Jung and Film: Post-Jungian Takes on the Moving Image
Editat de Christopher Hauke, Ian Alisteren Limba Engleză Paperback – 28 iun 2001
Illustrated with examinations of seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, Chris Hauke and Ian Alister, along with an excellent array of contributors, look at how Jungian ideas can help us understand films and the genres to which they belong.
The book also includes a glossary to help readers with Jungian terminology. Taking a fresh look at an ever-changing medium, Jung and Film is essential reading for academics and students of analytical psychology, as well as film, media and cultural studies.
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Specificații
ISBN-13: 9781583911334
ISBN-10: 1583911332
Pagini: 270
Dimensiuni: 138 x 216 x 17 mm
Greutate: 0.48 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1583911332
Pagini: 270
Dimensiuni: 138 x 216 x 17 mm
Greutate: 0.48 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
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Cuprins
C. Hauke, I. Alister, Introduction. List of films. Acknowledgements. A Jungian Perspective. D. Fredericksen, Jung/Sign/Symbol/Film. L. Lennihan, The Alchemy of Pulp Fiction. P. Berry, The Moving Image, Particular Films. J. Hollwitz, The Grail Quest and Field of Dreams. J. Ryan, Dark City. D. Williams, 'If you Could See what I've Seen with your Eyes...' Post-human Psychology and Blade Runner. J. Izod, 2001 - A Space Odyssey. C. Hauke, 'Let's Get Back to Finding Out who we Are': Men, Unheimlich and Returning Home in The Films of Steven Spielberg. L. Hockley, Studies in Genres and Gender. Film Noir: Archetypes or Stereotypes. M. Dougherty, Love-life: The Use of Films in Analysis in the Interpretation of Gender. J. Beebe, Anima in Film. J. Wyly, 'Gay Sensibility', the Hermaphrodite, and Pedro Almodovar's Films. Glossary.
Notă biografică
Christopher Hauke (Goldsmiths, University of London, UK) (Edited by) , Ian Alister (Edited by)
Descriere
Examines seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, this volume looks at how Jungian ideas can help us understand films and the genres to which they belong.