Kinaesthesia and Visual Self-Reflection in Contemporary Dance: Cognitive Studies in Literature and Performance
Autor Shantel Ehrenbergen Limba Engleză Hardback – 17 aug 2021
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 569.90 lei 6-8 săpt. | |
Springer International Publishing – 18 aug 2022 | 569.90 lei 6-8 săpt. | |
Hardback (1) | 575.16 lei 6-8 săpt. | |
Springer International Publishing – 17 aug 2021 | 575.16 lei 6-8 săpt. |
Din seria Cognitive Studies in Literature and Performance
- Preț: 297.21 lei
- Preț: 293.97 lei
- 8% Preț: 526.43 lei
- Preț: 296.15 lei
- Preț: 293.36 lei
- Preț: 295.06 lei
- Preț: 374.30 lei
- Preț: 384.49 lei
- Preț: 379.04 lei
- 15% Preț: 631.14 lei
- Preț: 385.61 lei
- 18% Preț: 769.04 lei
- 15% Preț: 627.93 lei
- Preț: 377.13 lei
- 15% Preț: 634.00 lei
- 15% Preț: 684.48 lei
- 18% Preț: 715.26 lei
- 15% Preț: 575.02 lei
- 15% Preț: 517.47 lei
- 15% Preț: 572.63 lei
- 18% Preț: 710.59 lei
- 18% Preț: 710.59 lei
- 18% Preț: 716.18 lei
- 15% Preț: 685.62 lei
- 15% Preț: 627.93 lei
Preț: 575.16 lei
Preț vechi: 676.66 lei
-15% Nou
Puncte Express: 863
Preț estimativ în valută:
110.07€ • 114.34$ • 91.43£
110.07€ • 114.34$ • 91.43£
Carte tipărită la comandă
Livrare economică 03-17 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9783030734022
ISBN-10: 3030734021
Pagini: 304
Ilustrații: XI, 280 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.5 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Cognitive Studies in Literature and Performance
Locul publicării:Cham, Switzerland
ISBN-10: 3030734021
Pagini: 304
Ilustrații: XI, 280 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.5 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Cognitive Studies in Literature and Performance
Locul publicării:Cham, Switzerland
Cuprins
1. Chapter 1: Introducing, situating, positioning(s)- Chapter 2: Illuminating dancers’ kinaesthetic experience.- Chapter 3: A Kinaesthetic Mode of Attention.- Chapter 4: Practices and values which develop and nurture a kinaesthetic mode of attention.- Chapter 5: Kinaesthesia and video self-image(s): foregrounding the imagination.- Chapter 6 Concluding Diffractions | Diffracting Conclusions.
Notă biografică
Shantel Ehrenberg is a practitioner/researcher/academic. Her research and practice focus on the complexity of the corporeal. She is Lecturer in Dance & Theatre at the University of Surrey, UK. Her research is also found in publications such as Choreographic Practices, Dance Research Journal, and Research in Dance Education.
Textul de pe ultima copertă
“This book makes an extraordinarily timely contribution to the field of dance studies, through articulating the kinaesthetic awareness that contemporary dancers cultivate in their professional practice. Artfully synthesising previous scholarly research concerning the embodied knowledge of contemporary dancing subjects, Ehrenberg proposes exciting new ways of conceptualising the intra-action between dancers and the ubiquitous technology supporting dancemaking processes. A highly engaging and impactful read, it points to important new directions in dance and related research fields.”
-Dr Jenny Roche, Senior Lecturer in Contemporary Dance, University of Limerick, Ireland
“This book offers an invaluable insight to how dancers respond to and speak about the tension they may experience between the ‘felt-sense’ of their dancing and their visual image. As such it provides new understandings about how dancers experience being watched.By combining dancer commentary with a range of theories as diverse as feminist philosophy, post-structuralism and posthumanism, the book adeptly conceptualises and interrogates the concept of a ‘kinaesthetic mode of attention’ for contemporary dance.”
-Professor Sarah Whatley, C-DaRE, Coventry University, UK
Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunitiesto dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.
Shantel Ehrenberg is a practitioner/researcher/academic. Her research and practice focus on the complexity of the corporeal. She is Lecturer in Dance & Theatre at the University of Surrey, UK. Her research is also found in publications such as Choreographic Practices, Dance Research Journal, and Research in Dance Education.
Caracteristici
Explores how the use of mirrors and video in dance training and practice changes with technological advances Provides excerpts from interviews with professional dancers alongside theoretical discussion Contributes to the under-researched area of dancers’ experiences in dance practice and embodied knowledge