Jean Dubuffet, Bricoleur: Portraits, Pastiche, Performativity
Autor Stephanie Chadwicken Limba Engleză Hardback – 9 feb 2022
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Specificații
ISBN-13: 9781501349454
ISBN-10: 1501349457
Pagini: 256
Ilustrații: 8 color and 60 bw illus
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.69 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
ISBN-10: 1501349457
Pagini: 256
Ilustrații: 8 color and 60 bw illus
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.69 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
Caracteristici
Through the lens of Dubuffet's portraits, the book provides the first exploration of his postwar painting in dialogue with Surrealism and ethnography
Notă biografică
Stephanie Chadwick is Associate Professor of Art History at Lamar University, USA.
Cuprins
List of PlatesList of FiguresAcknowledgments 1. Introduction: Learning How to Smear: How to Paint a Portrait in Postwar Paris2. Art as Other: Surrealism, Collage, and Oceanic Art in the Portraits of Michel Tapié, Jean Paulhan, and the Company of Art Brut3. Painting and Its Double: Surrealist Performance, Ethnography, and the Balinese Theater in the portraits of Antonin Artaud 4. A Barbarian in the Gallery: Southeast Asian Art and Performance in the Portraits of Henri Michaux5. Conclusion: Animating the Material: Assemblage, Theatricality, and Performativity in Dubuffet's Self-PortraitsBibliographyIndex
Recenzii
This groundbreaking study forms a necessary and timely reevaluation of Jean Dubuffet's forays into the genre of portraiture, in which Chadwick deftly employs the concepts of bricolage, pastiche, and performativity to shed new light on Dubuffet's important relationships with leading cultural figures of his time, including Michel Tapié, Jean Paulhan, Antonin Artaud, and Henri Michaux.
With this new volume, Chadwick offers fresh interpretations of Dubuffet's mark-making, especially connecting his radical practice to Surrealist ideas in deeply intertextual readings. By focusing on a tightly constructed group of works, Chadwick expands previous understandings of Dubuffet's portraits in the rich context of post-war French intellectual thought.
With this new volume, Chadwick offers fresh interpretations of Dubuffet's mark-making, especially connecting his radical practice to Surrealist ideas in deeply intertextual readings. By focusing on a tightly constructed group of works, Chadwick expands previous understandings of Dubuffet's portraits in the rich context of post-war French intellectual thought.