Literary Rhetoric: Concepts - Structures - Analyses: International Studies in the History of Rhetoric, cartea 2
Autor Heinrich F. Pletten Limba Engleză Hardback – 15 feb 2010
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Specificații
ISBN-13: 9789004171138
ISBN-10: 9004171134
Pagini: 12
Dimensiuni: 160 x 240 mm
Greutate: 0.64 kg
Editura: Brill
Colecția Brill
Seria International Studies in the History of Rhetoric
ISBN-10: 9004171134
Pagini: 12
Dimensiuni: 160 x 240 mm
Greutate: 0.64 kg
Editura: Brill
Colecția Brill
Seria International Studies in the History of Rhetoric
Cuprins
Table of Contents
Part I Rhetoric and Literature
IFrom the Decline of Rhetoric to its Revival
IIRhetorical Literature
III Literary Rhetoric
IV Rhetoric and Literary Criticism
Part II The Realm of Rhetoric
1Approaches to Rhetoric
2Domains of Rhetoric
3The Rhetoric of Figures
4The System of Figures
4.1Proposal for a New Model of Figures
4.2Model Comparison as Model Critique
4.2.1Historical Models of Figures
4.2.2Modern Models of Figures
4.2.3Critical Synopsis
4.3Pragmatic and Semantic Figures
5Competence and Performance
6The Aesthetics of Figures
Part III ― The System of Figures
1Phonological Figures
1.1Phonaesthetic Basic Structure: The Phonological Figures
1.1.1Figures of Phonological Deviation (Metaphonemes)
1.1.1.1Addition
1.1.1.2Subtraction
1.1.1.3Permutation
1.1.1.4Substitution
1.1.1.5Text Analysis: Ernst Jandl, etüde in f, v. 1-3
1.1.2Figures of Phonological Equivalence (Isophonemes)
1.1.2.1Position
1.1.2.2Extent
1.1.2.3Similarity
1.1.2.4Frequency
1.1.2.5Distribution
1.1.2.6Text Analysis: Gerard Manley Hopkins, The Windhover
1.1.2.7Digression: Semantic Aspects of Phonaesthetics
1.2Phonaesthetic Superstructure: The Prosodic Figures
1.2.1Phonaesthetic Competence: The Metre
1.2.1.1Figures of Accent
1.2.1.1.1Position
1.2.1.1.2Extent
1.2.1.1.3Similarity
1.2.1.1.4Frequency
1.2.1.1.5Distribution
1.2.1.2Figures of Pause and Pitch
1.2.2Phonesthetic Performance: Rhythm
1.2.2.1Deviating Stresses
1.2.2.2Deviating Pauses
1.2.3Text Analysis: William Shakespeare, A Midsummernight's Dream V.i. 108-117.
1.3The Interrelationship of Phonemes and Prosodic Figures
2Morphological Figures
2.1Figures of Morphological Deviation (Metamorphemes)
2.1.1Intra-word Deviation
2.1.1.1Addition
2.1.1.2Subtraction
2.1.1.3Permutatution
2.1.1.4Substitution
2.1.1.5Text analysis: Lewis Carroll: Jabberwocky
2.1.2Contextual Deviation
2.1.2.1Diastratic Deviations
2.1.2.2Diatopic Deviations
2.1.2.3Bilingual or Multilingual Deviations
2.1.2.4Diachronic Deviations
2.1.2.5Digression: Deviation of the Word Class (Conversion)
2.1.2.6Text Analysis: E.E. Cummings, anyone lived in a pretty how town
2.2Figures of Morphological Equivalence (Isomorphemes)
2.2.1Position
2.2.2Extent
2.2.3Frequency
2.2.4Distribution
2.2.5Similarity
2.2.5.1Polyptoton
2.2.5.2Paronymy
2.2.5.3The Ambiguity of Word Play
2.2.5.3.1Homophonous Word Play
2.2.5.3.2Polysemic and Homonymic Word Play
2.2.5.3.3Homeophonic Word Play (Paronomasia)
2.2.5.3.4Homeographic Word Play (Eye Rhyme)
2.2.6Text Analysis: George Herbert, A Wreath
3Syntactic Figures
3.1Figures of Syntactic Deviation (Metataxemes)
3.1.1Addition
3.1.2Subtraction
3.1.2.1Ellipsis
3.1.2.2Zeugma
3.1.3Permutation
3.1.4Substitution
3.1.5Text Analysis: Carl Sternheim, Das Fossil I.iv (excerpt)
3.2Figures of Syntactic Equivalence (Isotaxemes)
3.2.1Similarity
3.2.2Frequency
3.2.3Extent and Position
3.2.4Distribution
3.2.5Phonological, Morphological and Semantic Aspects
3.2.6Text Analyses
3.2.6.1Bertolt Brecht, Lob der Partei
3.2.6.2William Shakespeare, Julius Caesar III.ii.13-47 (Brutus' speech)
4Semantic Figures
4.1Figures of Semantic Deviation (Metasememes)
4.1.1Addition
4.1.2Subtraction
4.1.3Permutation
4.1.4Substitution
4.1.4.1Similarity Tropes (Metaphers)
4.1.4.2Contiguity Tropes (Metonymies)
4.1.5Text Analyses
4.1.5.1Johann Wolfgang von Goethe, Kennst du das Land ...?
