Cantitate/Preț
Produs

Landscape with Weapon: Modern Plays

Autor Joe Penhall
en Limba Engleză Paperback – 28 mar 2007
"'Qualms?' Oh yeah, sure, I have 'qualms'. Everybody has qualms. But I'll overcome them."
To his family's horror, Ned reveals he's the brains behind a new military technology so sophisticated, so extraordinary, it will revolutionise the nature of warfare. It's only when the Ministry of Defence demands intellectual ownership that Ned begins to question himself, resisting the might of the weapons industry with frightening consequences.
Landscape with Weapon is a wry account of private anguish, public responsibility and a problem with no solution. The play premiered at the National Theatre on 20 March 2007.
Joe Penhall's previous work for the National Theatre, Blue/Orange, was the winner of the Olivier Awards Best Play (2001), the Evening Standard Award Best Play (2000), and the Critics Circle Award Best Play (2000).
Citește tot Restrânge

Din seria Modern Plays

Preț: 7816 lei

Preț vechi: 9157 lei
-15% Nou

Puncte Express: 117

Preț estimativ în valută:
1496 1580$ 1250£

Carte tipărită la comandă

Livrare economică 01-15 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780713688054
ISBN-10: 071368805X
Pagini: 96
Dimensiuni: 129 x 198 x 6 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

Joe Penhall's previous work for the National Theatre, Blue/Orange, was a triumphant critical and popular success, winning the Olivier Award for Best Play (2001), the Evening Standard Award Best Play (2000), and the Critics Circle Award Best Play (2000)

Notă biografică

Award-winning writer Joe Penhall was described by TheFinancial Times as 'one of the finest playwrights of his generation.' His debutat the Royal Court, Some Voices, won the John Whiting Award for best new play.His National Theatre play Blue/Orange won an Olivier Award, an EveningStandard Award and the Critics Circle Award for Best Play. Joe wrote andproduced the BAFTA winning BBC serial MosesJones and his feature film of Some Voices starred Daniel Craig andpremiered in competition at the Cannes Film festival . This was followedby Enduring Love, also starring Daniel Craig, based on Ian McEwan'snovel; and his adaptation of Cormac McCarthy's novel, The Road, starringCharlize Theron and Viggo Mortensen, which premiered in competition at theVenice Film Festival in 2009.

Recenzii

'Penhall turns the theatre into a debating chamber in Roger Michell's tense, terrific production. The debate is electrifyingly charged in the performances of Tom Hollander and Julian Rhind-Tutt as the two brothers... ...This is an important and bracing intellectual drama that brilliantly humanises a moral conundrum.'
'Intriguing new play about the moral and psychological implications of the arms trade...Penhall shows a subtle feel for the big issues in small settings.'
'Fascinating... constantly subtle and engaging...Hollander gives an extraordinary portrait of myopic preoccupation and subsequent unravelling. Julian Rhind-Tutt is magnetic, beautifully light verbally and physically...Their relationship, finely steered by Roger Michell, solders the play together and makes a crisis into a drama.'
'Joe Penhall's gift for dramatising uncomfortable arguments is again apparent in his powerful new play about the arms industry and the moral responsibility of the scientist. Roger Michell's production does justice to its lithe intelligence, emotional pain and rueful humour. Tom Hollander is excellent... The ending is bleakly beautiful.'
'Riveting...bitterly funny play in which [Penhall] sets the aesthetic world of the creator against the harsh realities of politics. It's a series of debates in which the emotions run deep as the ideas...Penhall has a terrific ability to explore moral conundrums dramatically...hones in on the argument with accuracy and force'5 STARS / SHOW OF THE WEEK / CRITICS' CHOICE #1

Descriere

Landscape with Weapon was presented at the National Theatre in March 2007 and provides a devastating exploration of the moral conflict and issues of public responsibility arising from the creation of a new military technology.