Jazz in Europe: Networking and Negotiating Identities
Autor Dr José Diasen Limba Engleză Paperback – 25 noi 2020
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Specificații
ISBN-13: 9781501375095
ISBN-10: 1501375091
Pagini: 200
Dimensiuni: 152 x 229 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501375091
Pagini: 200
Dimensiuni: 152 x 229 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Provides insight into how jazz musicians, promoters, researchers, festivals and media across Europe operate, connect, reflect about their practices, and negotiate their space in the European cultural fabric
Notă biografică
José Dias is Senior Lecturer in Music at Manchester Metropolitan University, UK, and a jazz researcher, documentarist, composer and musician. He has developed research on European jazz and music for screen and has scored music for theatre, contemporary dance and film.
Cuprins
PrefaceAcknowledgementsList of Abbreviations Introduction1 Researching Jazz in Europe Today2 Challenges for European Jazz Networking3 Current Strategies4 Giving Voice to Ground PlayersConclusions ReferencesNotesIndex
Recenzii
In its focus on networks of musicians and supporting institutions in Europe, José Dias's book is a unique contribution to jazz studies. Using ethnographic methods and drawing on his own extensive connections forged as a musician and researcher, Dias touches some of the central themes of 'The European Project,' such as whether there exists a European cultural identity. At the same time, the book offers a skillful critique of received narratives that have tended to view jazz as an American import. Supported by engaged dialogue with interlocutors, it is a timely intervention into broadly relevant debates.
This remarkable work offers a great deal to consider for students of jazz, of musical scenes and of the culture at large in the context of late capitalism. It is theoretically savvy at the same time as it documents peripheral - but in every sense important - music making in contemporary Europe. Highly recommended.
This remarkable work offers a great deal to consider for students of jazz, of musical scenes and of the culture at large in the context of late capitalism. It is theoretically savvy at the same time as it documents peripheral - but in every sense important - music making in contemporary Europe. Highly recommended.