4.1.5.2Emily Dickinson, I like to see it lap the Miles
4.2Figures of Semantic Equivalence (Isosememes)
4.2.1Text Analyses
4.2.1.1Edmund Spenser, The Faerie Queene III.i.46
4.2.1.2Andreas Gryphius, Die Hölle
5Graphemic Figures
5.1Figures of Graphemic Deviation (Metagraphemes)
5.1.1Addition
5.1.2Subraction
5.1.3Permutation
5.1.4Substitution
5.1.4.1Substitution within the same Graphemic System
5.1.4.2Substitution outside the same Graphemic System
5.1.5Text Analyses
5.1.5.1Ernst Jandl, onkel toms hütte
5.1.5.2Gerhard Rühm, schweigen
5.2Figures of Graphemic Equivalence (Isographemes)
5.2.1Text Analyses
5.2.1.1Gerhard Rühm, die ersten menschen sind auf dem mond
5.2.1.2A Poem by E.E. Cummings
5.2.1.3Václav Havel, antreten
6Textological Figures (Text Figures)
6.1Figures of Textological Deviation (Metatextemes)
6.1.1Addition
6.1.2Subtraction
6.1.3Substitution
6.1.4Permutation
6.2Figures of Textological Equivalence (Isotextemes)
7Intertextual Figures
7.1Figures of Intertextual Deviation (Meta-Intertextemes)
7.1.1Substitution (Citation/Quotation)
7.1.2Permutation (Cento)
7.2Figures of Intertextual Equivalence (Iso-Intertextemes)
Bibliography
Indices
1Index of Names
2Index of Subjects
Part I Rhetoric and Literature
IFrom the Decline of Rhetoric to its Revival
IIRhetorical Literature
III Literary Rhetoric
IV Rhetoric and Literary Criticism
Part II The Realm of Rhetoric
1Approaches to Rhetoric
2Domains of Rhetoric
3The Rhetoric of Figures
4The System of Figures
4.1Proposal for a New Model of Figures
4.2Model Comparison as Model Critique
4.2.1Historical Models of Figures
4.2.2Modern Models of Figures
4.2.3Critical Synopsis
4.3Pragmatic and Semantic Figures
5Competence and Performance
6The Aesthetics of Figures
Part III ― The System of Figures
1Phonological Figures
1.1Phonaesthetic Basic Structure: The Phonological Figures
1.1.1Figures of Phonological Deviation (Metaphonemes)
1.1.1.1Addition
1.1.1.2Subtraction
1.1.1.3Permutation
1.1.1.4Substitution
1.1.1.5Text Analysis: Ernst Jandl, etüde in f, v. 1-3
1.1.2Figures of Phonological Equivalence (Isophonemes)
1.1.2.1Position
1.1.2.2Extent
1.1.2.3Similarity
1.1.2.4Frequency
1.1.2.5Distribution
1.1.2.6Text Analysis: Gerard Manley Hopkins, The Windhover
1.1.2.7Digression: Semantic Aspects of Phonaesthetics
1.2Phonaesthetic Superstructure: The Prosodic Figures
1.2.1Phonaesthetic Competence: The Metre
1.2.1.1Figures of Accent
1.2.1.1.1Position
1.2.1.1.2Extent
1.2.1.1.3Similarity
1.2.1.1.4Frequency
1.2.1.1.5Distribution
1.2.1.2Figures of Pause and Pitch
1.2.2Phonesthetic Performance: Rhythm
1.2.2.1Deviating Stresses
1.2.2.2Deviating Pauses
1.2.3Text Analysis: William Shakespeare, A Midsummernight's Dream V.i. 108-117.
