Jay Pather, Performance, and Spatial Politics in South Africa
Autor Ketu H. Katraken Limba Engleză Paperback – mar 2021
Pather, a South African of Indian heritage, is known as a master of space, site, and location. Katrak examines how Pather's performance practices place him in the center of global trends that are interdisciplinary, multidisciplinary, collaborative, and multimedia and that cross borders between dance, theater, visual art, and technology.
Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation.
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Specificații
ISBN-13: 9780253053688
ISBN-10: 0253053684
Pagini: 436
Ilustrații: 30 Illustrations, black and white
Dimensiuni: 152 x 228 x 29 mm
Greutate: 0.64 kg
Editura: MH – Indiana University Press
ISBN-10: 0253053684
Pagini: 436
Ilustrații: 30 Illustrations, black and white
Dimensiuni: 152 x 228 x 29 mm
Greutate: 0.64 kg
Editura: MH – Indiana University Press
Notă biografică
Ketu H. Katrak is Professor in the Department of Drama at the University of California, Irvine. She is author of Contemporary Indian Dance: New Creative Choreography in India and the Diaspora, Politics of the Female Body: Postcolonial Women Writers of the Third World, and Wole Soyinka and Modern Tragedy: A Study of Dramatic Theory and Practice.
Cuprins
Preface: Personal Journey to Discovering Jay Pather
Introduction: Pather's Spatial Politics within South Africa's Historical and Political Landscape
Journeys across Political, Socio-racial and Geographic Borderlines: Interconnecting the Present, Past, and Future
1. Crossing (over): Indian Ocean Migrations Pather's Historical Dance-Dramas
2. Race and Space Matter: Outdancing Apartheid's Grip (1980s and 1990s) The Truth and Reconciliation Commission (TRC) Choreographed Critiques of Broken Promises Post-1994 Testimonies; Laws of Recall; Unclenching the Fist, Forked Tongues, Shifting Spaces, Tilting Time
The Transitional and the In-between: Theoretical and Creative Engagements with Urban Geography (2000-2015)
3. Site-Specific Cartographies of Belonging Cityscapes; Republic; Rite, Blind Spot
4. Site-Responsive Works of History and Memory Home; The Beautiful Ones Must be Born; Body of Evidence; Qaphela Caesar
Curatorial Choreographies: Challenges of Curating Public Art Festivals (2007-Present)
5. A New Kind of Performance-Curation of Live Artists Director of the Gordon Institute for Performing and Creative Arts (2010-2015), now the Institute for Creative Arts (2016 on) Spier Contemporary: Fostering New South African Arts Director of GIPCA 2010-2015; Institute for Creative Arts (2016 on)
Conclusion: A Sense of Ending
Appendix: Indians in South Africa
Bibliography
Index
Introduction: Pather's Spatial Politics within South Africa's Historical and Political Landscape
Journeys across Political, Socio-racial and Geographic Borderlines: Interconnecting the Present, Past, and Future
1. Crossing (over): Indian Ocean Migrations Pather's Historical Dance-Dramas
2. Race and Space Matter: Outdancing Apartheid's Grip (1980s and 1990s) The Truth and Reconciliation Commission (TRC) Choreographed Critiques of Broken Promises Post-1994 Testimonies; Laws of Recall; Unclenching the Fist, Forked Tongues, Shifting Spaces, Tilting Time
The Transitional and the In-between: Theoretical and Creative Engagements with Urban Geography (2000-2015)
3. Site-Specific Cartographies of Belonging Cityscapes; Republic; Rite, Blind Spot
4. Site-Responsive Works of History and Memory Home; The Beautiful Ones Must be Born; Body of Evidence; Qaphela Caesar
Curatorial Choreographies: Challenges of Curating Public Art Festivals (2007-Present)
5. A New Kind of Performance-Curation of Live Artists Director of the Gordon Institute for Performing and Creative Arts (2010-2015), now the Institute for Creative Arts (2016 on) Spier Contemporary: Fostering New South African Arts Director of GIPCA 2010-2015; Institute for Creative Arts (2016 on)
Conclusion: A Sense of Ending
Appendix: Indians in South Africa
Bibliography
Index
Descriere
Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation.