Magical Musical Tour: Rock and Pop in Film Soundtracks
Autor Professor Kevin J. Donnellyen Limba Engleză Hardback – 21 oct 2015
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Specificații
ISBN-13: 9781628921281
ISBN-10: 1628921285
Pagini: 216
Ilustrații: 50 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1628921285
Pagini: 216
Ilustrații: 50 bw illus
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Case studies include known and obscure films, approached from aesthetic and commercial points of view
Notă biografică
K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012).
Cuprins
Chapter 1 - Introduction: Rock Aesthetics and their Relation to Film AestheticsChapter 2 - The Beatles and the Beat Boom: Exploitation CinemaChapter 3 - The Psychedelic ScreenChapter 4 - Obscured by Pink FloydChapter 5 - Progressive Rock and Visualized Live AlbumsChapter 6 - Blaxploitation: Singing Across 110th Street Chapter 7 - Bowie Falling to Earth: The Failed Film SoundtrackChapter 8 - Cohabitation: Elfman and Prince's BatmanChapter 9 - New Careers: Rock Musicians Become Film ComposersChapter 10 - Golden Years: 90s Hip Song Compilation FilmsChapter 11 - Copyright and Musical Censorship: Gangsta Rap and Bad LieutenantChapter 12 - New Music for Old MoviesBibliographyIndex
Recenzii
Magical Musical Tour gives readers not only the best seat in the house but the best beat too, focusing on the extensive growth of rock and pop in film soundtracks ... [This] in-depth book should appeal to anyone with an interest in cinema music.
By syncing '1, 2, 3, 4!' with 'Lights, Camera, Action!,' Donnelly offers an illuminating recontextualization of cinema's pop aspirations and pop imagination - from the classics to the curate's eggs. Magical Musical Tour is one of the precious few studies to venture out into that contested interzone of vinyl and celluloid, and film criticism and liner notes, and across paralleled galaxies of star systems. Donnelly mediates deftly between the projected visualities of pop music soundscapes, and the bootleg mixtapes embedded in feature films.
The relationship between music and film has been an emerging field of study in recent decades. In Magical Musical Tour, K.J. Donnelly expands the niche that focuses on rock-influenced popular music in film, and the subsequent musical outgrowths of that style such as hip hop and rap. Scoring eclecticism was spawned in the 1950's and 60's and has its roots partially from the increased use of popular music in film. The 1970's and 80's were witness to the increasing transmutation of rock and pop musicians as films composers that continues to this day. Donnelly examines how pop and rock scores not only enhanced and replaced traditional scoring, but generated their own genre of film, the rock documentary. With Magical Musical Tour, Donnelly provides academics and enthusiasts alike an in-depth discussion exclusively dedicated to the contributions that rock and popular music bring to the evolution of film-scoring.
By syncing '1, 2, 3, 4!' with 'Lights, Camera, Action!,' Donnelly offers an illuminating recontextualization of cinema's pop aspirations and pop imagination - from the classics to the curate's eggs. Magical Musical Tour is one of the precious few studies to venture out into that contested interzone of vinyl and celluloid, and film criticism and liner notes, and across paralleled galaxies of star systems. Donnelly mediates deftly between the projected visualities of pop music soundscapes, and the bootleg mixtapes embedded in feature films.
The relationship between music and film has been an emerging field of study in recent decades. In Magical Musical Tour, K.J. Donnelly expands the niche that focuses on rock-influenced popular music in film, and the subsequent musical outgrowths of that style such as hip hop and rap. Scoring eclecticism was spawned in the 1950's and 60's and has its roots partially from the increased use of popular music in film. The 1970's and 80's were witness to the increasing transmutation of rock and pop musicians as films composers that continues to this day. Donnelly examines how pop and rock scores not only enhanced and replaced traditional scoring, but generated their own genre of film, the rock documentary. With Magical Musical Tour, Donnelly provides academics and enthusiasts alike an in-depth discussion exclusively dedicated to the contributions that rock and popular music bring to the evolution of film-scoring.