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Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought

Autor Dr. Rachel Elizabeth Barraclough
en Limba Engleză Paperback – 23 aug 2023
Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the "monstrous-feminine", can be transformed, allowing these models to become more flexible.
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Specificații

ISBN-13: 9781501375026
ISBN-10: 1501375024
Pagini: 264
Ilustrații: 45 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

Provides new and unique insights into some of the most popular and widely discussed contemporary Japanese horror films: The Grudge, Audition and Kairo

Notă biografică

Dr. Rachel Elizabeth Barraclough is an associate lecturer within the school of film and media at The University of Lincoln, UK. She received her PhD from the University of Lincoln in 2018. Her research interests lie in the horror genre, East Asian cinema and Deleuzian philosophy.

Cuprins

List of figuresAcknowledgementsPrefaceIntroductionPart One: Theory1. Theoretical Intersections: The Japanese Horror Genre and National, Transnational and Global Flows 2. Theoretical Transformations: The Perspectives of Gilles DeleuzePart Two: Case-Studies3. The "Any-Space-Whatever", "Becoming-Woman" and Ju-On: The Grudge (2002)4. Auteurship, Adaptation and the Molecularity of Audition (1999)5. Kairo (2001): Cosmicism and "Becoming-Machine" ConclusionBibliography Index

Recenzii

Japanese Horror Cinema and Deleuze challenges conventional film analysis by exploring the genre's affective elements. Clear and engaging, this work is an important contribution to the discipline of cinema studies and is a must for students of film and philosophy.
This book provides an important intervention into the scholarship on Japanese horror by avoiding a well-worn hermeneutic approach to cinematic analysis, examining, instead, the many interconnections that develop between the bodies of audience members, films, and nations as cinematic works are created and viewed worldwide. In so doing, this study brings a fresh perspective to some of the iconic works of the genre.