Memos from a Theatre Lab: Series in Performing Arts
Autor Nandita Dineshen Limba Engleză Hardback – 10 ian 2018
Memos from a Theatre Lab: Spaces, Relationships and Immersive Theatre explores the following questions: When audience members do not know the actors outside the milieu of a theatrical performance, does an immersive form hold different implications than if performers and spectators know each other in 'real life'? When actors and spectators are strangers to each other, are performers more or less likely to judge the responses that are given to them within an immersive scenario? What kinds of immersive situations, especially in Applied Theatre interventions, might benefit from the presence or absence of a pre-existing relationship between performers, audience members, and the spaces in which these experiences occur?
In describing the processes involved in: designing such an experiment, crafting the relevant immersive performances, and gathering/ analysing data from actors and spectators, this book puts forward strategies for students, researchers, and practitioners who seek to better understand the form of Immersive Theatre.
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Taylor & Francis – 6 dec 2016 | 323.49 lei 6-8 săpt. | |
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Specificații
ISBN-13: 9781622733699
ISBN-10: 162273369X
Pagini: 156
Dimensiuni: 157 x 235 x 13 mm
Greutate: 0.37 kg
Editura: Vernon Press
Colecția Series in Performing Arts
Seria Series in Performing Arts
ISBN-10: 162273369X
Pagini: 156
Dimensiuni: 157 x 235 x 13 mm
Greutate: 0.37 kg
Editura: Vernon Press
Colecția Series in Performing Arts
Seria Series in Performing Arts
Notă biografică
Nandita Dinesh holds a Ph.D. in Drama from the University of Cape Town in South Africa and an MA in Performance Studies from the Tisch School of the Arts at New York University. Focused on the role that theatre can play during and after violent conflict, Dinesh has conducted community-based theatre projects in India, Mexico, Costa Rica, Guatemala, Rwanda, Uganda, Kenya, and Zimbabwe. She currently teaches Theatre Arts and Literature & Performance, in addition to overseeing the juvenile justice programming, at the United World College in Montezuma, New Mexico. Nandita's books include Theatre & War: Notes from the Field, Memos from a Theatre Lab: Exploring What Immersive Theatre "Does", and Scripting Detention: A Project in Theater and Autoethnography with Incarcerated Teens. In 2017 she was awarded the Elliott Hayes Award for Outstanding Achievement in Dramaturgy by Literary Managers and Dramaturgs of the Americas.
Cuprins
Introduction
Chapter One: The Framework
Chapter Two: The Two Performances
Chapter Three: The Data & the Spectators
Chapter Four: The Data & the Actors
Conclusions
Chapter One: The Framework
Chapter Two: The Two Performances
Chapter Three: The Data & the Spectators
Chapter Four: The Data & the Actors
Conclusions
Descriere
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What does immersive theatre ‘do’?
By contrasting two specific performances on the same theme - one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the ‘hows’ and ‘whys’ of her specific aesthetic framework.
Memos from a Theatre Lab places Dinesh’s practical work within the context of existing analyses of immersive theatre, using this investigation to generate an underpinning theory of how immersive theatre works for its participants.
What does immersive theatre ‘do’?
By contrasting two specific performances on the same theme - one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the ‘hows’ and ‘whys’ of her specific aesthetic framework.
Memos from a Theatre Lab places Dinesh’s practical work within the context of existing analyses of immersive theatre, using this investigation to generate an underpinning theory of how immersive theatre works for its participants.