Meaning-Making in the Contemporary Congregational Song Genre
Autor Daniel Thorntonen Limba Engleză Paperback – 8 oct 2021
Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide uniqueinsight into the current global CCS genre, and into its possible futures.
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Specificații
ISBN-13: 9783030556112
ISBN-10: 3030556115
Pagini: 236
Ilustrații: XV, 236 p. 7 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.31 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030556115
Pagini: 236
Ilustrații: XV, 236 p. 7 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.31 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
Chapter 1 Contemporary Congregational Songs Genre Formation and Scrutiny.- Chapter 2 Contemporary Congregational Song.- Chapter 3 The Contemporary Congregational Song Industry (Poietic Analysis Pt 1).- Chapter 4 So the Songwriters Say (Poietic Analysis Pt 2).- Chapter 5 The Old and New Guard – Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analysis Pt 3).- Chapter 6 How Christians Feel About the Songs they Sing – Individually (Esthesic Analysis Pt 1).- Chapter 7 How Christians Feel About the Songs they Sing – Corporately (Esthesic Analysis Pt 2).- Chapter 8 Just Another Pop Song? The Music (Trace Analysis Pt 1).- Chapter 9 Just Another Pop Song? The Lyrics (Trace Analysis Pt 2).- Chapter 10 Some Individual Examples – Australia (Trace Analysis Pt 3).- Chapter 11 Some Individual Examples – UK and USA (Trace Analysis Pt 4).- Chapter 12 The Current and Future Contemporary Congregational Songs Genre.
Notă biografică
Daniel Thornton is the Head of Worship at Alphacrucis College, Australia, and an ordained minister with the Australian Christian Churches. A professional composer and performer, Daniel has written and recorded numerous albums and continues to lead worship and train worshipers in churches around the world.
Textul de pe ultima copertă
This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians.
Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures.
Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures.
Caracteristici
Analyzes the most sung contemporary congregational songs (CCS) as a global music genre Explores global CCS from the perspective of production, composers, audience, and the texts themselves Provides unique insights into the meaning-making processes associated with CCS