Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film
Autor Richard I. Suchenskien Limba Engleză Paperback – 17 aug 2016
Preț: 242.96 lei
Preț vechi: 288.06 lei
-16% Nou
Puncte Express: 364
Preț estimativ în valută:
46.50€ • 49.05$ • 38.86£
46.50€ • 49.05$ • 38.86£
Carte tipărită la comandă
Livrare economică 21-27 decembrie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780190274115
ISBN-10: 0190274115
Pagini: 336
Ilustrații: 22 halftones
Dimensiuni: 157 x 236 x 19 mm
Greutate: 0.48 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0190274115
Pagini: 336
Ilustrații: 22 halftones
Dimensiuni: 157 x 236 x 19 mm
Greutate: 0.48 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Projections of Memory is a thoroughly impressive book--highly ambitious, well researched, and lucidly written. Suchenski travels a considerable distance in putting film history into conversation with the history of music, art, theater, and literature, specifically in relation to long-form works.
Richard Suchenski opens a totally innovative perspective regarding relations between film length, editing, memory, poetry and reality. This groundbreaking work enlightens the resources, and the significance, of the use of a very long format by some specific filmmakers in some specific conditions. It is at the same time perfectly clear about the implication of such an approach, way beyond the 'monuments of the history of cinema' it explicitly focuses on. The sensible quality of Suchenski's writing about specific sequences, scenes, images, or historical and technical components of the filmmaking process provides an understanding and an emotional proximity toward major filmic works, should they be already well-known by the reader or, on the opposite, revealed thanks to this book.
Richard Suchenski opens a totally innovative perspective regarding relations between film length, editing, memory, poetry and reality. This groundbreaking work enlightens the resources, and the significance, of the use of a very long format by some specific filmmakers in some specific conditions. It is at the same time perfectly clear about the implication of such an approach, way beyond the 'monuments of the history of cinema' it explicitly focuses on. The sensible quality of Suchenski's writing about specific sequences, scenes, images, or historical and technical components of the filmmaking process provides an understanding and an emotional proximity toward major filmic works, should they be already well-known by the reader or, on the opposite, revealed thanks to this book.
Notă biografică
Richard I. Suchenski is Associate Professor of Film and Electronic Arts and Director of the Center for Moving Image Arts at Bard College. Suchenski has a joint Ph.D. in History of Art and Film Studies from Yale University, and is a film curator. He is the editor of Hou Hsiao-hsien.