Land of our Fathers: Modern Plays
Autor Chris Urchen Limba Engleză Paperback – 2 sep 2014
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Specificații
ISBN-13: 9781474227582
ISBN-10: 1474227589
Pagini: 128
Dimensiuni: 129 x 198 x 7 mm
Greutate: 0.13 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1474227589
Pagini: 128
Dimensiuni: 129 x 198 x 7 mm
Greutate: 0.13 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
"I think Chris is a brilliant talent. The playwright he most reminds me of? I don't think this is an exaggeration: I think he could become the British Tennessee Williams. Given the good breaks, I'm convinced he's capable of writing a great body of work. Hold on to your seats, audiences, this is the real thing!" Howard Brenton, playwright
Notă biografică
Chris Urch trained as an actor at Drama Centre. In 2011 he was longlisted for the Bruntwood Prize. In February 2012 he was selected from over 800 submissions as one of the 503Five, an 18-month playwriting residency with Theatre503. Since then, he has graduated from the Royal Court's Young Writers Programme. He has also participated in the Old Vic's 24-hour plays (2012) as one of six writers selected, and in 2011 Theatre503 staged Married to the Game, A Girl Like You and Vote of No Confidence. Other writing credits include You Get Me? (Bush) and G.L.O.R.Y (Canal Café Theatre). Earlier this year, Chris's play Vote of No Confidence was the first to be hand-picked by Howard Brenton to launch The Playwright Presents, a new initiative at Theatre503 in which established playwrights help launch the career of a promising new writer. Land of our Fathers is Chris Urch's debut full-length play.
Recenzii
It's a promising debut from Chris Urch, rich in character and with plenty of black comedy . . .
[A]n acute study of disgrace under pressure . . . undeniably powerful.
. . . undeniably powerful.
Chris Urch's impressive debut play . . . craftily constructed . . . Urch certainly knows how to use a cliffhanger, and the disintegrating relationships between the men, growing self-interest and looming mutiny are neatly drawn. . . . it's meaty stuff: sometimes gruelling, always watchable.
There's a character everyone can relate to . . . there's a character everyone will recognise and fall in love with. . . . Chris Urch is one to watch! This is the debut play by Chris Urch, tipped by Howard Brenton as one to watch. "Chris is a brilliant talent. He could become the British Tennessee Williams. Hold on to your seats, audiences, this is the real thing!" . . . A survival play at its heart, Land of Our Fathers is packed full of blistering comedy and a generation of lost voices.
This is soul-searching, soul-scorching stuff. . . . 'Land of Our Fathers' is a blisteringly good debut; witty, smart, brilliantly textured and paced. The dialogue is packed with dirty humour ('Think of all the potential fanny!'), but also punctuated with instinctive acts of kindness. . . . The actors shine - but they'd be fools not to, given this gift of a script.
[Urch] creates well-rounded and believable characters and he manages to sustain the play's grip on us through solid and varied writing.
Banter in spite of desperation that's what Chris Urch's first full-length play, Land of Our Fathers, which has now transferred into Trafalgar Studios, does best. What's more, the funny lines and quips usually dig at something quite profound. . . . Urch's distinct voice . . . is able to create authentic characters and a remarkable historical and thematic scope within a limited setting.
Land of our Fathers may well move you to tears: but you're guaranteed to laugh. Chris Urch has penned a classic.
With coal-dark humour, writer Chris Urch celebrates the dignity of labour and men at work . . . it's a notable debut . . .
. . . Chris Urch's remarkably potent first full-length play.
The writer, Chris Urch, has a knack for an eccentric gag . . .
[A]n acute study of disgrace under pressure . . . undeniably powerful.
. . . undeniably powerful.
Chris Urch's impressive debut play . . . craftily constructed . . . Urch certainly knows how to use a cliffhanger, and the disintegrating relationships between the men, growing self-interest and looming mutiny are neatly drawn. . . . it's meaty stuff: sometimes gruelling, always watchable.
There's a character everyone can relate to . . . there's a character everyone will recognise and fall in love with. . . . Chris Urch is one to watch! This is the debut play by Chris Urch, tipped by Howard Brenton as one to watch. "Chris is a brilliant talent. He could become the British Tennessee Williams. Hold on to your seats, audiences, this is the real thing!" . . . A survival play at its heart, Land of Our Fathers is packed full of blistering comedy and a generation of lost voices.
This is soul-searching, soul-scorching stuff. . . . 'Land of Our Fathers' is a blisteringly good debut; witty, smart, brilliantly textured and paced. The dialogue is packed with dirty humour ('Think of all the potential fanny!'), but also punctuated with instinctive acts of kindness. . . . The actors shine - but they'd be fools not to, given this gift of a script.
[Urch] creates well-rounded and believable characters and he manages to sustain the play's grip on us through solid and varied writing.
Banter in spite of desperation that's what Chris Urch's first full-length play, Land of Our Fathers, which has now transferred into Trafalgar Studios, does best. What's more, the funny lines and quips usually dig at something quite profound. . . . Urch's distinct voice . . . is able to create authentic characters and a remarkable historical and thematic scope within a limited setting.
Land of our Fathers may well move you to tears: but you're guaranteed to laugh. Chris Urch has penned a classic.
With coal-dark humour, writer Chris Urch celebrates the dignity of labour and men at work . . . it's a notable debut . . .
. . . Chris Urch's remarkably potent first full-length play.
The writer, Chris Urch, has a knack for an eccentric gag . . .