Letters to Young Filmmakers: Creativity & Getting Your Films Made
Autor Howard Suberen Limba Engleză Paperback – 31 ian 2012
Preț: 115.24 lei
Nou
Puncte Express: 173
Preț estimativ în valută:
22.05€ • 22.83$ • 18.64£
22.05€ • 22.83$ • 18.64£
Carte disponibilă
Livrare economică 12-26 februarie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781615930630
ISBN-10: 1615930639
Pagini: 192
Dimensiuni: 155 x 226 x 14 mm
Greutate: 0.35 kg
Editura: Michael Wiese Productions
ISBN-10: 1615930639
Pagini: 192
Dimensiuni: 155 x 226 x 14 mm
Greutate: 0.35 kg
Editura: Michael Wiese Productions
V-ar putea interesa
-
Soviet Art House: Lenfilm Studio under BrezhnevCatriona Kelly-5%Preț: 302.63 lei318.94 lei -
The Films of Ridley ScottRichard A. Schwartz-28%Preț: 437.40 lei603.98 lei -
Film and Video EditingRoger Crittenden-18%Preț: 1108.37 lei1351.68 lei -
Sound Design for Low & No Budget FilmsPatrick Winters-16%Preț: 262.20 lei312.56 lei -
-18%Preț: 1117.88 lei1363.27 lei -
Preț: 281.53 lei -
Lighting for Digital Video and TelevisionJohn JackmanPreț: 385.07 lei -
Directing Screen PerformancesRobert Klenner-29%Preț: 580.41 lei822.75 lei -
Dramatic Effects with a Movie CameraDr. Gail Segal-9%Preț: 228.57 lei251.76 lei -
The New SoundtrackStephen DeutschPreț: 130.91 lei -
Tracking LoachDavid Archibald-18%Preț: 552.84 lei675.90 lei -
Stanley KubrickElisa PezzottaPreț: 273.45 lei -
Smartphone Filmmaking: Theory and PracticeDr. Max Schleser-18%Preț: 670.65 lei817.86 lei -
The Director's Six SensesSimone Bartesaghi-16%Preț: 58.75 lei69.94 lei -
Cheap Movie TricksRickey BirdPreț: 89.08 lei -
Bodies in PainTarja LainePreț: 177.94 lei -
The Power of FilmHoward SuberPreț: 156.49 lei
Cuprins
TABLE OF CONTENTS
Becoming a Filmmaker
Becoming a Professional Filmmaker
The Letters:
Fate vs. Destiny; War; Is it Who You Know?; “Born Creative”?; The Principal Principle of Creativity; Inspiration; Originality; Ideas; Pitching; What’s It About?; If The Screenplay Is So Important, How Come Screenwriters Are So Often Treated Like Shit?; Emotional Storyboards; Write What You Know?; Creating Recognizable Characters; Developing Your Writing; The Audience; What Audiences Want; Strategy and Artistic Freedom; Logistics; Prioritizing; Hollywood; What Movie Are You Living Now?; Decisions; Active vs. Effective; Negotiating; Aggression; Motivations vs. Goals; Rules vs. Principles; What’s Most Important?; Treatments; Readers and Coverage; Development; Options; Marketplace Value of First Time Screenplays; Credits; Writers vs. Producers; Producers vs. Everyone Else; Conflict; Partnerships; Mentors and Models; Sharing Your Passion; How Much Does A Film Cost?; What Happened To The Studios?; The Golden Age of Independent Film; Making an Independent Film; Agents; Managers; Hip Pocketing; Getting Started as a Director; Doing Things for The Good of the Film; Exhibition and Distribution; Marketing; Minorities and Women in the Industry; Ageism and Youthism; Copy and Other Rights; Life Rights and Romans À Clef; Being Screwed; Other Opportunities; The End of the Industry; What Determines Success?; Why Try?
Becoming a Filmmaker
Becoming a Professional Filmmaker
The Letters:
Fate vs. Destiny; War; Is it Who You Know?; “Born Creative”?; The Principal Principle of Creativity; Inspiration; Originality; Ideas; Pitching; What’s It About?; If The Screenplay Is So Important, How Come Screenwriters Are So Often Treated Like Shit?; Emotional Storyboards; Write What You Know?; Creating Recognizable Characters; Developing Your Writing; The Audience; What Audiences Want; Strategy and Artistic Freedom; Logistics; Prioritizing; Hollywood; What Movie Are You Living Now?; Decisions; Active vs. Effective; Negotiating; Aggression; Motivations vs. Goals; Rules vs. Principles; What’s Most Important?; Treatments; Readers and Coverage; Development; Options; Marketplace Value of First Time Screenplays; Credits; Writers vs. Producers; Producers vs. Everyone Else; Conflict; Partnerships; Mentors and Models; Sharing Your Passion; How Much Does A Film Cost?; What Happened To The Studios?; The Golden Age of Independent Film; Making an Independent Film; Agents; Managers; Hip Pocketing; Getting Started as a Director; Doing Things for The Good of the Film; Exhibition and Distribution; Marketing; Minorities and Women in the Industry; Ageism and Youthism; Copy and Other Rights; Life Rights and Romans À Clef; Being Screwed; Other Opportunities; The End of the Industry; What Determines Success?; Why Try?
Notă biografică
If anyone can be called the “Yoda” of filming, it’s Howard Suber. For 46 years, Howard Suber has taught generations of screenwriters, directors, producers, and film scholars at UCLA’s celebrated film school, and his former students are today creating films and television programs and teaching film studies throughout the world.
He created and for many years chaired UCLA’s current Film and Television Producers Program, which is focused on the realities of the modern film and television industries. He has team-taught with, or brought into the Producers Program, many of the most important movie studio heads, agents, producers, lawyers, and executives in the industry.
He created and for many years chaired UCLA’s current Film and Television Producers Program, which is focused on the realities of the modern film and television industries. He has team-taught with, or brought into the Producers Program, many of the most important movie studio heads, agents, producers, lawyers, and executives in the industry.
Descriere
One of the world's leading teachers of film presents letters to aspiring directors, producers, screenwriters, and other creatives. Suber emphasizes that what is required of a professional in the world of film is not just technique, but an understanding and ability to deal with the realities of how films get made.