Jesus, the Gospels, and Cinematic Imagination: Introducing Jesus Movies, Christ Films, and the Messiah in Motion
Autor Professor Richard Walsh, Professor Jeffrey L. Staleyen Limba Engleză Paperback – 8 sep 2021
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 157.01 lei 22-36 zile | |
Bloomsbury Publishing – 8 sep 2021 | 157.01 lei 22-36 zile | |
Hardback (1) | 471.16 lei 43-57 zile | +104.30 lei 6-12 zile |
Bloomsbury Publishing – 8 sep 2021 | 471.16 lei 43-57 zile | +104.30 lei 6-12 zile |
Preț: 157.01 lei
Preț vechi: 189.89 lei
-17% Nou
Puncte Express: 236
Preț estimativ în valută:
30.05€ • 31.21$ • 24.96£
30.05€ • 31.21$ • 24.96£
Carte disponibilă
Livrare economică 13-27 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780567693846
ISBN-10: 0567693848
Pagini: 400
Ilustrații: 22 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.55 kg
Editura: Bloomsbury Publishing
Colecția T&T Clark
Locul publicării:London, United Kingdom
ISBN-10: 0567693848
Pagini: 400
Ilustrații: 22 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.55 kg
Editura: Bloomsbury Publishing
Colecția T&T Clark
Locul publicării:London, United Kingdom
Caracteristici
Gospel harmony chapter and end of chapter apparatus for finding specific allusions to the New Testament increase the book's pedagogical applicability
Notă biografică
Richard Walsh is Womack Professor of Philosophy and Religion and Co-Director of the Honors Program at Methodist University in Fayetteville, North Carolina, USA, and is the author of Reading the Gospels in the Dark and editor of the T&T Clark Handbook of Jesus and Film. Jeffrey L. Staley is the author of numerous essays on Jesus and film, and co-founder of the SBL Bible and Film Program Unit. He taught a variety of theology and film courses for many years in the Department of Theology and Religious Studies at Seattle University, USA, and is now retired.
Cuprins
List of FiguresIntroduction: Digitalizing Jesus1. La vie du Christ, Alice Guy, 19062. La vie et passion de notre seigneur Jésus Christ, Ferdinand Zecca, 19073. From the Manger to the Cross, Sidney Olcott, 19124. Intolerance: Love's Struggle Through The Ages, D.W. Griffith, 19165. The King of Kings, Cecil B. DeMille, 19276. King of Kings, Nicholas Ray, 19617. Il vangelo secondo Matteo, Pier Paolo Pasolini, 19648. The Greatest Story Ever Told, George Stevens, 19659. Godspell, David Greene, 197310. Jesus Christ Superstar, Norman Jewison, 197311. Il messia, Roberto Rossellini, 1975 12. Jesus of Nazareth, Franco Zeffirelli, 197713. Monty Python's Life of Brian, Terry Jones, 197914. The Jesus Film, John Krish and Peter Sykes, 197915. The Last Temptation of Christ, Martin Scorsese, 198816. Jésus de Montréal, Denys Arcand, 1989 17. Jesus, Roger Young, 199918. The Miracle Maker, Derek W. Hayes and Stanislav Sokolov, 200019. The Gospel of John, Philip Saville, 200320. The Passion of the Christ, Mel Gibson, 200421. Son of Man, Mark Dornford-May, 200622. Mary Magdalene, Garth Davis, 2018A Gospels Harmony of Select Jesus FilmsWorks CitedFilm IndexModern Author IndexScripture Index
Recenzii
With this revision of their excellent 2007 handbook to Jesus on DVD, Richard Walsh and Jeffrey Staley have added an indispensable reference work to the groaning shelf of books on movies about Jesus. Not only have they added several films - old and new - but they have extensively revised the entire book, addressed the move from DVD to streaming platforms, and added a new introduction that makes sense of the diverse films they treat without homogenizing them. A must-read for both seasoned Jesus-movie-watchers and those who are newcomers to this corpus of films, this book will also work well as a textbook for college and adult-education courses on the Jesus movies.
