Mediating Gender in Post-Authoritarian South Korea: Perspectives On Contemporary Korea
Editat de Jesook Song, Michelle Choen Limba Engleză Paperback – 29 apr 2024
Mediating Gender in Post-Authoritarian South Korea maps the ways in which popular media and public discourse make the social dynamics of gender visible and open them up for debate and dismantling. In presenting innovative new research on the ways in which popular ideas about gender gain concrete form and political substance through mass mediation, the book’s contributors investigate the discursive production of gender in contemporary South Korea through trends, tropes, and thematics, as popular media become the domain in which new gendered subjectivities and relations transpire. The essays in this volume present cases and media objects that span multiple media and platforms, introducing new ways of thinking about gender as a platform and a conceptual infrastructure in the post-authoritarian era.
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Specificații
ISBN-13: 9780472056668
ISBN-10: 0472056662
Pagini: 350
Ilustrații: 14 illustrations
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.48 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Seria Perspectives On Contemporary Korea
ISBN-10: 0472056662
Pagini: 350
Ilustrații: 14 illustrations
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.48 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Seria Perspectives On Contemporary Korea
Notă biografică
Michelle Cho is Assistant Professor of East Asian Studies at the University of Toronto in Canada.
Jesook Song is Professor of Anthropology, affiliated with Women and Gender Studies, Sexuality Diversity Studies, and the Center for the Studies of Korea at the University of Toronto in Canada.
Jesook Song is Professor of Anthropology, affiliated with Women and Gender Studies, Sexuality Diversity Studies, and the Center for the Studies of Korea at the University of Toronto in Canada.
Cuprins
Contents
Acknowledgments
Introduction: Mediating Gender in Post-Authoritarian South Korea
Michelle Cho and Jesook Song
Section I: Historicization of Media: Gender as Platforms and Polemics
Jesook Song
1: Feminism Reboot: neoliberalism, Korean Movies, Misogyny, and Beyond
Hee-jeong Sohn
2: Intermedial Feminism: Megalia and Kangnam Station Exit 10
HyeYoung Cho, translated by Aliju Kim
3: The Birth of “Korean Manhwa and the Discourse of Gendered Realism Since the 1990s
Dahye Kim
4: Gendered Violence, Crisis of Masculinity, and Regressive Transgression in Postmillennial South Korean Crime Thrillers
Miseong Woo
Section II: Consuming Gender: Gendered Consumerism and Consumption of Gendered Claims
Jesook Song
5: Female Pathology and the Marginal Humor in a Thrift Podcast: Kim Saengmin’s Receipts
Bohyeong Kim
6: Against Confinement: Degeneration, Mental Disability, and the Conditions of Nonviolence in The Vegetarian
Eunjung Kim
7: Gendered Mediation in Yun Sangho’s Saimdang: Memoir of Colors
Youngmin Choe
8: “I Can Speak Because I Am a Mother”: The Trope of Motherhood in Mothers’ Political Activism Relating to the Sewol Ferry Disaster
Jinsook Kim
Section III: Pop Remediation: Beyond Binary Gender Forms
Jesook Song
9: A Spunky Girl Meets a Queer Boy: Neoliberal Remediation of the Post-Authoritarian Period in the Korean Reply TV Series
Hyun Gyung Kim
10: The Emergence of “Daughter-Fools”: The Mediation of Masculinity via New Fatherhood After the 1997 Asian Financial Crisis
Yoon Heo
11: Discontent with Gender and Sexuality in Painter of the Wind
Sunyoung Yang
12: BL-ing Bromance, Bromancing Ŭiri: Investigating Inter-Male Intimacy in Contemporary Korean Cinema
Moonim Baek
Acknowledgments
Introduction: Mediating Gender in Post-Authoritarian South Korea
Michelle Cho and Jesook Song
Section I: Historicization of Media: Gender as Platforms and Polemics
Jesook Song
1: Feminism Reboot: neoliberalism, Korean Movies, Misogyny, and Beyond
Hee-jeong Sohn
2: Intermedial Feminism: Megalia and Kangnam Station Exit 10
HyeYoung Cho, translated by Aliju Kim
3: The Birth of “Korean Manhwa and the Discourse of Gendered Realism Since the 1990s
Dahye Kim
4: Gendered Violence, Crisis of Masculinity, and Regressive Transgression in Postmillennial South Korean Crime Thrillers
Miseong Woo
Section II: Consuming Gender: Gendered Consumerism and Consumption of Gendered Claims
Jesook Song
5: Female Pathology and the Marginal Humor in a Thrift Podcast: Kim Saengmin’s Receipts
Bohyeong Kim
6: Against Confinement: Degeneration, Mental Disability, and the Conditions of Nonviolence in The Vegetarian
Eunjung Kim
7: Gendered Mediation in Yun Sangho’s Saimdang: Memoir of Colors
Youngmin Choe
8: “I Can Speak Because I Am a Mother”: The Trope of Motherhood in Mothers’ Political Activism Relating to the Sewol Ferry Disaster
Jinsook Kim
Section III: Pop Remediation: Beyond Binary Gender Forms
Jesook Song
9: A Spunky Girl Meets a Queer Boy: Neoliberal Remediation of the Post-Authoritarian Period in the Korean Reply TV Series
Hyun Gyung Kim
10: The Emergence of “Daughter-Fools”: The Mediation of Masculinity via New Fatherhood After the 1997 Asian Financial Crisis
Yoon Heo
11: Discontent with Gender and Sexuality in Painter of the Wind
Sunyoung Yang
12: BL-ing Bromance, Bromancing Ŭiri: Investigating Inter-Male Intimacy in Contemporary Korean Cinema
Moonim Baek
Recenzii
"Mediating Gender introduces a range of examples of media in South Korea to the international scholarly community. It joins a growing body of literature that both engages with and challenges Anglophone-centered scholarship, potentially shifting the center. In doing so, the book makes a crucial contribution to global feminist scholarship by exemplifying the fluid and dynamic intersectionality of the local and the global, of the dominant and the marginal, and of the center and the periphery."
“This book brings together cutting-edge research on feminism and misogyny in South Korea to give English language readers insight into one of the most vibrant and contested political reckonings playing out in the world today. This volume is a must-read for both academics and dedicated fans who wish to dive deeper into the context and meaning of cherished South Korean cultural products. A brilliant volume.”
“This book brings together cutting-edge research on feminism and misogyny in South Korea to give English language readers insight into one of the most vibrant and contested political reckonings playing out in the world today. This volume is a must-read for both academics and dedicated fans who wish to dive deeper into the context and meaning of cherished South Korean cultural products. A brilliant volume.”
Descriere
An interdisciplinary look at gender and sexuality in contemporary South Korea