1.3The Interrelationship of Phonemes and Prosodic Figures
2Morphological Figures
2.1Figures of Morphological Deviation (Metamorphemes)
2.1.1Intra-word Deviation
2.1.1.1Addition
2.1.1.2Subtraction
2.1.1.3Permutatution
2.1.1.4Substitution
2.1.1.5Text analysis: Lewis Carroll: Jabberwocky
2.1.2Contextual Deviation
2.1.2.1Diastratic Deviations
2.1.2.2Diatopic Deviations
2.1.2.3Bilingual or Multilingual Deviations
2.1.2.4Diachronic Deviations
2.1.2.5Digression: Deviation of the Word Class (Conversion)
2.1.2.6Text Analysis: E.E. Cummings, anyone lived in a pretty how town
2.2Figures of Morphological Equivalence (Isomorphemes)
2.2.1Position
2.2.2Extent
2.2.3Frequency
2.2.4Distribution
2.2.5Similarity
2.2.5.1Polyptoton
2.2.5.2Paronymy
2.2.5.3The Ambiguity of Word Play
2.2.5.3.1Homophonous Word Play
2.2.5.3.2Polysemic and Homonymic Word Play
2.2.5.3.3Homeophonic Word Play (Paronomasia)
2.2.5.3.4Homeographic Word Play (Eye Rhyme)
2.2.6Text Analysis: George Herbert, A Wreath
3Syntactic Figures
3.1Figures of Syntactic Deviation (Metataxemes)
3.1.1Addition
3.1.2Subtraction
3.1.2.1Ellipsis
3.1.2.2Zeugma
3.1.3Permutation
3.1.4Substitution
3.1.5Text Analysis: Carl Sternheim, Das Fossil I.iv (excerpt)
3.2Figures of Syntactic Equivalence (Isotaxemes)
3.2.1Similarity
3.2.2Frequency
3.2.3Extent and Position
3.2.4Distribution
3.2.5Phonological, Morphological and Semantic Aspects
3.2.6Text Analyses
3.2.6.1Bertolt Brecht, Lob der Partei
3.2.6.2William Shakespeare, Julius Caesar III.ii.13-47 (Brutus' speech)
4Semantic Figures
4.1Figures of Semantic Deviation (Metasememes)
4.1.1Addition
4.1.2Subtraction
4.1.3Permutation
4.1.4Substitution
4.1.4.1Similarity Tropes (Metaphers)
4.1.4.2Contiguity Tropes (Metonymies)
4.1.5Text Analyses
4.1.5.1Johann Wolfgang von Goethe, Kennst du das Land ...?
4.1.5.2Emily Dickinson, I like to see it lap the Miles
4.2Figures of Semantic Equivalence (Isosememes)
4.2.1Text Analyses
4.2.1.1Edmund Spenser, The Faerie Queene III.i.46
4.2.1.2Andreas Gryphius, Die Hölle
5Graphemic Figures
5.1Figures of Graphemic Deviation (Metagraphemes)
5.1.1Addition
5.1.2Subraction
5.1.3Permutation
5.1.4Substitution
5.1.4.1Substitution within the same Graphemic System
5.1.4.2Substitution outside the same Graphemic System
5.1.5Text Analyses
5.1.5.1Ernst Jandl, onkel toms hütte
5.1.5.2Gerhard Rühm, schweigen
5.2Figures of Graphemic Equivalence (Isographemes)
5.2.1Text Analyses
5.2.1.1Gerhard Rühm, die ersten menschen sind auf dem mond
5.2.1.2A Poem by E.E. Cummings
5.2.1.3Václav Havel, antreten
6Textological Figures (Text Figures)
6.1Figures of Textological Deviation (Metatextemes)
6.1.1Addition
6.1.2Subtraction
6.1.3Substitution
6.1.4Permutation
6.2Figures of Textological Equivalence (Isotextemes)
7Intertextual Figures
7.1Figures of Intertextual Deviation (Meta-Intertextemes)
7.1.1Substitution (Citation/Quotation)
7.1.2Permutation (Cento)
7.2Figures of Intertextual Equivalence (Iso-Intertextemes)
Bibliography
Indices
1Index of Names
2Index of Subjects
Notă biografică
Heinrich F. Plett was Professor of English at the University of Essen (1972-2004) where he founded the Center for Rhetoric and Renaissance Studies. He co-founded the International Society for the History of Rhetoric in 1977. He has organized many conference on rhetoric, poetics, and Renaissance literature and has published extensively on the same topics.