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Look For Me and I'll Be Gone

Autor John Edgar Wideman
en Limba Engleză Paperback – 3 noi 2022
?This is truly inimitable storytelling' Observer
'[A] master of language' New York Times

A boy stands alone, unable to enter the room in which his grandfather's coffin lies. Freddie Jackson's song ?You Are My Lady' plays on the car radio as a son is brought to a prison cell in Arizona. A narrator contemplates the Atlanta child murders from 1979.

Look For Me And I'll Be Gone is vital reading for anyone interested in the state of America today. Historical and contemporary, intimate and expansive, the stories here represent a pioneering writer whose innovation, form and imagination know no bounds.
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Hardback (1) 10877 lei  3-5 săpt. +1824 lei  4-10 zile
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Specificații

ISBN-13: 9781838855178
ISBN-10: 1838855173
Pagini: 336
Ilustrații: No
Dimensiuni: 128 x 195 x 25 mm
Greutate: 0.24 kg
Ediția:Main
Editura: Canongate Books

Notă biografică

John Edgar Wideman's books include Writing to Save a Life, Philadelphia Fire, Brothers and Keepers, Fatheralong, Hoop Roots and Sent for You Yesterday. He is a MacArthur Fellow and has won the PEN/Faulkner Award twice and has been a finalist for the National Book Critics Circle Award and National Book Award. In 2017, Wideman won the the Prix Femina Étranger for Writing to Save a Life. He divides his time between New York and France.

Descriere

Descriere de la o altă ediție sau format:

A WALL STREET JOURNAL BEST BOOK OF THE YEAR

Forty years after John Edgar Wideman's first book of stories, comes this stunning collection that is vital reading for anyone interested in the state of America today. Its subjects range from Michael Jordan to Emmett Till, from distrust of authority to everyday grief, from childhood memories to the final day in a prison cell.

A boy stands alone in his grandmother's house, unable to enter the room in which his grandfather's coffin lies, afraid the dead man may speak, afraid he won't speak. Freddie Jackson's song 'You Are My Lady' plays on the car radio as a son is brought to a prison cell in Arizona. A narrator contemplates the Atlanta child murders from 1979.

Never satisfied to simply tell a story, Wideman continues to push form, with stories within stories, sentences that rise like a jazz solo with every connecting clause, voices that reflect who he is and where he's from, and an exploration of time that entangles past and present. Whether historical or contemporary, intimate or expansive, the stories here represent a pioneering American writer whose innovation and imagination know no bounds.