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Le Corbusier: World of Art

Autor Kenneth Frampton
en Limba Engleză Paperback – 15 mai 2024
A revised and updated edition of a best-selling introduction to Le Corbusier, one of the leading architects of the twentieth century.
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Specificații

ISBN-13: 9780500204887
ISBN-10: 0500204888
Pagini: 277
Ilustrații: 206 illustrations, 31 in full colour
Dimensiuni: 152 x 210 x 18 mm
Greutate: 0.59 kg
Ediția:Revizuită
Editura: Thames & Hudson
Seria World of Art


Notă biografică

Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zürich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Mendrisio. From 1972 to 2019 he served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He is the author of numerous essays on modern and contemporary architecture, has served on many international juries for architectural awards and building commissions, and is a member of the American Academy of Arts and Letters. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture (1992), Labour, Work and Architecture (2005), American Masterworks (2008), Kengo Kuma: Complete Works (2012) and A Genealogy of Modern Architecture (2013). The fifth edition of his classic text Modern Architecture: A Critical History was published by Thames & Hudson in 2020.

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Le Corbusier's ideas and works constitute the greatest single influence in the development of architecture in the 20th century. His passionately expressed philosophy has had an enormous effect on the urban fabric and the way we live. Weaving through his long and prolific life are certain recurrent themes - his perennial drive towards new types of dwelling, from the early white villas to the Unite d'Habitation at Marseilles; his evolving concepts of urban form, including the Plan Voisin of 1925; and his belief in a new technocratic order.