This fully updated and revised version of Jesus, the Gospels and Cinematic Imagination showcases twenty-two Jesus films, spanning silent cinema through to present day. Each chapter's erudite analysis immerses readers in relevant scholarship as it situates the films within cinematic and cultural history. The attention to techniques such as cinematography, location, and casting is particularly elucidating, and sections highlighting problematic issues (e.g. orientalism, violence, androcentrism) facilitate important discussions about these films as cultural products. Written in a lively and engaging style and imbued with the field-leading expertise of Staley and Walsh, this is set to become an essential volume for anyone teaching, researching, or just plain interested in Cinematic Jesuses.
Walsh and Staley's Jesus, the Gospels, and Cinematic Imagination is the most accessible, informative, and insightful book on Jesus films. Reflecting their decades of expertise, each of the twenty-two chapters is a dense tapestry of insight and illumination. In addition to expected classics (The Last Temptation of Christ, The Passion of the Christ), the authors also examine lesser known (La vie du Christ, Il messia, The Miracle Maker, Son of Man) and more recent films (Mary Magdalene). Walsh and Staley respect cinema enough to take it seriously on its own terms, rather than subsuming films within biblical narratives. Especially helpful is the material on each film's cultural location/genre, director, and problematic issue. The valuable material in the endnotes of each chapter is alone worth the price of the book. Walsh and Staley's book is ideal for undergraduates and anyone interested in Jesus films.
This revised version offers a decidedly different take on Jesus films, shifting the focus from message to medium, from the interpretation of (mostly) biblical texts to their visual incarnations. Walsh and Staley do not limit themselves to what these films reveal about Jesus, but also address issues related to Jesus film genres, their specific characteristics and characters, actors and makers. As such, it offers fresh perspectives on a century of Jesus film-making.
Walsh and Staley's volume is a helpful tool for scholarly interaction with these films and for those who on occasion want to use scenes from such films in their teaching and in church contexts. For both purposes, the volume presents an excellent overview, provides instructive background information and sensible assessments, and is helpful for finding the chosen scenes in each film.
This fully updated and revised version of Jesus, the Gospels and Cinematic Imagination showcases twenty-two Jesus films, spanning silent cinema through to present day. Each chapter's erudite analysis immerses readers in relevant scholarship as it situates the films within cinematic and cultural history. The attention to techniques such as cinematography, location, and casting is particularly elucidating, and sections highlighting problematic issues (e.g. orientalism, violence, androcentrism) facilitate important discussions about these films as cultural products. Written in a lively and engaging style and imbued with the field-leading expertise of Staley and Walsh, this is set to become an essential volume for anyone teaching, researching, or just plain interested in Cinematic Jesuses.
Walsh and Staley's Jesus, the Gospels, and Cinematic Imagination is the most accessible, informative, and insightful book on Jesus films. Reflecting their decades of expertise, each of the twenty-two chapters is a dense tapestry of insight and illumination. In addition to expected classics (The Last Temptation of Christ, The Passion of the Christ), the authors also examine lesser known (La vie du Christ, Il messia, The Miracle Maker, Son of Man) and more recent films (Mary Magdalene). Walsh and Staley respect cinema enough to take it seriously on its own terms, rather than subsuming films within biblical narratives. Especially helpful is the material on each film's cultural location/genre, director, and problematic issue. The valuable material in the endnotes of each chapter is alone worth the price of the book. Walsh and Staley's book is ideal for undergraduates and anyone interested in Jesus films.
This revised version offers a decidedly different take on Jesus films, shifting the focus from message to medium, from the interpretation of (mostly) biblical texts to their visual incarnations. Walsh and Staley do not limit themselves to what these films reveal about Jesus, but also address issues related to Jesus film genres, their specific characteristics and characters, actors and makers. As such, it offers fresh perspectives on a century of Jesus film-making.
Walsh and Staley's volume is a helpful tool for scholarly interaction with these films and for those who on occasion want to use scenes from such films in their teaching and in church contexts. For both purposes, the volume presents an excellent overview, provides instructive background information and sensible assessments, and is helpful for finding the chosen scenes in each film.