Elizabeth Barracloughen Limba Engleză Paperback – 23 aug 2023
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Specificații
ISBN-13: 9781501375026
ISBN-10: 1501375024
Pagini: 264
Ilustrații: 45 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501375024
Pagini: 264
Ilustrații: 45 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Provides new and unique insights into some of the most popular and widely discussed contemporary Japanese horror films: The Grudge, Audition and Kairo
Notă biografică
Dr. Rachel Elizabeth Barraclough is an associate lecturer within the school of film and media at The University of Lincoln, UK. She received her PhD from the University of Lincoln in 2018. Her research interests lie in the horror genre, East Asian cinema and Deleuzian philosophy.
Cuprins
List of figuresAcknowledgementsPrefaceIntroductionPart One: Theory1. Theoretical Intersections: The Japanese Horror Genre and National, Transnational and Global Flows 2. Theoretical Transformations: The Perspectives of Gilles DeleuzePart Two: Case-Studies3. The "Any-Space-Whatever", "Becoming-Woman" and Ju-On: The Grudge (2002)4. Auteurship, Adaptation and the Molecularity of Audition (1999)5. Kairo (2001): Cosmicism and "Becoming-Machine" ConclusionBibliography Index
Recenzii
Japanese Horror Cinema and Deleuze challenges conventional film analysis by exploring the genre's affective elements. Clear and engaging, this work is an important contribution to the discipline of cinema studies and is a must for students of film and philosophy.
This book provides an important intervention into the scholarship on Japanese horror by avoiding a well-worn hermeneutic approach to cinematic analysis, examining, instead, the many interconnections that develop between the bodies of audience members, films, and nations as cinematic works are created and viewed worldwide. In so doing, this study brings a fresh perspective to some of the iconic works of the genre.
This book provides an important intervention into the scholarship on Japanese horror by avoiding a well-worn hermeneutic approach to cinematic analysis, examining, instead, the many interconnections that develop between the bodies of audience members, films, and nations as cinematic works are created and viewed worldwide. In so doing, this study brings a fresh perspective to some of the iconic works of the genre.