Mediated Terrorism in the 21st Century
Editat de Elena Caoduro, Karen Randell, Karen A. Ritzenhoffen Limba Engleză Paperback – 22 iun 2022
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Specificații
ISBN-13: 9783030735135
ISBN-10: 3030735133
Ilustrații: XXI, 289 p. 24 illus., 17 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.48 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030735133
Ilustrații: XXI, 289 p. 24 illus., 17 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.48 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
Preface - Sean Redmond.- 1. Introduction - Elena Caoduro, Karen Randell, and Karen A. Ritzenhoff.- 2. Paradise Now (2005) - Robert Burgoyne.- 3. Munich: Spielberg and Terrorism - Frederick Wasser.- 4. Spinning Terror on TV: How The Grid Taught Us What To Fear - Dahlia Schweitzer.- 5. “God, I Miss the Cold War”: The Imagination of Terrorism on Post 9/11 American Television - Ariel Avissar.- 6. Battling it out with Memes: Contesting Islamic Radicalism on Indonesian Social Media - Leonie Schmidt.- 7. 1984: Gauri Gill’s Photo Narrativization of the (Continuing) “Horrors of Those Weeks” - Harveen Sachdeva Mann.- 8. The Pencil is Mightier than the Kalashnikov: What Cartoons can tell us about our Misunderstanding of Terrorist Acts in the Wake of the Charlie Hebdo Massacre - Matt Leggatt.- 9. Return to Entebbe: CineTerrorism as Contested Memory - Tobias Ebbrecht-Hartmann.- 10. In the Fade (Fatih Akin, 2017): Motherhood, Grief, and Neo-Nazi Terrorism - Elena Caoduro.- 11. Tales of Revenge and Chaos: Exploring Terrorism’s Discursive Use in The Dark Knight (2008) and Skyfall (2012) - Charles-Antoine Courcoux.- 12. Terrorism and Gender in Eye in the Sky and Zero Dark Thirty: Women and Girls on the War Front in Contemporary Cinema - Karen A. Ritzenhoff.- 13. Afterword - Stacey Takacs.
Notă biografică
Elena Caoduro is Lecturer in Media Analysis at Queen’s University Belfast, UK. Her research on contemporary European cinema, analogue nostalgia, trauma, and memory of terrorism has been published in edited collections and journals, including Networking Knowledge, Alphaville Journal of Film and Screen Media, and NECSUS: European Journal of Media Studies.
Karen Randell is Professor of Film and Culture at the University of Bedfordshire, UK, where she is an Honorary Research Fellow of the Research Institute of Media and Performance. She has coedited seven books including The War Body on Screen (2008), Reframing 9/11: Film, Popular Culture and the “War on Terror” (2010), and Screening the Dark Side of Love: From Euro-Horror to American Cinema (2012). She is published in Screen (2003), Cinema Journal 51:1 (2011), and Cinema Journal 56:1 (2016).
Karen A. Ritzenhoff is Professor in the Department of Communication at Central Connecticut State University, USA. She is Co-Chair of Women, Gender, and Sexuality Studies. New Perspectives on the War Film was published by Palgrave in 2019. She has also co-edited The Handmaid’s Tale: Teaching Dystopia, Feminism, and Resistance (2019) and, most recently, Black Panther: Afrofuturism, Gender, Identity and the Re-Making of Blackness (2021).
Karen Randell is Professor of Film and Culture at the University of Bedfordshire, UK, where she is an Honorary Research Fellow of the Research Institute of Media and Performance. She has coedited seven books including The War Body on Screen (2008), Reframing 9/11: Film, Popular Culture and the “War on Terror” (2010), and Screening the Dark Side of Love: From Euro-Horror to American Cinema (2012). She is published in Screen (2003), Cinema Journal 51:1 (2011), and Cinema Journal 56:1 (2016).
Karen A. Ritzenhoff is Professor in the Department of Communication at Central Connecticut State University, USA. She is Co-Chair of Women, Gender, and Sexuality Studies. New Perspectives on the War Film was published by Palgrave in 2019. She has also co-edited The Handmaid’s Tale: Teaching Dystopia, Feminism, and Resistance (2019) and, most recently, Black Panther: Afrofuturism, Gender, Identity and the Re-Making of Blackness (2021).
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Caracteristici
Offers a comparative survey of the complex and controversial encounters between the spectacle of terrorist violence, traumatic memory, and commemoration
Looks to shift the focus beyond 9/11 and the USA and considers international terrorism as a prism through which to understand our contemporary interconnected world
Considers the most recent technological developments which have impacted the way we experience terrorism: online videos, social media, GPS technologies, and drones
Looks to shift the focus beyond 9/11 and the USA and considers international terrorism as a prism through which to understand our contemporary interconnected world
Considers the most recent technological developments which have impacted the way we experience terrorism: online videos, social media, GPS technologies, and drones