Cantitate/Preț
Produs

Love's Litany: The Writing of Modern Homoerotics

Autor Kevin Kopelson
en Limba Engleză Paperback – 31 iul 1994
This analysis of the relation of erotic philosophy to homosexuality in the modern period focuses on homoerotic (mis)appropriations and subversions of homoerotic conceptions of romantic love in texts by authors including Oscar Wilde, Andre Gide, Ronald Firbank, Virginia Woolf and Gertrude Stein.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 16609 lei  3-5 săpt.
  Stanford University Press – 31 iul 1994 16609 lei  3-5 săpt.
Hardback (1) 64273 lei  6-8 săpt.
  Stanford University Press – 31 iul 1994 64273 lei  6-8 săpt.

Preț: 16609 lei

Nou

Puncte Express: 249

Preț estimativ în valută:
3179 3306$ 2664£

Carte disponibilă

Livrare economică 20 februarie-06 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780804723459
ISBN-10: 0804723451
Pagini: 208
Dimensiuni: 150 x 250 x 13 mm
Greutate: 0.25 kg
Ediția:1
Editura: Stanford University Press
Colecția Stanford University Press

Recenzii

"At once invitingly stylish and excitingly lucid, Love's Litany disentangles a rich, distinct tradition of philosophizing homoerotic love that looks back to Romanticism and urges forward toward modernism—toward the passionate merging, crystallization, camaraderie, experimentation, and mortal loss that mark our own fin de siècle."—Eve Kosofsky Sedgwick, Duke University

"Everywhere tenderly epigrammatic, Kevin Kopelson's voice—moving with a litigator's clean, panoptic brio—demonstrates that critique can be a form of courtship, even a form of love."—Wayne Koestenbaum, Yale University

Textul de pe ultima copertă

“At once invitingly stylish and excitingly lucid, Love’s Litany disentangles a rich, distinct tradition of philosophizing homoerotic love that looks back to Romanticism and urges forward toward modernism—toward the passionate merging, crystallization, camaraderie, experimentation, and mortal loss that mark our own fin de siècle.”—Eve Kosofsky Sedgwick, Duke University
“Everywhere tenderly epigrammatic, Kevin Kopelson’s voice—moving with a litigator’s clean, panoptic brio—demonstrates that critique can be a form of courtship, even a form of love.”—Wayne Koestenbaum, Yale University