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Medieval Song in Romance Languages

Autor John Haines
en Limba Engleză Paperback – feb 2017
In this book, John Haines presents a detailed survey of songs performed in Vulgar Latin and early Romance languages from around 500 to 1200. The first part of the book discusses this enormous body of neglected songs according to the categories of lament, love song, epic and devotional song. Medieval sources - mostly condemnations - ranging from sermons to chronicles attest to the long life and popularity of this music performed all throughout this period, and predominantly by women. Performance contexts range from the burial of the dead to the nursing of infants. The study argues for the reinstatement of female vernacular song in the mainstream of medieval music historiography and ends with a discussion of the neglected medieval lullaby. The second part of the book presents an edition and informative commentary of the dozen surviving witnesses with musical notation in the early Romance period prior to 1200.
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Specificații

ISBN-13: 9781316639801
ISBN-10: 1316639800
Pagini: 318
Ilustrații: 36 b/w illus. 5 tables
Dimensiuni: 173 x 245 x 18 mm
Greutate: 0.51 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom

Cuprins

Part I. Medieval Song in Romance Languages: 1. Song; 2. Lament; 3. Love song; 4. Epic song; 5. Devotional song; 6. Conclusion; Appendix. Medieval condemnations of dance songs; Bibliography; Manuscript sources; Part II. Songs with Musical Notation.

Recenzii

'This study seeks to shed light on a large body of female song in Vulgar Latin and early Romance languages from around 500 to 1200 CE. … This study will be valuable as a teaching resource. It provides useful surveys of scholarship and a coherent narrative for these songs. … will surely beckon further research on these bits of song in their manuscript context.' Karen L. Fresco, Studies in Medieval and Renaissance Teaching (SMART)

Notă biografică


Descriere

Ranging from 500 to 1200, this book considers the neglected vernacular music of this period, performed mainly by women.