Joe Hisaishi's Soundtrack for My Neighbor Totoro: 33 1/3 Japan
Autor Prof Kunio Haraen Limba Engleză Paperback – 5 feb 2020
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Specificații
ISBN-13: 9781501345128
ISBN-10: 1501345125
Pagini: 184
Dimensiuni: 127 x 197 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria 33 1/3 Japan
Locul publicării:New York, United States
ISBN-10: 1501345125
Pagini: 184
Dimensiuni: 127 x 197 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria 33 1/3 Japan
Locul publicării:New York, United States
Caracteristici
Describes the various steps involved in the creation of the soundtrack for My Neighbor Totoro through an extensive collaboration between the composer, Joe Hisaishi, and the director of the film, Miyazaki Hayao
Notă biografică
Kunio Hara is Associate Professor of Music History at the University of South Carolina, USA. His research focuses on Puccini's operas, exoticism and orientalism in music, music in postwar Japan, and nostalgia.
Cuprins
List of ExamplesAcknowledgmentsPrefaceIntroduction1. Miyazaki, Hisaishi, and Their Collaboration2. Two Songs from the Image Album3. Totoro in Music and Sound4. The Wind and the Forest5. Satsuki and Mei6. Forgotten SoundsConclusion: Forgetting and RememberingNotesReferencesFilmographyDiscographyTrack ListsIndex
Recenzii
Many fans of Japanese anime love their musical soundtracks, but few scholars have studied their appeal. Kunio Hara explains in clear, soulful language how Joe Hisaishi and Miyazaki Hayao collaborated to create the sonic environment for the beloved My Neighbor Totoro, balancing a scholars' sophisticated musical analysis and a fan's emotional engagement.
Kunio Hara is one of the few music and Japanese film scholars with a truly multidisciplinary and multilingual competence. To discover the minutest details of Totoro's music through a panoply of references previously unavailable to English-speaking readers, while also enjoying endearing recollections on the special sense of nostalgia exuded by the film, is all the more satisfying.
Kunio Hara is one of the few music and Japanese film scholars with a truly multidisciplinary and multilingual competence. To discover the minutest details of Totoro's music through a panoply of references previously unavailable to English-speaking readers, while also enjoying endearing recollections on the special sense of nostalgia exuded by the film, is all the more satisfying.