Kazuo Ishiguro: New Critical Visions of the Novels
Autor Dr Sebastian Groes, Barry Lewis, Sean Matthewsen Limba Engleză Paperback – 11 sep 2011
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Specificații
ISBN-13: 9780230232389
ISBN-10: 0230232388
Pagini: 312
Ilustrații: 4 black & white halftones
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.36 kg
Ediția:2011
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
ISBN-10: 0230232388
Pagini: 312
Ilustrații: 4 black & white halftones
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.36 kg
Ediția:2011
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Caracteristici
A cutting edge collection of new essays on the novels of one of Britain's most popular contemporary writers
Notă biografică
SEBASTIAN GROES is Senior Lecturer in English Literature at Roehampton University, UK. BARRY LEWIS is Senior Lecturer in English at the University of Sunderland, UK.
Cuprins
List of Illustrations List of Abbreviations Preface; B.Shaffer Acknowledgements Notes on Contributors Introduction: 'It's Good Manners Really': Kazuo Ishiguro and the Ethic of Empathy; S.Groes &B.Lewis PART I: CRITICAL OVERVIEWS Kazuo Ishiguro's Not Too Late Modernism; P.Waugh The Pedagogics of Liminality: Rites of Passage in the Work of Kazuo Ishiguro; V.Sage Lost and Found: On the Japanese Translations of Kazuo Ishiguro; M.Shibata 'One Word from You Could Alter the Course of Everything': Discourse and Identity in the Work of Kazuo Ishiguro; K.Stamirowska PART II: THE EARLY 'JAPANESE' WORKS 'In the Best of Faith': Kazuo Ishiguro's An Artist if the Floating World in Japan; M.Sugano 'Cemeteries are No Places for Young People': The Representation of the Child in Kazuo Ishiguro's Early Works; C.Bennett PART III: THE REMAINS OF THE DAY 'I Can't Even Say I made My Own Mistakes': the Ethics of Genre in Kazuo Ishiguro's The Remains of the Day; M.Hammond Novelistic Practice and Ethical Philosophy in Kazuo Ishiguro's The Remains of the Day; L.Cooper Reading Ishiguro's The Remainsof the Day: Working Through England's Traumatic Past as a Critique of Thacherism; C.Berberich PART IV: THE UNCONSOLED Into the Labyrinth: Reading Ishiguro's Surrealist Poetics in The Unconsoled; J.Baxter Waiting for the performance to Begin: Kazuo Ishiguro's Musical magination in The Unconsoled and Nocturnes; G.Smyth Into Ever Stranger Territories: Kazuo Ishiguro's The Unconsoled as Minor Literature; T.Jarvis PART V: WHEN WE WERE ORPHANS 'In the End it has to Shatter': Ironic Doubleness of Kazuo Ishiguro's When We Were Orphans; C.Ringrose When We Were Orphans: The Double Bind and the Vocational Imperative; A.Webley PART VI: NEVER LET ME GO The Concertina Effect in Kazuo ishiguro's Never Let Me Go; B.Lewis Something of a Lost Corner: The Representation of East Anglia in Kazuo Ishiguro's Never Let Me Go; S.Groes 'Okay, this is as far as we can go': Scientific Discourse in Kazuo Ishiguro's Never Let Me Go; L.Lochner Never Let Me Go and 'Outsider' Science Fiction; A.Sawyer The New Seriousness: Kazuo Ishiguro in Conversation with Sebastian Groes Bibliography Index.