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John Keats: Reimagining History

Autor William A. Ulmer
en Limba Engleză Hardback – 25 apr 2017
This book considers Keats’s major poems as exercises in Romantic historicism. The poetry’s rich allusiveness represents Keats’s effort to reclaim the British canon for Cockney revisionism, and reveals Keats characteristically invoking the past to define his contemporary cultural politics. The book begins by discussing Keats’s Cockney traditionalism in its Regency context and then proceeds through the poet’s career in chronological order. There are chapters on history and vocation in the poet’s first volume, the failed idealism of 'Endymion', gender and audience in the Medieval Romances, the 'Ode on a Grecian Urn' in historical context, secularism and consolation in the other great Odes, and then the two 'Hyperion' fragments, in which history ramifies beyond poetic method to become the explicit subject of inquiry. The result is a stimulating reassessment of Keats’s intellectual development and most admired poems.  
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Specificații

ISBN-13: 9783319470832
ISBN-10: 3319470833
Pagini: 270
Ilustrații: XIV, 270 p.
Dimensiuni: 148 x 210 x 23 mm
Greutate: 0.49 kg
Ediția:1st ed. 2017
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland

Cuprins

Preface.- 1. Keats and Romantic Historicism.- 2. History and Vocation in Poems (1817).- 3. The Idealism of Endymion.- 4. Keats’s Medieval Romances.- 5. Beauty and Truth in Regency Britain.- 6. Secularism and Consolation in Three Odes.- 7. High Tragedy in the Hyperion Project.- Bibliography.- 

Notă biografică

William A. Ulmer is Professor of English at the University of Alabama, USA. He is the author of books on Percy B. Shelley and William Wordsworth, and of numerous essays on Romantic period texts and issues.

Textul de pe ultima copertă

This book considers Keats’s major poems as exercises in Romantic historicism. The poetry’s rich allusiveness represents Keats’s effort to reclaim the British canon for Cockney revisionism, and reveals Keats characteristically invoking the past to define his contemporary cultural politics. The book begins by discussing Keats’s Cockney traditionalism in its Regency context and then proceeds through the poet’s career in chronological order. There are chapters on history and vocation in the poet’s first volume, the failed idealism of 'Endymion', gender and audience in the Medieval Romances, the 'Ode on a Grecian Urn' in historical context, secularism and consolation in the other great Odes, and then the two 'Hyperion' fragments, in which history ramifies beyond poetic method to become the explicit subject of inquiry. The result is a stimulating reassessment of Keats’s intellectual development and most admired poems. 

Caracteristici

Posits Keats’s historicist poetics from a culturally inflected perspective Emphasizes the importance of Cockneyism for Keats’s career Integrates recent scholarship on Regency Cockneyism with Chandler’s account of the historicist agenda of British Romanticism