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Landscapes of Holocaust Postmemory: Routledge Research in Cultural and Media Studies

Autor Brett Ashley Kaplan
en Limba Engleză Paperback – 6 aug 2013
How do the spaces of the past stay with us through representations—whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.
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Specificații

ISBN-13: 9780415852432
ISBN-10: 0415852439
Pagini: 272
Ilustrații: 25 black & white halftones
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.39 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Cultural and Media Studies

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

List of Figures Preface and Acknowledgments Introduction Section One: Burning Landscapes: The Transformation of Hitler’s Holiday Retreat 1: The Obersalzberg 2: Eva’s Cousin 3: Past Present Section Two: Burning Images: Three Photographers Explore Traumatic Landscapes 4: Lee Miller: No Stasis 5: Susan Silas: Helmbrechts walk 6: Collier Schorr: Reenacting Nazis Section Three: Burning Silence: The Uncanny Presence of the Holocaust in the Work of J.M. Coetzee 7: Life & Times 8: Foe 9: Elizabeth Costello and Disgrace Concluding Remarks Notes Bibliography Index

Recenzii

"Recommended." -- W. Lagerwey, Elmhurst College, Choice, February 2011

Descriere

How do the spaces of the past stay with us through representations—whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.