May Sinclair
Editat de Claire Drewery, Rebecca Bowleren Limba Engleză Paperback – 27 feb 2018
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Specificații
ISBN-13: 9781474431521
ISBN-10: 1474431526
Pagini: 256
Dimensiuni: 156 x 231 x 20 mm
Greutate: 0.43 kg
Editura: EDINBURGH UNIVERSITY PRESS
ISBN-10: 1474431526
Pagini: 256
Dimensiuni: 156 x 231 x 20 mm
Greutate: 0.43 kg
Editura: EDINBURGH UNIVERSITY PRESS
Notă biografică
Rebecca Bowler is Lecturer in Twentieth-Century English Literature at Keele University. Before taking up the Lectureship at Keele in September 2016 Dr Bowler was Research Associate on the Dorothy Richardson Scholarly Editions Project, editing the collected letters and complete fiction of the modernist writer Dorothy Richardson for publication with OUP. Her monograph, Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair was published by Bloomsbury in September 2016. She is co-founder of the May Sinclair Society and is co-editor, with Claire Drewery, of May Sinclair: Re-Thinking Bodies and Minds (EUP, 2016).
Claire Drewery is Senior Lecturer in English at Sheffield Hallam University. She is the author of Modernist Short Fiction by Women: the Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf (Ashgate 2011), co-founder of the May Sinclair Society, and co-editor, with Rebecca Bowler, of May Sinclair: Re-Thinking Bodies and Minds (EUP, 2016).
Claire Drewery is Senior Lecturer in English at Sheffield Hallam University. She is the author of Modernist Short Fiction by Women: the Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf (Ashgate 2011), co-founder of the May Sinclair Society, and co-editor, with Rebecca Bowler, of May Sinclair: Re-Thinking Bodies and Minds (EUP, 2016).
Descriere
This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.