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Literary Afrofuturism in the Twenty-First Century: New Suns: Race, Gender, and Sexuality in the Speculative

Editat de Ph.D. Lisa Yaszek, Isiah Lavender III
en Limba Engleză Paperback – 20 aug 2020
Finalist, 2021 Locus Award In Literary Afrofuturism in the Twenty-First Century, eminent contributors pay tribute to Afrofuturism as a powerful and evolving aesthetic practice that communicates the experience of science, technology, and race across centuries, continents, and cultures. While Ryan Coogler and Janelle Monáe may have helped bring the genre into contemporary pop consciousness, it in fact extends back to the writing of eighteenth-century poet Phyllis Wheatley and has continued in the work of Samuel R. Delany, Octavia E. Butler, N. K. Jemisin, and many others. In examining this heritage, contributors in this volume question generic boundaries, recover lost artists and introduce new ones, and explore how the meteoric rise of a new, pan-African speculative literary tradition may or may not connect with Afrofuturism.   Additionally, the editors have marshaled some of today’s most exciting writers for a roundtable discussion of the genre: Bill Campbell, Minister Faust, Nalo Hopkinson, N. K. Jemisin, Chinelo Onwualu, Nisi Shawl, and Nick Wood. Pioneering author and editor Sheree R. Thomas limns how black women have led new developments in contemporary Afrofuturism, and artist Stacey Robinson’s illustrations orient readers to the spirited themes of this enduring and consequential literary tradition.  
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Specificații

ISBN-13: 9780814255964
ISBN-10: 0814255965
Pagini: 248
Ilustrații: 9 b&w illustrations
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.37 kg
Ediția:1
Editura: Ohio State University Press
Colecția Ohio State University Press
Seria New Suns: Race, Gender, and Sexuality in the Speculative


Recenzii

“My personal joy with this collection [is] that each contributor gets to offer their distinct angle and approach to one piece of the pie that makes up the Afrofuturist consciousness. For a descriptive term that is still in its nascent stages, Literary Afrofuturism in the Twenty-First Century does the important work of paving the way for said agreements and disagreements, acceptance and reluctance, and stands firm in the messiness of it all, proclaiming that messiness as, in fact, a part of its making.” —Suyi Davies Okungbowa, Los Angeles Review of Books
“Scholars in the field will find this volume essential, while the accessibility of the essays, the intricate and powerful art, the inclusion of writers currently working in Black sf, and the playfulness that Lavender and Yaszek bring to the book ensure it is worth reading for anyone interested in our connected futurities.” —Megan M. Stowe, Science Fiction Studies
Literary Afrofuturism in the Twenty-First Century is a valuable collection for the undergraduate and graduate classroom as well as for developing scholars seeking a broad understanding of this cultural phenomenon. … It is additionally pivotal because of the questions it raises about the future of Afrofuturism as a global genre that will continue to link the creative works of pan-African, contemporary black Atlantic, and historic African American in fascinating ways.” —Michael Pitts, SFRA Review
“Lavender and Yaszek have provoked a conversation among critics that challenges us with fundamental questions about the historical and geopolitical significance of African, Caribbean, and Black diasporic literary fantasies.” —andré m. carrington author of Speculative Blackness: The Future of Race in Science Fiction
“The collection’s twenty-first-century focus has led to a welcome emphasis on rising voices in the field. … The work which is included is indicative of the strength and variety of Afrofuturist scholarship.” —Katie Stone, Modern Language Review
“The collection delivers both up-to-date scholarship on a variety of authors and texts and documentation of the overall power and impact of Afrofuturist writing in the early twenty-first century. Each essay taught me something, whether it had to do with a familiar text or one that was entirely new to me.” —Steven Shaviro

Notă biografică

Isiah Lavender III is the Sterling-Goodman Professor of English at the University of Georgia. He is the author of Afrofuturism Rising: The Literary Prehistory of a Movement (OSU Press, 2019). Lisa Yaszek is Regents Professor of Science Fiction Studies at Georgia Tech. She is the author of Galactic Suburbia: Recovering Women’s Science Fiction (OSU Press, 2007).  

Cuprins

Contents Acknowledgments Introduction    Imagining Futures in Full Color             Isiah Lavender III and Lisa Yaszek Part One          Afrofuturism Now Afrovision, artwork[WKL1]  by Stacey Robinson Chapter 1        Author Roundtable on Afrofuturism             Isiah Lavender III and Lisa Yaszek Chapter 2        Dangerous Muses: Black Women Writers Creating at the Forefront of Afrofuturism             Sheree R. Thomas Part Two         Afrofuturism in Literary History Radical Imagination, artwork by Stacey Robinson Chapter 3        This Time for Africa! Afrofuturism as Alternate (American) History             De Witt Douglas Kilgore Chapter 4        Middle Age, Mer People, and the Middle Passage: Nalo Hopkinson’s Afrofuturist Journeying in The New Moon’s Arms             Gina Wisker Chapter 5        Young Adult Afrofuturism             Rebecca Holden Part Three        Afrofuturism in Cultural History Sankofa of the Mind, artwork by Stacey Robinson Chapter 6        Space/Race: Recovering John M. Faucette             Mark Bould Chapter 7        Runoff: Afroaquanauts in Landscapes of Sacrifice             Elizabeth A. Wheeler Chapter 8        Black Futures Matter: Afrofuturism and Geontology in N. K. Jemisin’s Broken Earth Trilogy             Lisa Dowdall Part Four         Afrofuturism and Africa The Last Shall Be First, artwork by Stacey Robinson Chapter 9        We Are Terror Itself: Wakanda as Nation             Gerry Canavan Chapter 10      Global Afrofuturist Ecologies             Jerome Winter Chapter 11      “You Can’t Go Home Again”: Deji Bryce Olukotun’s Nigerians in Space, Science Fiction, and Global Interdependence             Marleen S. Barr Chapter 12      Faster than Before: Science Fiction in Amos Tutuola’s The Palm-Wine Drinkard             Nedine Moonsamy Coda   Wokeness and Afrofuturism             Isiah Lavender III and Lisa Yaszek  [WKL1]Au: The frontispiece artwork titles are going to be included under the artwork itself on their respective pages and Robinson’s artwork is called out in the promotional copy for the book—do we need these listings for the artwork here in the TOC?

Descriere

Writers and critics explore Afrofuturism as both a historical and a global phenomenon.