Learn to Read Music
Autor Howard Shaneten Limba Engleză Paperback – 31 ian 1971
-teach the notation of music to those who have never known it before
-serve as a systematic reminder for those who once knew how to read music but have forgotten most of it
-serve as a practical classroom text book in the rudiments of music
-serve as a helpful reference book for the student in music appreciation and related courses
This book "Will Not"
-teach you to sing like Tebaldi
-make you a wizard at the piano or any other instrument
-turn you into an Irving Berlin or a Beethoven
But it will teach "Anyone" even the tone-deaf to read melodies and pick them out on the piano."
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Specificații
ISBN-13: 9780671210274
ISBN-10: 0671210270
Pagini: 172
Dimensiuni: 135 x 206 x 11 mm
Greutate: 0.21 kg
Editura: FIRESIDE BOOKS
ISBN-10: 0671210270
Pagini: 172
Dimensiuni: 135 x 206 x 11 mm
Greutate: 0.21 kg
Editura: FIRESIDE BOOKS
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Notă biografică
Howard Shanet is Associate Professor of Music at Columbia University and Conductor of the University Orchestra, which, under his guidance, has gained a reputation for the daring and unconventional programs it offers the public. He has been guest conductor of the New York Philharmonic in its Young People's series, the Boston Symphony Orchestra at Tanglewood, the CBS Symphony, and orchestras in Holland, Israel and elsewhere. Before that, he was assistant conductor to Leonard Bernstein and to the late Serge Koussevitzky. As a writer on musical subjects, he has been Program Annotator for the New York Philharmonic and the New York City Symphony. Subscribers to Music-Appreciation Records are familiar with the long series of recorded lectures and printed essays he prepared for that organization. He is also the author of a history of the New York Philharmonic.
Mr. Shanet received his training in conducting from such masters as Serge Koussevitzky, Fritz Stiedry and Rudolph Thomas; in composition from Arthur Honegger, Bohuslav Martinu and Nikolai Lopatnikoff; in musicology from Paul Henry Lang. He holds two degrees from Columbia University.
As Mr. Shanet explains in his Introduction, he taught the contents of this book to more than a thousand students when he was conductor of the symphony orchestra at Huntington, West Virginia. Since then, tens of thousands of others have taught themselves from this book, and untold numbers have learned from Mr. Shanet's television series, also called "Learn to Read Music."
Mr. Shanet received his training in conducting from such masters as Serge Koussevitzky, Fritz Stiedry and Rudolph Thomas; in composition from Arthur Honegger, Bohuslav Martinu and Nikolai Lopatnikoff; in musicology from Paul Henry Lang. He holds two degrees from Columbia University.
As Mr. Shanet explains in his Introduction, he taught the contents of this book to more than a thousand students when he was conductor of the symphony orchestra at Huntington, West Virginia. Since then, tens of thousands of others have taught themselves from this book, and untold numbers have learned from Mr. Shanet's television series, also called "Learn to Read Music."
Cuprins
CONTENTS
PREFACE
WHAT THIS BOOK WILL DO
HOW THIS BOOK CAME TO BE WRITTEN
HOW TO USE THIS BOOK
PART ONE Notation of Rhythm
SECTIONS
First Steps
Note Symbols
Combinations of Note Symbols
Additional Symbols
Rests
Combinations of Notes and Rests
Tempo
Short Table of Tempo Indications
Meter
Rhythm Patterns
Some Characteristic Rhythms in 2/4 Meter
Some Characteristic Rhythms in 3/4 Meter
Some Characteristic Rhythms in 4/4 Meter
Other Meters
Compound Meters
Exercises: Reading Rhythms
PART TWO Notation of Pitch
SECTIONS
Pitch of a Vibrating String
Early Notation Methods
The Staff
Clefs
Exercises: Identifying Notes
Leger Lines
Accidentals
The Piano Keyboard
Table of Visual Patterns to Aid in Identifying Notes at the Keyboard
Exercises: The Keyboard
The Key Signature
PART THREE Combination of Rhythmic and Pitch Notations
SECTIONS
"Au Clair de la Lune"
"America"
The Doxology ("Old Hundred")
"Jingle Bells"
PART FOUR Supplementary Symbols and Devices
SECTIONS
Repetitions
Ornaments
Symbols for Dynamics
Symbols for Articulation, Style, etc.
PART FIVE Tonality
SECTIONS
APPENDIX ONE Scales and Key Signatures
SECTIONS
Scales
The Major Scale
Constructing Major Scales
Key Signatures, Major Scales
The Minor Scale
Key Signatures, Major and Minor Scales
APPENDIX TWO Vocabulary of Some Important Foreign Terms Used in Music
SECTIONS
Terms Used to Indicate Tempo
Terms Used to Indicate Change of Tempo
Terms Used to Indicate Volume of Sound
Terms Used to Indicate Change of Volume
Terms Used to Indicate Simultaneous Reduction of Tempo and Volume
Qualifying Terms Used to Indicate Mood, Degree, Intensity, or Style
APPENDIX THREE The C-Clefs
SECTIONS
The Alto Clef
The Tenor Clef
Hybrid Clefs
Comparison of Clefs
Names of Octaves
INDEX