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Jew Suss: Life, Legend, Fiction, Film

Autor Susan Tegel
en Limba Engleză Hardback – 8 iun 2011
Joseph Suss Oppenheimer (1698-1738), better known as Jew Suss, was a court Jew, who advised the Duke of Wurttemberg. Clever and handsome, even ostentatious, he fitted easily into court life, despite his humble origins. However, his unpopular economic policies made him enemies and when the Duke died suddenly Suss was arrested, convicted of 'destestable abuses' and exectued in Stuttgart in an iron cage. His spectacular rise and fall inspired a media outpouring in the eighteenth century and he has been much written about subsequently. In the twentieth century two films were made about him, one British in 1934, the other German in 1940. Goebbels took an active interest in the latter. After the war its director, Veit Harlan, was tried for Crimes against Humanity for having made the film. Despite his acquittal, the film's association with the Holocaust remains controversial to this day.For almost three centuries the life of Jew Suss has been adapted, distorted and transformed. This book tells the story of these transformations.
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Specificații

ISBN-13: 9781847250179
ISBN-10: 1847250173
Pagini: 304
Ilustrații: 12
Dimensiuni: 156 x 234 x 28 mm
Greutate: 0.63 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:London, United Kingdom

Caracteristici

No other study of film ventures beyond the notorious propaganda film based on his life.

Notă biografică

Susan Tegel taught history for many years at the University of Hertfordshire, UK. She is the author of Nazis and the Cinema (2008).

Cuprins

Illustrations \ Acknowledgements \ Preface \ 1. Joseph Suss Oppenheimer, origins and early career (1698-1732) \ 2. Wurttemberg's Court Jew (1733-1737) \ 3. Trial and Execution (1737-1738) \ 4. The legend \ 5. Wilhelm Hauff's Jud Suss \ 6. After Hauff \ 7. The historians \ 8. Lion Feuchtwanger's Jew Suss \ 9. The British film Jew Suss (1934) \ 10. Veit Harlan's Jud Suss: in production (1939-1940) \ 11. Veit Harlan's Jud Suss: on screen \ 12. Veit Harlan's Jud Suss: reception (1940-1945) \ 13. Veit Harlan on trial (1945-1950) \ Conclusion \ Notes \ Filmography \ Bibliography \ Index

Recenzii

A well-researched study.
Ms. Tegel has performed an invaluable service by laying out the real-life story of Joseph Süss Oppenheimer and the sorry tale of his appropriation by Nazi propagandists.http://online.wsj.com/article/SB10001424053111903791504576586960818083204.html?mod=googlenews_wsj
A well-researched, English-language survey of the Süss motif throughout the ages ... draws on a wealth of primary and secondary sources and focuses not only on what appears on screen and how it got there but on the film's "hinterland". Most interesting [are] the passages on the screenings of the film in Nazi occupied Europe and the conflictual institutional and popular response ... extremely useful ... for scholars and students interested in German film and cultural history
Tegel's thorough archival research, jargon-free prose and linear narrative yield clear pictures of Joseph Süss Oppenheimer's life and execution as well as his representation in literature, drama, and film through 1950. This reception history will benefit non-specialist readers interested in Jud Süss and its transformations over the centuries ... At this point it stands as the most definitive account of the many iterations of a tragic chapter in German Jewish history.
With formidable power, this book cuts through convolutions and elucidates a story that begins with a judicial murder and ends with a trial for genocide, and involves large numbers of writers, along with a vast array of ill-wishers, pan-handlers, murderers and courtiers. Susan Tegel has done us proud and once again brought clarity where there was nothing but confusion.
The film Jud Süss is one of the most notorious examples of Goebbel's antisemitic propaganda. Susan Tegel has set out to explore the historical reality of Süss's life in eighteenth-century Germany and the way that reality has been distorted and reworked ever since. This is a rich and imaginative reconstruction of a complex story and a shocking reminder of how easily history can be abused for political gain.